George Gershwin's Blue Monday PDF Download

Author: George Gershwin
Publisher: Alfred Music
ISBN:
Category : Music
Languages : en
Pages : 52

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Author: George Gershwin
Publisher: Alfred Music
ISBN: 1457493438
Category : Music
Languages : en
Pages : 42

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To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.

Author: Wayne Schneider
Publisher: Oxford University Press
ISBN: 0195358155
Category : Music
Languages : en
Pages : 309

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Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposition to this disappearance. It is also a fresh collection of essays that promises to make a key contribution to American music research. Editor Wayne Schneider has corralled some of the leading authorities of Gershwin's efforts--renowned experts and authors who have researched his music for years if not decades--and sets their work alongside articles by scholars who come to Gershwin for the first time from backgrounds in American music or popular music in general. The notable contributors include Wayne D. Shirley, Charles Hamm, Edward Jablonski, and Artis Wodehouse (who has transcribed nearly all of Gershwin's piano performances). No one who surveys the American musical landscape can doubt Gershwin's enduring popularity or profound influence, but his critical standing among today's serious music scholars is much less certain. As Schneider points out in his Introduction, there have been many biographies of Gershwin but comparatively few studies of his music in and of itself. Covering both the "popular" and "classical" extremes of Gershwin's output, as well as the many and subtle points in between, this book reevaluates the music of an American original from several enlightening perspectives. This is a book with much to offer any student or scholar of American music--while some essays explore new methods of measuring Gershwin's abilities as a composer, others draw on hitherto unavailable musical and archival sources to make arguments previously unthinkable. The essays gathered here, most of which were written especially for this volume, thus address a number of important research topics, among them biography, source studies, music analysis, performance practice, and questions of interpretation and reception. The contributions also reflect the wide diversity of contemporary thinking regarding the logic, legacy, and lure of Gershwin's music.

Author: Howard Pollack
Publisher: Univ of California Press
ISBN: 0520933141
Category : Music
Languages : en
Pages : 938

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This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.

Author: Anna Harwell Celenza
Publisher: Cambridge University Press
ISBN: 1108423531
Category : Music
Languages : en
Pages : 333

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Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.

Author: George Gershwin
Publisher: Alfred Music
ISBN: 1457446030
Category : Music
Languages : en
Pages : 58

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Rhapsody in Blue has been restored to Gershwin's original manuscript by the talented Alicia Zizzo. This special edition includes an addendum to the two piano, four hands edition and the fully restored piano manuscript. When preparing the Rhapsody in Blue for publication, editors at Sam Harms Music Co. applied their own 19th century compositional conservatory training to the piece. With good intentions and due respect to Gershwin, they discreetly altered chords, phrases, dynamics, and accents, deleting whole passages to create a more concise work. Oddly, with the exception of four bars, all the deletions were from the piano solo sections, leaving the orchestration mostly undisturbed. Over 50 measures were deleted from the manuscript for the two-piano, four-hands publication, and the piece was shortened by several minutes. Approximately 80 measures were deleted from the original manuscript for the piano solo version and the editors used the second piano/orchestral reduction as a basis for it, further distancing the piano solo edition from Gershwin's original intent. After 70 years, the majesty of the complete Rhapsody in Blue as originally conceived and performed is finally available to future generations in this special annotated edition.

Author: Robin Thompson
Publisher: Amadeus Press
ISBN: 157467191X
Category : Performing Arts
Languages : en
Pages : 214

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(Amadeus). In 1935 George Gershwin continued the melding of theatrical, classical, and jazz idioms he began with "Rhapsody in Blue," bringing DuBose Heyward's novel and play Porgy to the musical stage with Porgy and Bess . Collaborating with his brother Ira and Heyward, Gershwin created what was deemed at the time a "folk opera" a work that over the years has passed through cycles of praise and criticism, finally achieving recognition as a great American theatrical achievement and inclusion in the repertoire of opera companies around the world. In this lavishly illustrated 75th anniversary volume, created with the participation of the Gershwin estate, opera producer and author Robin Thompson recounts the history of Porgy and Bess as he looks at the various interpretations of the work and the many layers of meaning to be found in the story of the crippled Porgy, the conflicted and vulnerable Bess, the dope peddler Sportin' Life, and the other residents of Catfish Row. Packed with unique, rarely seen archival photographs and documents associated with the production, Porgy and Bess commemorates this uniquely American blending of musical, ethnic, and creative styles and the people, the performers, and the times that produced it.

Author: Thomas Inglis
Publisher: Lulu.com
ISBN: 097841120X
Category : Music
Languages : en
Pages : 118

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Author: George Gershwin
Publisher: Alfred Music
ISBN: 1457490129
Category : Music
Languages : en
Pages : 50

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An orchestral study score.

Author: Susan Jedren
Publisher: Vintage
ISBN: 0307557367
Category : Fiction
Languages : en
Pages : 369

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When the heat in Brooklyn climbs to a hundred, there's only one thing worse than being a delivery man for HomeMade Cakes. It's being a delivery woman for Homemade. Because Anna, the feisty heroine of this earthy and irreverent novel, has to put up with things that her male co-workers can't imagine, from a boss who despises women to storekeepers who feel her up when they aren't trying to rip her off for the price of a carton of Chocos. As realized by Susan Jerden, Anna is a true representative of blue-collar, no-glitz New York, a valiant single mother, whose attempts to keep her head above water—and her dignity intact—are both hilarious and uplifting. Let 'Em Eat Cake is a novel for anyone who has ever worked at a demeaning job and dreamed of dancing on the merchandise, a book as real as a corner bodega and as refreshing as an open hydrant in the middle of a scolding summer.