German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller and Goethe PDF Download

Author: H. B. Nisbet
Publisher: CUP Archive
ISBN: 9780521280099
Category : Art
Languages : en
Pages : 332

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Book Description
Anthology of translated extracts from their works.

Author: Simpson
Publisher: Cambridge [Cambridgeshire] ; New York : Cambridge University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312

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Book Description
Anthology of translated extracts from their works.

Author: Kathleen M. Wheeler
Publisher: CUP Archive
ISBN: 9780521280877
Category : Business & Economics
Languages : en
Pages : 276

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Book Description
An overview of the immensely rich literary criticism of the late eighteenth century and early nineteenth century in Germany

Author: Kai Hammermeister
Publisher: Cambridge University Press
ISBN: 9780521785549
Category : Philosophy
Languages : en
Pages : 284

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Book Description
Publisher Description

Author: David Simpson
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Brad Prager
Publisher: Camden House
ISBN: 9781571133410
Category : Art
Languages : en
Pages : 304

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Book Description
Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between "internal" and "external." In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as "self and other," "symbol and allegory," and "light and dark," should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy, literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology. Brad Prager is Associate Professor of Germanat the University of Missouri, Columbia.

Author: David Simpson
Publisher: CUP Archive
ISBN: 9780521359023
Category : Literary Criticism
Languages : en
Pages : 468

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Book Description
An exceptional resource, this 1988 book provides a comprehensive anthology in English of the major texts of German literary and aesthetic theory between Lessing and Hegel. The texts are crucial to an understanding not only of the Romantic period itself, but also of the foundational arguments of literary theory.

Author: Miranda Eva Stanyon
Publisher: University of Pennsylvania Press
ISBN: 0812253086
Category : Literary Collections
Languages : en
Pages : 286

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Book Description
What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.

Author: Paolo Euron
Publisher: BRILL
ISBN: 9004409238
Category : Education
Languages : en
Pages : 251

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Book Description
This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features. In doing so, it refers to two main traditions of Western culture: one of aesthetics and the theory of art and the other of literary theory. In our postmodern world, language and artistic creation (and above all literature as the art of language) occupy a special role in understanding the human world and become existential issues. A critical attitude requires knowledge of the relevant past in order to understand what we are today. The author presents key topics, ideas, and representatives of aesthetics, theory, and the interpretation of works of art in an historical perspective, in order to explain the Western tradition with constant attention to the present condition. Aesthetics, Theory and Interpretation of the Literary Work offers an outline of essential concepts and authors of aesthetics and theories of the literary work, presenting basic topics and ideas in their historical context and development, considering their relevance to the contemporary debate, and highlighting the specificity of the experience of the art work in our present world. The best way to approach a work of art is to enjoy it. In order to enjoy a literary work, we have to consider its correct context and its specific artistic qualities. The book is conceived as a general and enjoyable introduction to the experience of the work of art in Western culture. See inside the book.

Author: Lesley Sharpe
Publisher: Camden House
ISBN: 9781571130587
Category : Literary Criticism
Languages : en
Pages : 164

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Book Description
Friedrich Schiller, the dramatist and poet, greatly influenced the development of aesthetics through his essays. He sums up the eighteenth century while anticipating modern ideas; his notions of the naive and the sentimental, of art as play, and of beauty as semblance, have had a lasting impact on aesthetic speculation. Dr Sharpe's book is the first study devoted to tracing the attempts of successive generations of philosophers and literary critics to expound the works and deal with the problems they present. Surveying Anglo-American as well as German-language criticism, she illuminates the impact of critical and political change on their evaluation.