The Anatomy of the Horse PDF Download

Author: George Stubbs
Publisher: Courier Corporation
ISBN: 0486140482
Category : Art
Languages : en
Pages : 127

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Book Description
This masterpiece of animal anatomy contains 36 plates that reproduce Stubbs' etchings. Based on the artist's own dissections and outline views, the illustrations feature extensive explanatory text. Full reproduction of 1766 edition.

Author: Judy Egerton
Publisher: Yale University Press
ISBN: 9780300125092
Category : Art
Languages : en
Pages : 684

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Book Description
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.

Author: Judy Egerton
Publisher:
ISBN: 9780946590124
Category : Anatomy
Languages : en
Pages : 248

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Book Description

Author: Venetia Morrison
Publisher: Wellfleet
ISBN: 9781555214395
Category : Animal painting and illustration
Languages : en
Pages : 0

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Book Description
A portrait of the painter presents his celebrated horse images and explores his fascination with anatomy and dissection, as well as his erratic relationship with the establishment.

Author: Malcolm Warner
Publisher: Kimbell Art Museum
ISBN: 9780300104721
Category : Art
Languages : en
Pages : 229

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Book Description
A versatile genius whose oeuvre includes paintings, engravings, and detailed anatomical studies, George Stubbs (1724–1806) was fascinated by horses. This handsome book presents for the first time the wide range of his equine imagery, from refined portraits of racehorses to violent scenes of horses attacked by lions in the wild. Taking full account of the associations and status of the “noble horse” in eighteenth-century Britain and the colorful world of its devotees—both high and low—the authors examine Stubbs’s work from different points of view and offer many fresh interpretations. Malcolm Warner discusses how horses were regarded in Britain in Stubbs’s time, the unexpected connection between his horse-and-lion compositions and the creation of the English thoroughbred, and his classicism. Robin Blake examines the young Whig noblemen who were Stubbs’s first patrons, the grooms, jockeys, trainers, and other attendants who appear in his horse portraits, and his curious dealings with the Prince of Wales. The book also includes an essay by conservators Lance Mayer and Gay Myers on Stubbs’s experiments with wax and enamel. For admirers of Stubbs’s art, eighteenth-century English painting, and horses, this book is an essential addition to their bookshelves.

Author: Martin Postle
Publisher:
ISBN: 9781911300687
Category : Horses in art
Languages : en
Pages : 0

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Book Description
George Stubbs: 'all done from Nature' presents the first significant overview of Stubbs's work in Britain for more than 10 years and brings together 100 paintings, drawings and publications, from the National Gallery's Whistlejacket to pieces that have never been seen in public. George Stubbs: 'all done from Nature' accompanies an exhibition organised by MK Gallery in Milton Keynes, which will be shown at MK Gallery and the Mauritshuis in The Hague. The publication includes new writing on Stubbs with major essays by Jenny Uglow, Martin Myrone, Martin Postle and Nicholas Clee as well as new and existing poetry by Roger Robinson. Born in Liverpool in 1724, Stubbs was a quintessential product of the Enlightenment and embodied all of its core principles, questioning traditional authority and embracing the notion that humanity could be improved through the application of reason. Rather than trust to history and the untested example of his artistic and scientific precursors, Stubbs championed doing as a way of thinking and deployed pictorial representation as a form of knowledge and understanding. Today, Stubbs is recognised as one of the most original artists of the eighteenth century. His wide-ranging subjects included portraits, conversation pieces and pictures of exotic and domestic animals--horses included--and his obsession with scientific exactitude has drawn comparison with the work of Leonardo da Vinci. A major theme of the exhibition is anatomy. The show includes Stubbs's contributions to a pioneering treatise on midwifery and his preliminary work on A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl. It also includes the detailed studies and drawings that led to The Anatomy of the Horse--the greatest coming together of art and science in British art--alongside the actual skeleton of the legendary racehorse Eclipse who Stubbs depicted on several occasions.

Author: Christopher Lennox-Boyd
Publisher: Philip Wilson Publishers
ISBN: 9780856673757
Category : Art
Languages : en
Pages : 0

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Book Description
In a period when access to fine paintings was restricted, Stubbs's reputation was spread chiefly through his engravings. This catalogue raisonnE is the only single volume to contain all Stubbs's known engravings and provides a complete record of prints made by others after his works. Introductory essays consider Stubbs's relationships with other artists, particularly his engravers, and examine how the prints were originally marketed. Part 1 covers the more important prints issued during Stubbs's lifetime, some of which are published here for the first time. Each of the 218 entries is fully illustrated and accompanied by comparative material. Part 2 comprises 440 supplementary entries and indicates the nature and extent of Stubbs's posthumous reputation. This book also is the first substantial review of the work of a major 18th century British painter by reference to the important, but neglected, medium of reproductive prints.

Author: George Stubbs
Publisher:
ISBN:
Category : Horses in art
Languages : en
Pages : 28

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Book Description

Author: Robin Blake
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428

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Book Description
Far more than a fine horse portraitist, George Stubbs was a painter and a printmaker of the highest importance, on a par with his great contemporaries, Hogarth, Reynolds and Gainsborough. An artist-scientist who emulated Leonardo da Vinci, Stubbs tirelessly explored the natural world, and new ways of representing it.Born the son of a Liverpool tradesman, Stubbs was self-taught and at first struggled in obscurity as a northern provincial painter. Robin Blake's book uncovers Stubbs's origins and some of the secrets of his youth- sympathy with the Jacobite rebels and Catholicism; and a previously undocumented wife and family in York.A 'niece', Mary, became his mistress and lifelong companion, working alongside him as he dissected the carcasses of horses. In 1776 he published these investigations as The Anatomy of the Horse, which was his breakthrough, leading to commissions from the most powerful men in Georgian Britain. By tracing the network of patronage and friendship through which George Stubbs operated, Robin Blake reveals the remarkable succession of animals, people and ideas which inspired him.Stubbs emerges as a man of huge energy and complex sensibility whose artistry was informed by science, politics, literature, classical art and - above all - nature itself.

Author: John Ingamells
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 624

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Book Description
This catalogue includes such famous figures as David Garrick and Dr Samuel Johnson, Sarah Siddons and Emma Hamilton, and the work of such artists as Gainsborough, Reynolds and Romney. It has been compiled by one of the leading authorities on 18th-century English portraiture, John Ingamells.