George Inness, the 1880s and 1890s PDF Download

Author: George Inness
Publisher:
ISBN:
Category : Landscape painting, American
Languages : en
Pages : 48

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Author: Rachael Z. DeLue
Publisher: University of Chicago Press
ISBN: 0226142310
Category : Art
Languages : en
Pages : 353

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George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.

Author: Adrienne Baxter Bell
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 184

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The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. Born in Newburgh, New York, Inness studied the works of the old masters and, as a young man, painted in the reigning style of the Hudson River School. Within a few years, however, he found himself more attuned to the gestural, expressive approach of the Barbizon School. He greatly admired the free handling of paint and the expression of soulfulness in the works of Theodore Rousseau. Equally important were Inness's philosophical and spiritual concerns. Along with contemporaries Ralph Waldo Emerson, Elizabeth Barrett Browning, and Walt Whitman, Inness studied the writings of the Swedish scientist-turned-mystic Emanuel Swedenborg (1688-1772). During a trip to Italy in the early 1870s, Inness began to structure his landscapes around geometric forms, a development that may have reflected the Swedenborgian idea that the natural world corresponds to the spiritual world and that geometric forms possess spiritual identities. Through these and other compositional devices, Inness created paintings to inspire an almost "religious experience" in his viewers. George Inness and the Visionary Landscape includes forty color reproductions of Inness's most important paintings and presents both a chronological overview of Inness's life and a more focused treatment of the artist's main philosophical and religious preoccupations. It suggests resonances between Inness's visionary landscapes and the concurrent efforts, on the part of the psychologist/philosopher William James (1842-1910), to validate the existence of mystical states of mind. It shows Inness to have anticipated many of the most importanttenets of modernism, an achievement that continues to inspire contemporary audiences.

Author: Michael Quick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 688

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Author: Adrienne Baxter Bell
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 296

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Luminist Horizons celebrates the art and collection of James A. Suydam (1819-1865), an American landscapist best known for his luminist paintings. Despite the fact that his name has been linked with luminism since the term was first coined, Suydam has not received the scholarly attention he deserves. With approximately 180 reproductions (eighty in color), this book considers Suydam's work in tandem with that of fellow Hudson River School artists such as Asher B. Durand, Frederic E. Church, and John F. Kensett and therefore contributes an important chapter to the history of American landscape painting. Significantly, Suydam's enduring legacy extends beyond his own creative output; his passionate commitment to art motivated his encouragement of emerging artists and his purchase of their paintings. When Suydam died he bequeathed ninety-two contemporary American and European paintings to the Academy, a gift that formed the nucleus of the Academy's permanent collection. Luminist Horizons accompanies an exhibition that opens at the National Academy Museum in New York in September 2006 before traveling to the Taft Museum of Art (Cincinnati, Ohio) and the Telfair Museum of Art (Savannah, Georgia). 80 color illustrations, 100 in black and white.

Author: Robert Somerville (Firm)
Publisher:
ISBN:
Category : Landscape painting, American
Languages : en
Pages : 68

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Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140

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Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

Author: New South Wales. Parliament. Legislative Council
Publisher:
ISBN:
Category : New South Wales
Languages : en
Pages : 982

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Author:
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 1330

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Author: Institution of Mechanical Engineers (Great Britain)
Publisher:
ISBN:
Category : Mechanical engineering
Languages : en
Pages : 1022

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