George Van Eps Guitar Method PDF Download

Author: George Van Eps
Publisher: Mel Bay Publications
ISBN: 9781562225759
Category :
Languages : en
Pages : 40

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Book Description

Author: George Van Eps
Publisher: Mel Bay Publications
ISBN: 160974876X
Category : Music
Languages : en
Pages : 329

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Book Description
The most in-depth, revolutionary presentation of the harmonic framework of music is applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. The material in this landmark series of 3 massive volumes address virtually every aspect of playing jazz guitar representing the fruits of years of the author's investigation of harmony and fingerboard mobility. This series of books leads to total mastery of the harmonic and technical aspects of the guitar. In notation only.

Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609740297
Category : Music
Languages : en
Pages : 281

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Book Description
This landmark book of music for the plectrum style jazz guitar took years to compile, write and edit. It contains some of the greatest solos and duets ever written and performed on the plectrum or flatpicked guitar, including works by Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson, and Cal Collins. All solos are in notation and tablature while the duets are shown in standard notation only.

Author: William Bay
Publisher:
ISBN: 0786667095
Category : Music
Languages : en
Pages : 3

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Book Description
A handy yet complete guide to 7-string jazz guitar chords. Shows rhythm chords with root, 3rd and 5th in the bass along with great sounding chord extensions ideal for rhythm or solo performance.

Author: Ted Greene
Publisher: Alfred Music Publishing
ISBN: 9780769209722
Category : Music
Languages : en
Pages : 140

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Book Description
A book that clearly explains the principles of jazz soloing. Logically organized, with hundreds of musical examples, this method is the result of many years of Ted's teaching and research.

Author: Ted Greene
Publisher: Alfred Music
ISBN: 9781457455292
Category : Music
Languages : en
Pages : 116

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Book Description
Ted Greene’s Chord Chemistry was originally published in 1971 and has become the classic chord reference book for two generations of guitarists. Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.

Author: Aaron Weinstein
Publisher: Mel Bay Publications
ISBN: 161911545X
Category : Music
Languages : en
Pages : 53

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Book Description
If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super- powers, or making a deal with the devil. But fear not! This book will show youhow to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way

Author: William Leavitt
Publisher: Berklee Press Publications
ISBN: 9780876391990
Category : Music
Languages : en
Pages : 424

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Book Description
(Berklee Methods). The William Leavitt Modern Method for Guitar, used as the basic text for the Berklee College of Music guitar program, has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors. By popular demand, Berklee Press has created a compilation of the original volumes 1, 2, and 3, including all audio and video tracks. Now, serious guitar students and instructors, from beginning through advanced, have the convenience of progressing through all three volumes of this classic guitar method in one comprehensive book. Innovative solos, duets, and exercises progressively teach melody, harmony, and rhythm. This edition contains audio and video produced by William Leavitt's students Charles Chapman and Larry Baione (who was his successor as chair of the Berklee Guitar Department), demonstrating the examples and providing play-along tracks for the ensemble exercises.

Author: William A. Sethares
Publisher: Springer Science & Business Media
ISBN: 1447141776
Category : Music
Languages : en
Pages : 346

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Book Description
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.

Author: Jimmy Wyble
Publisher: Mel Bay Publications
ISBN: 1610654447
Category : Music
Languages : en
Pages : 97

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Book Description
This collection of etudes, written during the 1970's, was composed as a result of Jimmy Wyble's explorations into the musical worlds of counterpoint, harmony and chord melody improvisation for the jazz guitar. the right and left hand fingerings presented in this book were also developed as techniques needed to improvise jazz in two lines. Jimmy uses very standard jazz guitar chord shapes in these etudes; however, these shapes move through the harmony in lines rather than block chord structures. This broken chord technique creates a unique contrapuntal sound that separates Jimmy from the rest of the fingerstyle jazz guitar world. It is hoped that jazz and classical guitarists playing and working through these etudes will see many familiar chord shapes moving in new ways and creating new sounds. These new harmonic sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. Written in notation and tablature. 92 pages.