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Author: Brad Kent Publisher: Cambridge University Press ISBN: 1316432165 Category : Drama Languages : en Pages : 723
Book Description
When George Bernard Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
Author: Brad Kent Publisher: Cambridge University Press ISBN: 1316432165 Category : Drama Languages : en Pages : 723
Book Description
When George Bernard Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
Author: Christopher Innes Publisher: Cambridge University Press ISBN: 1139825569 Category : Drama Languages : en Pages : 380
Book Description
The Cambridge Companion to George Bernard Shaw is an indispensable guide to one of the most influential and important dramatists of the theatre. The volume offers a broad-ranging study of Shaw with essays by a team of leading scholars. The Companion covers all aspects of Shaw's drama, focusing on both the political and theatrical context, while the extensive illustrations showcase productions from the Shaw Festival in Canada. In addition to situating Shaw's work in its own time, the Companion demonstrates its continuing relevance, and applies some of the newest critical approaches. Topics include Shaw and the publishing trade, Shaw and feminism, and Shaw and the Empire, as well as analyses of the early plays, discussion plays and history plays.
Author: George Bernard Shaw Publisher: DigiCat ISBN: Category : Literary Collections Languages : en Pages : 4462
Book Description
George Bernard Shaw (1856–1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938), for his contributions to literature and for his work on the film Pygmalion (an adaptation of his own play) This edition includes: Novels: Cashel Byron's Profession An Unsocial Socialist Love Among The Artists The Irrational Knot Plays: Widowers' Houses The Philanderer Mrs. Warren's Profession The Man Of Destiny Arms And The Man Candida You Never Can Tell The Devil's Disciple Captain Brassbound's Conversion Caesar And Cleopatra The Gadfly or The Son of the Cardinal The Admirable Bashville Man And Superman John Bull's Other Island How He Lied To Her Husband Major Barbara Passion, Poison, And Petrifaction The Doctor's Dilemma The Interlude At The Playhouse Getting Married The Shewing-Up Of Blanco Posnet Press Cuttings Misalliance The Dark Lady Of The Sonnets Fanny's First Play Androcles And The Lion Overruled Pygmalion Great Catherine The Music Cure O'Flaherty, V. C. Macbeth Skit Glastonbury Skit The Inca Of Perusalem Augustus Does His Bit Skit For The Tiptaft Revue Annajanska, The Bolshevik Empress Heartbreak House Back To Methuselah War Indemnities What do Men of Letters Say? On Socialism The Miraculous Revenge Quintessence Of Ibsenism Basis of Socialism The Transition to Social Democracy The Impossibilities Of Anarchism The Perfect Wagnerite Letter to Beatrice Webb The New Theology Memories of Oscar Wilde The Revolutionist's Handbook And Pocket Companion Maxims For Revolutionists The New Theology How to Write A Popular Play Memories of Oscar Wilde George Bernard Shaw The Quintessence of Shaw Old and New Masters...
Author: Bernard Shaw Publisher: SIU Press ISBN: 9780809321551 Category : Literary Collections Languages : en Pages : 228
Book Description
When an interviewer asked Bernard Shaw whether, "speaking personally", he would prefer to see the English and Americans "become drama and variety fans as of old, rather than movie fans", Shaw replied, "Speaking personally, I should prefer to see them become Shaw fans". With his customary wit and quite often with remarkable prescience, Shaw began a dialogue on cinema that ran almost from the infancy of the industry in 1908 until his death in 1950. Bernard F. Dukore presents the first collection of Bernard Shaw's writings and oral statements about cinema. Of the more than one hundred comments Dukore has selected, fifty-nine -- more than half -- are new to today's readers. Twelve are previously unpublished, one is published in full for the first time, and forty-six appear in a collected edition of Shaw's writings for the first time since their publication in newspapers and magazines. Very early in the life of cinema, Shaw perceived that as an invention, movies would be more momentous than the printing press because they appealed to the illiterate as well as the literate, to the manual laborer at the end of an exhausting day as well as to the person with more leisure. He predicted that cinema would form people's minds and shape their conduct. He recognized that cinema's "colossal proportions make mediocrity compulsory" by leveling art and life down to the blandest morality and to the lowest common denominator of potential audiences throughout the world. By 1908, Shaw was familiar with experiments synchronizing movies and sound. When talkies arrived, he discerned that they would precipitate major changes in acting, writing, and economics. He also saw how they would affect live theatre:"The theatre may survive as a place where people are taught to act", he said in 1930, "but apart from that there will be nothing but 'talkies' soon". At that time, few people in the theatrical profession were making such prophecies, at least not in public.
Author: Bernard Shaw Publisher: Hesperus Press ISBN: 9781843914228 Category : Fiction Languages : en Pages : 79
Book Description
So controversial was Black Girl when it first appeared in 1932 that it provoked public outcry with Shaw decried as a blasphemer. Today, it remains a surprisingly irreverent depiction of the universal search for God. Dissatisfied with the teachings of respectable white missionaries, an African girl embarks upon her own quest for God and Truth. Journeying through the forest, she encounters various religious figures, each one seeking to convert her to their own brand of faith. This brilliantly sardonic allegory showcases some of Shaw's most unorthodox thoughts on religion and race. George Bernard Shaw (1856?1950) is best known for his dramatic works, of which Pygmalion is the most famous.
Author: George Bernard Shaw Publisher: ISBN: Category : Languages : en Pages : 136
Book Description
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913.
Author: George Bernard Shaw Publisher: DigiCat ISBN: Category : Literary Collections Languages : en Pages : 964
Book Description
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. George Bernard Shaw (1856 - 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938), for his contributions to literature and for his work on the film Pygmalion (an adaptation of his own play) Content: Quintessence of Ibsenism (1891) The Impossibilities Of Anarchism (1895) The Perfect Wagnerite, Commentary on the Niblung's Ring (1898) The Revolutionist's Handbook And Pocket Companion (1903) Maxims For Revolutionists (1903) First Aid to Critics: Preface to Major Barbara (1905) On Doctors: Preface to The Doctor's Dilemma (1906) The New Theology (1907) On Marriage: Preface to Getting Married How to Write A Popular Play: An Essay (1909) A Treatise on Parents and Children: An Essay (1910) On the Prospects of Christianity: Preface to Androcles and the Lion (1912) What do Men of Letters Say?: The New York Times Articles on War (1915) "Common Sense About the War" "Bennett States the German Case" Open Letter to President Wilson Memories of Oscar Wilde (1916) On Darwinism and Evolution: Preface to Back to Methuselah (1921) A Letter and A Speech by Bernard Shaw: Letter to Beatrice Webb (1898) On Socialism: A Speech (1885) George Bernard Shaw: A Biography By G. K. Chesterton The Quintessence of Shaw By James Huneker Old and New Masters: Bernard Shaw By Robert Lynd George Bernard Shaw: A Poem by Oliver Herford
Author: Olga Soboleva Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: 9783034307451 Category : English literature Languages : en Pages : 0
Book Description
George Bernard Shaw is commonly regarded as one of the most controversial intellectuals of the first half of the twentieth century. Known for the ambiguity of his statements and the seeming inconsistency of his views, there was, nevertheless, one idea to which the British dramatist remained constant throughout his life: his long-term enthusiasm for Russia and his firm belief that the Russians would 'give the world back its lost soul'. Moved by the Russian cultural tradition, he found inspiration in the morally charged writings of Tolstoy and Gorky, and sent a copy of his Back to Methuselah to Lenin. The Soviet utopia fascinated him, and he made a much-publicised journey to the USSR to see the results of socialist construction, remaining for the rest of his life an unrepentant advocate of Stalin's policies. Focusing on detailed textual analysis, this book traces the Russian sources that contributed to the formation of Shaw's literary style. By reflecting on these parallels, as well as by drawing on archive reports in the Russian and Western media, the authors attempt to establish the extent to which Shaw's obsession with the socialist cause affected the evolving character of his dramatic output. The book also explores the enduring positive reception of Shaw's plays on the Russian stage.