Author: Richard BrilliantPublisher: New Haven : Connecticut Academy of Arts & Sciences
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
Gesture and Rank in Roman Art
Author: Richard BrilliantPublisher: New Haven : Connecticut Academy of Arts & Sciences
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
R. Brilliant, Gesture and rank in Roman art. The use of gestures to denote status in Roman sculpture and coinage
Author: Luigi BeschiGesture and Rank in Roman Art
Author: Harald IngholtPublisher:
ISBN:
Category : Calendar, Mexican
Languages : en
Pages : 238
Book Description
Gestures & Rank in Roman Art
Author: richard brilliantGesture and Rank in Roman Art
Author: Richard BrilliantPublisher:
ISBN:
Category : Gesture in art
Languages : en
Pages : 432
Book Description
Gender and Body Language in Roman Art
Author: Glenys DaviesPublisher:
ISBN: 0521842735
Category : Art
Languages : en
Pages : 371
Book Description
Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.
Anglo-Saxon Gestures and the Roman Stage
Author: Charles Reginald DodwellPublisher: Cambridge University Press
ISBN: 9780521661881
Category : Art
Languages : en
Pages : 256
Book Description
This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell was an eminent art historian and former Director of the Whitworth Art Gallery in Manchester. In this, his last book, he notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence. He presents evidence for dating the archetype of the Terence manuscripts to the mid-third century, and argues persuasively that their gestures reflect actual stage conventions. He identifies a repertory of eighteen Terentian gestures whose meaning can be ascertained from the dramatic contexts in which they occur, and conducts a detailed examination of the use of the gestures in Anglo-Saxon manuscripts. The book, which is extensively illustrated, illuminates our understanding of the vigour of late Anglo-Saxon art and its ability to absorb and transpose continental influence.
Portraiture
Author: Richard BrilliantPublisher: Reaktion Books
ISBN: 9780948462191
Category : Art
Languages : en
Pages : 196
Book Description
"General and theoretical study devoted entirely to portraiture. Drawing on a broad range of images from Antiquity to the twentieth century, which includes paintings, sculptures, prints, cartoons, postage stamps, medals, documents and photographs ... Richard Brilliant investigates the genre as a particular phenomenon in Western art that is especially sensitive to changes in the perceived nature of the individual in society ... Brilliant presents a thematic and cogent analysis of the connections between the subject-matter of portraits and the beholders's response--the response he or she makes to the image itself and to the person it represents ... the power of this imaginative transaction between the subject, the artist and the beholder ... With 85 illustrations, 10 in full colour"--Back cover.
Art in the Lives of Ordinary Romans
Author: John R. ClarkePublisher: Univ of California Press
ISBN: 9780520219762
Category : Art
Languages : en
Pages : 436
Book Description
"Art in the Lives of Ordinary Romans is superbly out of the ordinary. John Clarke's significant and intriguing book takes stock of a half-century of lively discourse on the art and culture of Rome's non-elite patrons and viewers. Its compelling case studies on religion, work, spectacle, humor, and burial in the monuments of Pompeii and Ostia, which attempt to revise the theory of trickle-down Roman art, effectively refine our understanding of Rome's pluralistic society. Ordinary Romans-whether defined in imperialistic monuments or narrating their own stories through art in houses, shops, and tombs-come to life in this stimulating work."—Diana E. E. Kleiner, author of Roman Sculpture "John R. Clarke again addresses the neglected underside of Roman art in this original, perceptive analysis of ordinary people as spectators, consumers, and patrons of art in the public and private spheres of their lives. Clarke expands the boundaries of Roman art, stressing the defining power of context in establishing Roman ways of seeing art. And by challenging the dominance of the Roman elite in image-making, he demonstrates the constitutive importance of the ordinary viewing public in shaping Roman visual imagery as an instrument of self-realization."—Richard Brilliant, author of Commentaries on Roman Art, Visual Narratives, and Gesture and Rank in Roman Art "John Clarke reveals compelling details of the tastes, beliefs, and biases that shaped ordinary Romans' encounters with works of art-both public monuments and private art they themselves produced or commissioned. The author discusses an impressively wide range of material as he uses issues of patronage and archaeological context to reconstruct how workers, women, and slaves would have experienced works as diverse as the Ara Pacis of Augustus, funerary decoration, and tavern paintings at Pompeii. Clarke's new perspective yields countless valuable insights about even the most familiar material."—Anthony Corbeill, author of Nature Embodied: Gesture in Ancient Rome "How did ordinary Romans view official paintings glorifying emperors? What did they intend to convey about themselves when they commissioned art? And how did they use imagery in their own tombstones and houses? These are among the questions John R. Clarke answers in his fascinating new book. Charting a new approach to people's art, Clarke investigates individual images for their functional connections and contexts, broadening our understanding of the images themselves and of the life and culture of ordinary Romans. This original and vital book will appeal to everyone who is interested in the visual arts; moreover, specialists will find in it a wealth of stimulating ideas for further study."—Paul Zanker, author of The Mask of Socrates: The Image of the Intellectual in Antiquity
Body Language in the Greek and Roman Worlds
Author: Douglas CairnsPublisher: Classical Press of Wales
ISBN: 1910589640
Category : History
Languages : en
Pages : 258
Book Description
A distinguished cast of scholars discusses models of gesture and non-verbal communication as they apply to Greek and Roman culture, literature and art. Topics include dress and costume in the Homeric poems; the importance of looking, eye-contact, and face-to-face orientation in Greek society; the construction of facial expression in Greek and Roman epic; the significance of gesture and body language in the visual meaning of ancient sculpture; the evidence for gesture and performance style in the texts of ancient drama; the erotic significance of feet and footprints; and the role of gesture in Roman law. The volume seeks to apply a sense of history as well as of theory in interpreting non-verbal communication. It looks both at the cross-cultural and at the culturally specific in its treatment of this important but long-neglected aspect of Classical Studies.