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Author: Janet Egleson Dunleavy Publisher: Lewisburg : Bucknell University Press ISBN: Category : Biography & Autobiography Languages : en Pages : 168
Book Description
Traces the influences of London literary salons, Paris studios and cafes, Dublin drawing rooms, and Irish country houses and cottages on the works of George Moore. Notes the frequent changes in Moore's concept of form, style, theme, and characterization.
Author: Janet Egleson Dunleavy Publisher: Lewisburg : Bucknell University Press ISBN: Category : Biography & Autobiography Languages : en Pages : 168
Book Description
Traces the influences of London literary salons, Paris studios and cafes, Dublin drawing rooms, and Irish country houses and cottages on the works of George Moore. Notes the frequent changes in Moore's concept of form, style, theme, and characterization.
Author: Christine Huguet Publisher: Rodopi ISBN: 9401209073 Category : Languages : en Pages : 277
Book Description
A truly cosmopolitan Irish writer, George Moore (1852-1933) was a fascinating figure of the fin de siècle, moving between countries, crossing genre and medium boundaries, forever exploring and promulgating aesthetic trends and artistic developments: Naturalism in the novel and the theatre, Impressionism in painting, Decadence and the avant-garde, Literary Wagnerism, the Irish Literary Revival, New Woman culture. This volume on border-crossings offers a variety of critical perspectives to approach Moore’s multifaceted oeuvre and personality. The essays by Contributors from various national backgrounds and from a wide range of disciplines establish original points of contact between literary creation, art history, Wagnerian opera, gender studies, sociology, and altogether reposition Moore as a major representative of European turn-of-the-century culture.
Author: Alfredo Bonadeo Publisher: University Press of Kentucky ISBN: 9780813116808 Category : Literary Criticism Languages : en Pages : 264
Book Description
The First World War is a watershed in the intellectual and spiritual history of the modern world. On the one hand, it brought an end to a sense of optimism and decency bred by the prosperity of nineteenth-century Europe. On the other, it brought forth a sense of futility and alienation that has since pervaded European thought. That cataclysmic experience is richly reflected in the work of writers and artists from both sides of the conflict, and this study provides a detailed analysis of two basic themes -- death and degradation -- that mark the literature about the war. From their accounts most men entered the war lightheartedly, filled with ideals of patriotism and glory, but these generous feelings were soon quelled as the war settled into a stalemate, its operations reduced to simply grinding away the opposing forces. In these operations, Alfredo Bonadeo shows, men became mere aggregations thrown against one another, wasted with no appreciable effects or gains, save carnage itself. This cheapening and disregard for human life and being Bonadeo finds rooted not only in the conditions of war but, significantly, in a contempt for the common man prevailing in European political and intellectual circles. This attitude is revealed most plainly in his analysis of the Italian literature, which hitherto has received little note. Italian leaders saw the war as an opportunity to expiate a sense of national guilt, and here the inconclusive campaigns made their futility all the greater. Out of the torn fields of the First World War grew the seeds of a second, greater conflict, but, Professor Bonadeo concludes, the flowering of the seeds was aided by the degradation of man's spirit on those fields. The grim focus of this book, the dead voices it evokes, leads to a new appreciation of the meaning of the Great War.
Author: George Moore Publisher: University of Delaware Press ISBN: 9780874131529 Category : Biography & Autobiography Languages : en Pages : 908
Book Description
Through the letters and commentary in this volume, the Irish writer George Moore is revealed as a man and artist far more complex and important than most works on him suggest, one who played a significant role in the Irish Literary Renaissance.
Author: Barbara Leah Harman Publisher: Routledge ISBN: 1136512527 Category : History Languages : en Pages : 326
Book Description
This book includes essays on writers from the 1840s to the 1890s, well known writers such as Anne Bronte, Wilkie Collins and Bram Stoker, lesser known writers such as Geraldine Jewsbury, Charles Reade, Margaret Oliphant, George Moore, Sarah Grand and Mary Ward. The contributors explore important thematic concerns: the relation between private and public realms; gender and social class; sexuality and the marketplace; and male and female cultural identity.
Author: Emily Allen Publisher: Ohio State University Press ISBN: 9780814209318 Category : Actors in literature Languages : en Pages : 270
Book Description
Why did nineteenth-century novels return, over again, to the scene of theater? Emily Allen argues that theater provided nineteenth-century novels, novelists, and critics with a generic figure that allowed them to position particular novels and novelistic genres within a complex literary field. Novel genres high and low, male and female, public and private, realistic and romantic, all came to identify themselves within a set of coordinates that included--if only for the purpose of exclusion--the spectacular figure of theater. This figure likewise provided a trope around and against which to construct images of readers and authors, images that most frequently worked to mediate between the supposedly private acts of reading and writing and the very public facts of the print market. In readings of novels by Burney, Austen, Scott, Dickens, Jewsbury, Flaubert, Braddon, and Moore, Allen shows how frequently theater appears as figure in novels of the nineteenth century, and how theater figures--actively and importantly--in what we have come to look back on as the history of the nineteenth-century novel. "Theater Figures thus offers a new model for thinking about how theater helped produce changes in the nineteenth-century literary market. While previous critics have considered theater as an enabling foil for the novel--either a constitutive opposite or constructive ally--Allen demonstrates how theater figures and tropes were used to negotiate competition among the novels and novelists eagerly seeking their share of the literary limelight.
Author: Paul Schellinger Publisher: Routledge ISBN: 1135918333 Category : Literary Criticism Languages : en Pages : 2557
Book Description
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
Author: George Moore Publisher: Oxford University Press, USA ISBN: 0199583013 Category : Fiction Languages : en Pages : 385
Book Description
One of the great novels of London life and labour in the 1890s, Esther Waters is the story of a single mother struggling against prejudice and injustice. It vividly brings to life a world of horse racing, gambling, and public houses and was groundbreaking in its approach. This is the only available edition of this powerful novel.
Author: Siobhan Chapman Publisher: Springer Nature ISBN: 3030412687 Category : Language Arts & Disciplines Languages : en Pages : 254
Book Description
This book presents the first full-length study of the stylistically experimental and influential novelist George Moore’s (1852-1933) repeated acts of rewriting. Moore extensively and repeatedly revised and re-issued many of his major works, sometimes years or even decades after they were initially published. This monograph provides new insights into how this process shaped and determined his work, and by extension into the creative significance of literary rewriting more generally. It also offers the first sustained application of linguistic pragmatics, the study of meaning in interaction, to the work of a single author, opening up questions about how analytical paradigms developed in pragmatics can explain how rewriting can affect the interactive relationship between a literary text and its readers. The book will be of interest to students and researchers in the areas of pragmatics, stylistics, literary history, English literature and Irish literature.
Author: Janet Egleson Dunleavy
Author: Janet Egleson Dunleavy
Author: Christine Huguet
Author: Alfredo Bonadeo
Author: George Moore
Author: Barbara Leah Harman
Author: Emily Allen
Author: Anthony Farrow
Author: Paul Schellinger
Author: George Moore
Author: Siobhan Chapman