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Author: Deutsche Kinemathek – Museum für Film und Fernsehen Publisher: Hatje Cantz Verlag ISBN: 3775759654 Category : Performing Arts Languages : en Pages : 120
Book Description
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
Author: Deutsche Kinemathek – Museum für Film und Fernsehen Publisher: Hatje Cantz Verlag ISBN: 3775759654 Category : Performing Arts Languages : en Pages : 120
Book Description
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
Author: Deutsche Kinemathek – Museum für Film und Fernsehen Publisher: Hatje Cantz Verlag ISBN: 3775758399 Category : Performing Arts Languages : en Pages : 962
Book Description
This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek's archive holdings and an in-depth understanding of film history. The DEUTSCHE KINEMATHEK is one of the world's leading institutions for the collection, preservation, and presentation of audio-visual heritage. Hundreds of thousands of objects are permanently preserved in its archives and are available for research into film and television history. In addition to scripts, photos, posters, costumes and designs, the collection also includes film equipment. The Kinemathek curates film series and exhibitions and restores and digitizes films. Its diverse activities, including installations, publications, educational formats, and conferences, encourage visitors to discover the world of moving images.
Author: André Gaudreault Publisher: Rutgers University Press ISBN: 0813544432 Category : Art Languages : en Pages : 290
Book Description
The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema."
Author: Frank Kessler Publisher: Indiana University Press ISBN: 0861969375 Category : Performing Arts Languages : en Pages : 353
Book Description
Essays by prominent scholars examining film distribution in the early years of cinema. This collection of essays explores the complex issue of film distribution from the invention of cinema into the 1910s. From regional distribution networks to international marketing strategies, from the analysis of distribution catalogs to case studies on individual distributors, these essays written by well-known specialists in the field discuss the intriguing question of how films came to meet their audiences. Contributors include Richard Abel, Marta Braun, Joseph Garncarz, André Gaudreault, François Jost, Charlie Keil, Martin Loiperdinger, Viva Paci, Wanda Strauven, Gregory Waller, and many more.
Author: David C. Smith Publisher: Taylor & Francis ISBN: 1000806839 Category : Literary Criticism Languages : en Pages : 2323
Book Description
This collection of H.G. Wells's correspondence draws on over 50 archives and libraries worldwide, including the papers of Wells's daughter by Amber Reeves. The book contains over 2,000 letters, and while a few are business – to publishers, agents and secretaries – the majority are much more personal. Wells's private correspondence extends from letters to President Franklin Roosevelt and Prime Ministers Winston Churchill and A.J. Balfour, to persons such as ‘Mark Benney’, who wrote novels based on his life in the slums and his time in prison. There is correspondence too with his many female friends and lovers, among them Rebecca West, Eileen Power, Gertrude Stein, Marie Stopes, Lilah MacCarthy and Dorothy Richardson. For example, a letter from Moura Budberg, with whom Wells had a long-standing affair, which announces that she is pregnant by him and about to have an abortion, reveals how an advocate of birth control is himself caught out. Wells also enjoyed correspondence with the press, particularly during the two World Wars, and with various BBC officials and people who worked on his films. Some of his letters on the controversies of free love, socialism, birth control, the Fabian Society, and the nature of the curriculum of the new London University in the 1890s are included. Interspersed chronologically with Wells's letters is a small selection of about 40 letters to Wells, where letters from him are not extant. Among these are letters from Ray Lankester, Joseph Conrad, C.G. Jung, Trotsky, Hedy Gatternigg (the woman who attempted suicide in Wells's flat), and J.C. Smuts. The letters are arranged in these periods: Volume 1 1878–1900; Volume 2 1901–1912; Volume 3 1913–1930; and Volume 4 1930–1946. H.G. Wells's works include The Time Machine (1895), The Invisible Man (1897), The War of the Worlds (1898), The History of Mr Polly (1910), and A Short History of the World (1922).
Author: Thomas Elsaesser Publisher: Amsterdam University Press ISBN: 9053561722 Category : Performing Arts Languages : en Pages : 353
Book Description
In the Beginning: Recollections of Software Pioneers records the stories of computing's past, enabling today's professionals to improve on the realities of yesterday. The stories in this book clearly show that modern concepts, such as data abstraction, modularity, and structured approaches, date much earlier in the field than their appearance in academic literature. These stories help capture the true evolution. The book illustrates human experiences and industry turning points through personal recollections by the pioneers ... people like Barry Boehm, Peter Denning, Watts Humphrey, Frank Land, and a dozen others.
Author: Maureen Turim Publisher: Routledge ISBN: 1317916662 Category : Performing Arts Languages : en Pages : 360
Book Description
The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.
Author: Deutsche Kinemathek – Museum für Film und Fernsehen
Author: Deutsche Kinemathek – Museum für Film und Fernsehen
Author: Deutsche Kinemathek – Museum für Film und Fernsehen
Author: André Gaudreault
Author: Frank Kessler
Author: John Fullerton
Author: Paolo Cherchi Usai
Author: David C. Smith
Author: 
Author: Thomas Elsaesser
Author: Maureen Turim