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Author: Jeffrey L. Sammons Publisher: Bloomsbury Publishing ISBN: 9780826403179 Category : Literary Criticism Languages : en Pages : 340
Book Description
Includes Adalbert Stifer's Preface to Many-Colored Stones, Granite and Limestone; Annette von Droste-Hulshoff's The Jews Beech; Jeremias Gotthelf's The Black Spider; Franz Grillparzer's The Poor Musician; and Eduard Morike's Mozart on the Way to Prague.
Author: Harry Steinhauer Publisher: Univ of California Press ISBN: 9780520030022 Category : Literary Criticism Languages : en Pages : 648
Book Description
The novella, one of the most sophisticated genres of narrative literature, owes its development primarily to German belles lettres. In the present collection, Mr. Steinhauer has assembled a representative sampling that ranges from the Enlightenment to the postwar periods and reveals the scope and flexibility of this art form. Included are Wieland's Love and Friendship Tested, Kleist's Michael Kohlhaas, Chamisso's Peter Schlemihl, Hoffmann's Mademoiselle de Scudery, Keller's Clothes Make the Man, Meyer's Sufferings of a Boy, Mann's The Bajazzo, Fontane's Stine, Hauptmann's Heretic of Soana, Kafka's Hunger Artist, Schnitzler's Fraulein Else, and Bergengruen's Ordeal by Fire.
Author: Theodor Storm Publisher: Mondial ISBN: 9781595690142 Category : Fiction Languages : en Pages : 168
Book Description
Theodor Storm: Immensee / Adelbert von Chamisso: Peter Schlemihl / Adalbert Stifter: Brigitta ---Theodor Storm (1817 - 88), poet and short-story writer, was born in Schleswig... As early as 1843 he had made himself known as a lyrical poet of the Romantic School, ...but he wrote nothing that excels, in depth and tenderness of feeling, the charming story of Immensee; and taking his work all in all, Storm still ranks today as a master of the short story in Ger-man literature, rich though it is in this form of prose-fiction. (C. W. Bell) --- Peter Schlemihl, one of the pleasantest fancies of the days when Germany delighted in romance, was first published in 1814. The story is a poet's whim. Later writings of Chamisso (1781-1838) proved him to be one of the best lyric poets of the romance school of his time, entirely German in his tone of thought. (Henry Morley) --- Brigitta is usually regarded as an early example of German realism and written by probably the most accomplished Austrian prose writer of the nineteenth century, Adalbert Stifter (1805 - 68)..., an illustration of Stifter's didactic con-cern with inner beauty in contrast to outward appearances... Stifter instructs us in more than inner beauty by demonstrating for us - perhaps unwittingly - that the preferred and positive values of the civilized world are always already informed by their antinomies. (Robert C. Holub in: Brigitta, or the Lesson of Realism)
Author: Todd Curtis Kontje Publisher: Camden House ISBN: 9781571133229 Category : Literary Criticism Languages : en Pages : 434
Book Description
This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Mühlbach, Friedrich Spielhagen, Louise von François, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth-century realism. The essays treat the following topics: Stifter's Brigitta and the lesson of realism; Mühlbach, Ranke, and the truth of historical fiction; regional histories as national history in Freytag's Die Ahnen; gender and nation in Louise von François's historical fiction; theory, reputation, and the career of Friedrich Spielhagen; Wilhelm Raabe and the German colonial experience; the poetics of work in Freytag, Stifter, and Raabe; Jewish identity in Berthold Auerbach's novels; Eugenie Marlitt's narratives of virtuous desire; the appeal of Karl May in the Wilhelmine Empire; Thomas Mann's portrayal of male-male desire in his early short fiction; and Fontane's Effi Briest and the end of realism. Contributors: Robert C. Holub, Brent O. Petersen, Lynne Tatlock, Thomas C. Fox, Jeffrey L. Sammons, John Pizer, Hans J. Rindisbacher, Irene S. Di Maio, Kirsten Belgum, Nina Berman, Robert Tobin, Russell A. Berman. Todd Kontje is professor of German at the University of California, San Diego.
Author: Eric Downing Publisher: Stanford University Press ISBN: 9780804736787 Category : Literary Criticism Languages : en Pages : 368
Book Description
Downing s highly original, thorough, and rewarding book is certain to emerge as an indispensable critical reference-point for scholars and students in the areas of narrative theory, problems of realism, and 19th-century German prose. . . . A nearly ideal combination of intellectual scope, erudition, and originality. Thomas Pfau, Duke University To write an engaging and entertaining study of German or poetic realism that offers insightful and differentiated readings of the novellas of Stifter, Storm, Keller, C.F. Meyer, and Raabe through the lenses focused on repetition of narratology, Critical Theory, and psychoanalysis and, to a leser extent gender studies, is without a doubt a daunting endeavor. This study, with its keen analysis of the doubling within German realist texts, is equal to the task. . . . While this book is written to engage and challenge scholars of realism, the clarity of Downing s prose makes the textual twists and turns, and thus the study as a whole, equally accessible to non-specialists. German Studies Review"
Author: Barbara N. Nagel Publisher: Bloomsbury Publishing USA ISBN: 1501352733 Category : Literary Criticism Languages : en Pages : 176
Book Description
Our main words defining emotional states suggest that we have clarity about them: expressions like "love," "hatred," "anxiety," or "sorrow" seem clear enough. The reality, however, tends to be more complicated. We are often faced with gestures and utterances that are difficult to interpret; we thus find ourselves wondering about the affective force of what has just been said: "Was that an insult?" "Flirtation?" "Aggression?" Ambiguous Aggression in German Realism and Beyond looks at three interlocking forms of social violence--flirtation, passive aggression, and domestic violence. In order to understand their circulation, it traces their literary-historical genealogy in German realism and modernism--in scenes from Annette von Droste-Hülshoff, Adalbert Stifter, Theodor Storm, Theodor Fontane, Robert Walser, and Franz Kafka, covering a historical period from the middle of the 19th century to the early decades of the 20th century. Reading realist and modernist literature through 21st-century affect theory and vice versa, the analyses collected in this book show the deep literary history of our current cultural predicaments and predilections.
Author: A. Leslie Willson Publisher: A&C Black ISBN: 9780826409690 Category : History Languages : en Pages : 304
Book Description
Expertly introduced and edited by A. Leslie Willson, the present volume is a collection to read and cherish, and to reread: to pass along and talk about. Its broad themes of tragedy, satire, and carefully observed daily living make it a cross section of German life and liveliness over the second half of the 20th century.