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Author: Wayne Andersen Publisher: ISBN: Category : Art Languages : en Pages : 462
Book Description
Written in clear prose, Wayne Andersen's expansive text accounts for all of modern Germany's major artists -- the Impressionists Max Liebermann and Lovis Corinth, the Expressionists Edvard Munch, Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Erich Heckel, and Max Pechstein, the post-World War I George Grosz, Otto Dix, and Rudolf Schlichter, and the less classifiable Max Beckmann, Paula Modersohn-Becker, Kathe Kollwitz, Oskar Kokoschka, and Frans Marc. Theatre and cabaret life are treated in equal measure to the visual arts, with rich coverage of Ibsen's Ghosts, Brecht's The Jungle of Cities, and the prototype of modern filmmaking, The Cabinet of Dr Caligari. Andersen assigns his challenging lines of attack to radical issues that established in Germany the essential first wave of twentieth-century avant-garde art and culture. Insisting that German art is masculine and prone to violence, he formulates a compelling explanation for how artists and defensive art critics convert violence into art as a pretence to mirroring society. He associates Lustmord (sex-murder) imagery in German art, theatre, and cabaret entertainment with the sexuality of war. He sees Germania's primal barbarism in German painting infused with the rise of Germany's Nacktkultur (nudist cults). A desensitising nakedness replaces sublimated nudity. The innocent nakedness of youth offers an opportunity for cultural renewal and a symbol of physical power.
Author: Wayne Andersen Publisher: ISBN: Category : Art Languages : en Pages : 462
Book Description
Written in clear prose, Wayne Andersen's expansive text accounts for all of modern Germany's major artists -- the Impressionists Max Liebermann and Lovis Corinth, the Expressionists Edvard Munch, Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Erich Heckel, and Max Pechstein, the post-World War I George Grosz, Otto Dix, and Rudolf Schlichter, and the less classifiable Max Beckmann, Paula Modersohn-Becker, Kathe Kollwitz, Oskar Kokoschka, and Frans Marc. Theatre and cabaret life are treated in equal measure to the visual arts, with rich coverage of Ibsen's Ghosts, Brecht's The Jungle of Cities, and the prototype of modern filmmaking, The Cabinet of Dr Caligari. Andersen assigns his challenging lines of attack to radical issues that established in Germany the essential first wave of twentieth-century avant-garde art and culture. Insisting that German art is masculine and prone to violence, he formulates a compelling explanation for how artists and defensive art critics convert violence into art as a pretence to mirroring society. He associates Lustmord (sex-murder) imagery in German art, theatre, and cabaret entertainment with the sexuality of war. He sees Germania's primal barbarism in German painting infused with the rise of Germany's Nacktkultur (nudist cults). A desensitising nakedness replaces sublimated nudity. The innocent nakedness of youth offers an opportunity for cultural renewal and a symbol of physical power.
Author: Adolf Hitler Publisher: ببلومانيا للنشر والتوزيع ISBN: Category : Biography & Autobiography Languages : en Pages : 522
Book Description
Madman, tyrant, animal—history has given Adolf Hitler many names. In Mein Kampf (My Struggle), often called the Nazi bible, Hitler describes his life, frustrations, ideals, and dreams. Born to an impoverished couple in a small town in Austria, the young Adolf grew up with the fervent desire to become a painter. The death of his parents and outright rejection from art schools in Vienna forced him into underpaid work as a laborer. During the First World War, Hitler served in the infantry and was decorated for bravery. After the war, he became actively involved with socialist political groups and quickly rose to power, establishing himself as Chairman of the National Socialist German Worker's party. In 1924, Hitler led a coalition of nationalist groups in a bid to overthrow the Bavarian government in Munich. The infamous Munich "Beer-hall putsch" was unsuccessful, and Hitler was arrested. During the nine months he was in prison, an embittered and frustrated Hitler dictated a personal manifesto to his loyal follower Rudolph Hess. He vented his sentiments against communism and the Jewish people in this document, which was to become Mein Kampf, the controversial book that is seen as the blue-print for Hitler's political and military campaign. In Mein Kampf, Hitler describes his strategy for rebuilding Germany and conquering Europe. It is a glimpse into the mind of a man who destabilized world peace and pursued the genocide now known as the Holocaust.
Author: Eric Kurlander Publisher: Yale University Press ISBN: 0300190379 Category : History Languages : en Pages : 411
Book Description
“A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review
Author: Jennifer Dasal Publisher: Penguin ISBN: 0143134590 Category : Art Languages : en Pages : 289
Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Mary M. Lane Publisher: PublicAffairs ISBN: 1610397371 Category : History Languages : en Pages : 231
Book Description
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Author: James Q. Whitman Publisher: Princeton University Press ISBN: 1400884632 Category : History Languages : en Pages : 223
Book Description
How American race law provided a blueprint for Nazi Germany Nazism triumphed in Germany during the high era of Jim Crow laws in the United States. Did the American regime of racial oppression in any way inspire the Nazis? The unsettling answer is yes. In Hitler's American Model, James Whitman presents a detailed investigation of the American impact on the notorious Nuremberg Laws, the centerpiece anti-Jewish legislation of the Nazi regime. Contrary to those who have insisted that there was no meaningful connection between American and German racial repression, Whitman demonstrates that the Nazis took a real, sustained, significant, and revealing interest in American race policies. As Whitman shows, the Nuremberg Laws were crafted in an atmosphere of considerable attention to the precedents American race laws had to offer. German praise for American practices, already found in Hitler's Mein Kampf, was continuous throughout the early 1930s, and the most radical Nazi lawyers were eager advocates of the use of American models. But while Jim Crow segregation was one aspect of American law that appealed to Nazi radicals, it was not the most consequential one. Rather, both American citizenship and antimiscegenation laws proved directly relevant to the two principal Nuremberg Laws—the Citizenship Law and the Blood Law. Whitman looks at the ultimate, ugly irony that when Nazis rejected American practices, it was sometimes not because they found them too enlightened, but too harsh. Indelibly linking American race laws to the shaping of Nazi policies in Germany, Hitler's American Model upends understandings of America's influence on racist practices in the wider world.
Author: Michael H. Kater Publisher: Yale University Press ISBN: 0300245114 Category : History Languages : en Pages : 388
Book Description
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
Author: Olaf Peters Publisher: Prestel Publishing ISBN: 9783791353678 Category : Art, Modern Languages : en Pages : 320
Book Description
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
Author: Norman Ohler Publisher: HarperCollins ISBN: 1328664090 Category : History Languages : en Pages : 307
Book Description
A New York Times bestseller, Norman Ohler's Blitzed is a "fascinating, engrossing, often dark history of drug use in the Third Reich” (Washington Post). The Nazi regime preached an ideology of physical, mental, and moral purity. Yet as Norman Ohler reveals in this gripping history, the Third Reich was saturated with drugs: cocaine, opiates, and, most of all, methamphetamines, which were consumed by everyone from factory workers to housewives to German soldiers. In fact, troops were encouraged, and in some cases ordered, to take rations of a form of crystal meth—the elevated energy and feelings of invincibility associated with the high even help to account for the breakneck invasion that sealed the fall of France in 1940, as well as other German military victories. Hitler himself became increasingly dependent on injections of a cocktail of drugs—ultimately including Eukodal, a cousin of heroin—administered by his personal doctor. Thoroughly researched and rivetingly readable, Blitzed throws light on a history that, until now, has remained in the shadows. “Delightfully nuts.”—The New Yorker
Author: Wayne Andersen
Author: Wayne Andersen
Author: Adolf Hitler
Author: Eric Kurlander
Author: Jennifer Dasal
Author: Mary M. Lane
Author: Volker Ullrich
Author: James Q. Whitman
Author: Michael H. Kater
Author: Olaf Peters
Author: Norman Ohler