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German Music Criticism in the Late Eighteenth Century

German Music Criticism in the Late Eighteenth Century PDF Author: Mary Sue Morrow
Publisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271

Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.

German Music Criticism in the Late Eighteenth Century

German Music Criticism in the Late Eighteenth Century PDF Author: Mary Sue Morrow
Publisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271

Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.

Instrumental Music in Late Eighteenth-Century Naples

Instrumental Music in Late Eighteenth-Century Naples PDF Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 1108804942
Category : Music
Languages : en
Pages : 339

Book Description
The music of early modern Naples and its renowned artistic traditions remain a fruitful area for scholars in eighteenth-century studies. Contemporary social, political, and artistic conditions had stimulated a significant growth of music, musicians and culture in the Kingdom of Naples from the beginning of the seventeenth century. Although eighteenth-century Neapolitan opera is well documented in scholarship, historians have paid much less attention to the simultaneous cultivation of instrumental genres. Yet the culture of instrumental music grew steadily and by its end became an exclusive area of focus for the royal court, a remarkable departure from past norms of patronage. By bridging this gap, Anthony R. DelDonna brings together diverse fields, including historical musicology, music theory, Neapolitan and European history. His book investigates the wide-ranging role of instrumental genres within late eighteenth-century Neapolitan culture and introduces readers to new material, including recently discovered instrumental works of Paisiello, Cimarosa and Pleyel.

Musical Listening in the German Enlightenment

Musical Listening in the German Enlightenment PDF Author: Matthew Riley
Publisher: Routledge
ISBN: 1351556894
Category : Music
Languages : en
Pages : 350

Book Description
The silent attentiveness expected of concert audiences is one of the most distinctive characteristics of modern Western musical culture. This is the first book to examine the concept of attention in the history of musical thought and its foundations in the writings of German musical commentators of the late eighteenth century. Those critics explained numerous technical features of the music of their time as devices for arousing, sustaining or otherwise influencing the attention of a listener, citing in illustration works by Gluck, C. P. E. Bach, Georg Benda and others. Two types of attention were identified: the uninterrupted experience of a single emotional state conveyed by a piece of music as a whole, and the fleeting sense of 'wonder' or 'astonishment' induced by a local event in a piece. The relative validity of these two modes was a topic of heated debate in the German Enlightenment, encompassing issues of musical communication, compositional integrity and listener competence. Matthew Riley examines the significant writers on the topic (Descartes, Leibniz, Wolff, Baumgarten, Rousseau, Meier, Sulzer and Forkel) and provides analytical case studies to illustrate how these perceived modes of attention shaped interpretations of music of the period.

Poetry and Song in Late Eighteenth Century Germany

Poetry and Song in Late Eighteenth Century Germany PDF Author: Margaret Mahony Stoljar
Publisher: Routledge
ISBN: 9780709933588
Category : German poetry
Languages : en
Pages : 217

Book Description


Sovereign Feminine

Sovereign Feminine PDF Author: Matthew Head
Publisher: Univ of California Press
ISBN: 0520954769
Category : Music
Languages : en
Pages : 351

Book Description
In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity—a newly emerging and primarily bourgeois ideal—linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music.

String Virtuosi in Eighteenth-Century Naples

String Virtuosi in Eighteenth-Century Naples PDF Author: Guido Olivieri
Publisher: Cambridge University Press
ISBN: 100927368X
Category : Music
Languages : en
Pages : 297

Book Description
A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.

Theater and Nation in Eighteenth-Century Germany

Theater and Nation in Eighteenth-Century Germany PDF Author: Michael J. Sosulski
Publisher: Routledge
ISBN: 1351880152
Category : Literary Criticism
Languages : en
Pages : 194

Book Description
In 1767, more than a century before Germany was incorporated as a modern nation-state, the city of Hamburg chartered the first Deutsches Nationaltheater. What can it have meant for a German playhouse to have been a national theater, and what did that imply about the way these theaters operated? Michael Sosulski contends that the idea of German nationhood not only existed prior to the Napoleonic Wars but was decisive in shaping cultural production in the last third of the eighteenth century, operating not on the level of popular consciousness but instead within representational practices and institutions. Grounding his study in a Foucauldian understanding of emergent technologies of the self, Sosulski connects the increasing performance of body discipline by professional actors, soldiers, and schoolchildren to the growing interest in German national identity. The idea of a German cultural nation gradually emerged as a conceptual force through the work of an influential series of literary intellectuals and advocates of a national theater, including G. E. Lessing and Friedrich Schiller. Sosulski combines fresh readings of canonical and lesser-known dramas, with analysis of eighteenth-century theories of nationhood and evolving acting theories, to show that the very lack of a strong national consciousness in the late eighteenth century actually spurred the emergence of the German Nationaltheater, which were conceived in the spirit of the Enlightenment as educational institutions. Since for Germans, nationality was a performed identity, theater emerged as an ideal space in which to imagine that nation.

Verdi and the Germans

Verdi and the Germans PDF Author: Gundula Kreuzer
Publisher: Cambridge University Press
ISBN: 0521519195
Category : Music
Languages : en
Pages : 383

Book Description
This book explores how the reception of Italian opera, epitomised by Verdi, influenced changing ideas of German musical and national identity.

Music Education and the Art of Performance in the German Baroque

Music Education and the Art of Performance in the German Baroque PDF Author: John Butt
Publisher: Cambridge University Press
ISBN: 0521433274
Category : Music
Languages : en
Pages : 261

Book Description
In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, SchÜtz, Buxtehude or Bach.

The Career of an Eighteenth-century Kapellmeister

The Career of an Eighteenth-century Kapellmeister PDF Author: Sterling E. Murray
Publisher: Boydell & Brewer
ISBN: 158046467X
Category : Biography & Autobiography
Languages : en
Pages : 486

Book Description
A unique look at the career of a little-known contemporary of Haydn and Mozart, presented against a fascinating background of court musical life in late eighteenth-century Germany.