![Giannina e Bernardone. A new comic opera, in two acts [by Filippo Livigni], as performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/0qCEIyS-00IC?fife=w150-h200)
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Giannina e Bernardone. A new comic opera, in two acts [by Filippo Livigni], as performed at the King's Theatre, etc. Ital. & Eng
![Giannina e Bernardone. A new comic opera, in two acts [by Filippo Livigni], as performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/0qCEIyS-00IC?fife=w80-h100)
Author: The British Library General Catalogue of Printed Books to 1975
Author: British LibraryPublisher:
ISBN:
Category : Reference
Languages : en
Pages : 464
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 496
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 496
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1294
Book Description
The Habsburg Empire 1700-1918
Author: Jean BerengerPublisher: Routledge
ISBN: 1317895738
Category : History
Languages : en
Pages : 353
Book Description
This is the eagerly awaited second volume of Jean Bérenger's history of the Habsburgs. It covers the last two centuries of their rule and provides a compelling account of the fluctuations of Habsburg dynastic power and its disintegration after World War One. Bérenger gives a rich portrait of Habsburg greatness under Maria Theresa and Joseph II and shows how their successors proved more adroit at riding the tide of nationalism in their multi-ethnic empire than is often recognised.
La Fraschetana; a new comic opera: as performed at the King's Theatre in the Hay-market. The music by Signor Paisello, etc. [By Filippo Livigni.] Ital. & Eng
![La Fraschetana; a new comic opera: as performed at the King's Theatre in the Hay-market. The music by Signor Paisello, etc. [By Filippo Livigni.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/mhEpBFvHh3oC?fife=w80-h100)
Author: La Pastorella nobile. A comic opera in two acts [by S. Zini]. Performed at the King's Theatre, etc. Ital. & Eng
![La Pastorella nobile. A comic opera in two acts [by S. Zini]. Performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/mZt0Bie82gcC?fife=w80-h100)
Author: I Zingari in Fiera. A comic opera in two acts, as represented at the King's Theatre ... The translation by F. Panormo, etc. Ital. & Eng
Author: Privilege and Property
Author: Ronan DeazleyPublisher: Open Book Publishers
ISBN: 190692418X
Category : Law
Languages : en
Pages : 438
Book Description
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.