Author:
Publisher:
ISBN:
Category : Mathematics
Languages : en
Pages : 1400
Book Description
International Catalogue of Scientific Literature
International Catalogue of Scientific Literature, 1901-1914
International Catalogue of Scientific Literature
German Art History and Scientific Thought
Author: MitchellB. Frank
Publisher: Routledge
ISBN: 1351565710
Category : Art
Languages : en
Pages : 303
Book Description
A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich W?lfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.
Publisher: Routledge
ISBN: 1351565710
Category : Art
Languages : en
Pages : 303
Book Description
A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich W?lfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.
International Catalogue of Scientific Literature [1901-14].
German Football
Author: Alan Tomlinson
Publisher: Routledge
ISBN: 1134264089
Category : History
Languages : en
Pages : 271
Book Description
This is a topical new book critically analyzing the significance of football in German sporting and cultural life. It examines football's place in post-war and post-reunification Germany up to the successful bid to host the 2006 World Cup Finals.
Publisher: Routledge
ISBN: 1134264089
Category : History
Languages : en
Pages : 271
Book Description
This is a topical new book critically analyzing the significance of football in German sporting and cultural life. It examines football's place in post-war and post-reunification Germany up to the successful bid to host the 2006 World Cup Finals.
The Founding of Aesthetics in the German Enlightenment
Author: Stefanie Buchenau
Publisher: Cambridge University Press
ISBN: 1107311179
Category : Philosophy
Languages : en
Pages : 281
Book Description
When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science.
Publisher: Cambridge University Press
ISBN: 1107311179
Category : Philosophy
Languages : en
Pages : 281
Book Description
When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science.
Forces of Nature
Author: Adrian Renner
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110783827
Category : Art
Languages : en
Pages : 256
Book Description
Um 1800 diskutierte man über Naturkräfte in verschiedenen wissenschaftlichen und künstlerischen Zusammenhängen: Anziehung und Abstoßung, Lebenskräfte und elektrische Ströme, der "Bildungstrieb" und biologische Organismen wurden als Kräfte untersucht, die sich auf „natürliche" Prozesse zurückführen lassen. Literatur, Wissenschaft und Philosophie der deutschsprachigen Romantik von Schelling bis zu Günderrode und Hölderlin arbeiteten sich an Konzepten von Kräften ab, die als dynamisch und in beständiger Tätigkeit begriffen wurden – Kräfte, die auch menschliche Handlungen, soziale Strukturen und kulturelle Entwicklungen einzuschließen schienen. Der Band erkundet Vor- und Darstellungen von Naturkräften in der Romantik an der Schnittstelle von Naturwissenschaft und kulturellen Vorstellungswelten.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110783827
Category : Art
Languages : en
Pages : 256
Book Description
Um 1800 diskutierte man über Naturkräfte in verschiedenen wissenschaftlichen und künstlerischen Zusammenhängen: Anziehung und Abstoßung, Lebenskräfte und elektrische Ströme, der "Bildungstrieb" und biologische Organismen wurden als Kräfte untersucht, die sich auf „natürliche" Prozesse zurückführen lassen. Literatur, Wissenschaft und Philosophie der deutschsprachigen Romantik von Schelling bis zu Günderrode und Hölderlin arbeiteten sich an Konzepten von Kräften ab, die als dynamisch und in beständiger Tätigkeit begriffen wurden – Kräfte, die auch menschliche Handlungen, soziale Strukturen und kulturelle Entwicklungen einzuschließen schienen. Der Band erkundet Vor- und Darstellungen von Naturkräften in der Romantik an der Schnittstelle von Naturwissenschaft und kulturellen Vorstellungswelten.
German Pop Literature
Author: Margaret McCarthy
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110381303
Category : Literary Criticism
Languages : en
Pages : 407
Book Description
Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes bluntly derogatory reception in the press. Since then, less censorious scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a longer history of aesthetic practices. This volume draws on recent work and its attempts to define the genre, locate historical antecedents and assess pop’s ability to challenge the status quo. Significantly, it questions the ‘official story’ of pop literature by looking beyond Ralf Dieter Brinkmann’s works as origin to those of Jürgen Ploog, Jörg Fauser and Hadayatullah Hübsch. It also remedies the lack of attention to questions of gender in previous pop lit scholarship and demonstrates how the genre has evolved in the new millennium via expanded thematic concerns and new aesthetic approaches. Essays in the volume examine the writing of well-known, established pop authors – such as Christian Kracht, Andreas Neumeister, Joachim Lottman, Benjamin Lebert, Florian Illies, Feridun Zaimoğlu and Sven Regener – as well as more recent works by Jana Hensel, Charlotte Roche, Kerstin Grether, Helene Hegemann and songwriter/poet PeterLicht.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110381303
Category : Literary Criticism
Languages : en
Pages : 407
Book Description
Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes bluntly derogatory reception in the press. Since then, less censorious scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a longer history of aesthetic practices. This volume draws on recent work and its attempts to define the genre, locate historical antecedents and assess pop’s ability to challenge the status quo. Significantly, it questions the ‘official story’ of pop literature by looking beyond Ralf Dieter Brinkmann’s works as origin to those of Jürgen Ploog, Jörg Fauser and Hadayatullah Hübsch. It also remedies the lack of attention to questions of gender in previous pop lit scholarship and demonstrates how the genre has evolved in the new millennium via expanded thematic concerns and new aesthetic approaches. Essays in the volume examine the writing of well-known, established pop authors – such as Christian Kracht, Andreas Neumeister, Joachim Lottman, Benjamin Lebert, Florian Illies, Feridun Zaimoğlu and Sven Regener – as well as more recent works by Jana Hensel, Charlotte Roche, Kerstin Grether, Helene Hegemann and songwriter/poet PeterLicht.
German Women's Life Writing and the Holocaust
Author: Elisabeth Krimmer
Publisher: Cambridge University Press
ISBN: 1108658563
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
This important study examines women's life writing about the Second World War and the Holocaust, such as memoirs, diaries, docunovels, and autobiographically inspired fiction. Through a historical and literary study of the complex relationship between gender, genocide, and female agency, the analyzes correct androcentric views of the Second World War and seek to further our understanding of a group that, although crucial to the functioning of the National Socialist regime, has often been overlooked: that of the complicit bystander. Chapters on army auxiliaries, nurses, female refugees, rape victims, and Holocaust survivors analyze women's motivations for enlisting in the National Socialist cause, as well as for their continuing support for the regime and, in some cases, their growing estrangement from it. The readings allow insights into the nature of complicity itself, the emergence of violence in civil society, and the possibility of social justice.
Publisher: Cambridge University Press
ISBN: 1108658563
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
This important study examines women's life writing about the Second World War and the Holocaust, such as memoirs, diaries, docunovels, and autobiographically inspired fiction. Through a historical and literary study of the complex relationship between gender, genocide, and female agency, the analyzes correct androcentric views of the Second World War and seek to further our understanding of a group that, although crucial to the functioning of the National Socialist regime, has often been overlooked: that of the complicit bystander. Chapters on army auxiliaries, nurses, female refugees, rape victims, and Holocaust survivors analyze women's motivations for enlisting in the National Socialist cause, as well as for their continuing support for the regime and, in some cases, their growing estrangement from it. The readings allow insights into the nature of complicity itself, the emergence of violence in civil society, and the possibility of social justice.