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Author: Peter Meister Publisher: Peter Lang ISBN: 9783039101740 Category : Literary Criticism Languages : en Pages : 268
Book Description
Religion is a central concern of German literature in all centuries, and the canon looks different when this perspective is acknowledged. For example, Goethe's fascination with evil is difficult to disentangle from the Holocaust, Moses Mendelssohn is as profound as the playwright who portrayed him, and «Princess Sabbath» deserves to be numbered among Heine's more enchanting lyrics. This essay collection posits, and tests, the hypothesis that German literature at its best is often an expression or investigation of Judaism or Christianity at their best; but that the best German literature is not always the best-known, and vice versa. Asking whether the New Testament is anti-Jewish (and answering in the negative), essayists range through the German centuries from The Heliand to Kafka and Thomas Mann.
Author: Peter Meister Publisher: Peter Lang ISBN: 9783039101740 Category : Literary Criticism Languages : en Pages : 268
Book Description
Religion is a central concern of German literature in all centuries, and the canon looks different when this perspective is acknowledged. For example, Goethe's fascination with evil is difficult to disentangle from the Holocaust, Moses Mendelssohn is as profound as the playwright who portrayed him, and «Princess Sabbath» deserves to be numbered among Heine's more enchanting lyrics. This essay collection posits, and tests, the hypothesis that German literature at its best is often an expression or investigation of Judaism or Christianity at their best; but that the best German literature is not always the best-known, and vice versa. Asking whether the New Testament is anti-Jewish (and answering in the negative), essayists range through the German centuries from The Heliand to Kafka and Thomas Mann.
Author: Ritchie Robertson Publisher: ISBN: 9781781884676 Category : Austrian literature Languages : en Pages : 494
Book Description
Religion and enlightenment, the twin themes of this volume, always exist in tension. The tensions, affinities, and conflicts between the two, as they play out in German literature from Goethe, Schiller and Kleist down to Kafka and Thomas Mann, are explored in this volume, with one section examining their interplay in the neglected Austrian Enlightenment. Thanks to the historical and textual criticism of the Bible, the 'sea of faith' began its withdrawal sooner in Germany than in England, and this collection traces its retreat, looking especially at Nietzsche's militant opposition to Christianity and at the expression in some modernist writing of a distinctly post-Christian and even post-human outlook.
Author: Sinéad Crowe Publisher: Camden House ISBN: 1571135499 Category : Drama Languages : en Pages : 180
Book Description
Investigates German religious drama since the 1970s, asking the question whether it develops religious themes or only exploits religious motifs, and exploring how it reflects the changing place of religion and spirituality in theworld. Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland.
Author: John H. Smith Publisher: Cornell University Press ISBN: 0801463270 Category : Religion Languages : en Pages : 325
Book Description
The contemporary theologian Hans Küng has asked if the "death of God," proclaimed by Nietzsche as the event of modernity, was inevitable. Did the empowering of new forms of rationality in Western culture beginning around 1500 lead necessarily to the reduction or privatization of faith? In Dialogues between Faith and Reason, John H. Smith traces a major line in the history of theology and the philosophy of religion down the "slippery slope" of secularization—from Luther and Erasmus, through Idealism, to Nietzsche, Heidegger, and contemporary theory such as that of Derrida, Habermas, Vattimo, and Asad. At the same time, Smith points to the persistence of a tradition that grew out of the Reformation and continues in the mostly Protestant philosophical reflection on whether and how faith can be justified by reason. In this accessible and vigorously argued book, Smith posits that faith and reason have long been locked in mutual engagement in which they productively challenge each other as partners in an ongoing "dialogue." Smith is struck by the fact that although in the secularized West the death of God is said to be fundamental to the modern condition, our current post-modernity is often characterized as a "postsecular" time. For Smith, this means not only that we are experiencing a broad-based "return of religion" but also, and more important for his argument, that we are now able to recognize the role of religion within the history of modernity. Emphasizing that, thanks to the logos located "in the beginning," the death of God is part of the inner logic of the Christian tradition, he argues that this same strand of reasoning also ensures that God will always "return" (often in new forms). In Smith's view, rational reflection on God has both undermined and justified faith, while faith has rejected and relied on rational argument. Neither a defense of atheism nor a call to belief, his book explores the long history of their interaction in modern religious and philosophical thought.
Author: Ian Cooper Publisher: Cambridge University Press ISBN: 9781108418102 Category : Literary Criticism Languages : en Pages : 350
Book Description
The relationship between literature and religion in German is unique in the European tradition. It is essential to the definition of German, Austrian and Swiss cultural identity in both the Protestant and Catholic traditions, and is crucial to our understanding of what has been called the 'special path' of German intellectual life. Offering in-depth essays by leading scholars, Literature and Religion in the German-Speaking World analyses this relationship from the beginnings of vernacular literature in German, via the Reformation, early-modern and Enlightenment periods, to the present day. It shows how such fundamental concepts as 'subjectivity', 'identity' and 'modernity' itself arise from the interrelation between religious and secular modes of understanding, and how this interrelation is inseparable from its expression in literature.
Author: Peter Meister
Author: Peter Meister
Author: Ritchie Robertson
Author: Sinéad Crowe
Author: John H. Smith
Author: Heinrich Heine
Author: Kuno Francke
Author: Joseph Gostwick
Author: Ian Cooper
Author: Kuno Francke
Author: James C. Russell