Author: Theodore Gentilz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Many of Gentilz's previously unpublished paintings are presented in this volume, which is the first study to examine his work as a cohesive whole and to place it in historical context.
Gentilz: Artist of the Old Southwest
Author: Theodore Gentilz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Many of Gentilz's previously unpublished paintings are presented in this volume, which is the first study to examine his work as a cohesive whole and to place it in historical context.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
Many of Gentilz's previously unpublished paintings are presented in this volume, which is the first study to examine his work as a cohesive whole and to place it in historical context.
Making the Unknown Known
Author: Victoria H. Cummins
Publisher: Texas A&M University Press
ISBN: 1648431518
Category : Art
Languages : en
Pages : 743
Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
Publisher: Texas A&M University Press
ISBN: 1648431518
Category : Art
Languages : en
Pages : 743
Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
By the Vision of Another World
Author: James D. Bratt
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802867103
Category : Religion
Languages : en
Pages : 222
Book Description
This book samples the rich variety of worship practices in American history to show how worship can be a fruitful subject for historians to study and how past cases can enrich our understanding of worship today. By the Vision of Another World gathers highly regarded historians who usually are not read together because of the widely different subjects on which they typically work. Yet their essays all fit together here as they address how worship, work, and worldview converge and reinforce each other no matter what particular place, era, denomination, or ethnic/racial group is under consideration. The variety of methodologies and voices will appeal to a breadth of critical interests, while the consistently high quality of historical narrative will keep readers engaged.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802867103
Category : Religion
Languages : en
Pages : 222
Book Description
This book samples the rich variety of worship practices in American history to show how worship can be a fruitful subject for historians to study and how past cases can enrich our understanding of worship today. By the Vision of Another World gathers highly regarded historians who usually are not read together because of the widely different subjects on which they typically work. Yet their essays all fit together here as they address how worship, work, and worldview converge and reinforce each other no matter what particular place, era, denomination, or ethnic/racial group is under consideration. The variety of methodologies and voices will appeal to a breadth of critical interests, while the consistently high quality of historical narrative will keep readers engaged.
Painting Texas History to 1900
Author: Sam DeShong Ratcliffe
Publisher: University of Texas Press
ISBN: 0292785976
Category : Art
Languages : en
Pages : 191
Book Description
Certificate of Commendation, American Association for State and Local History, 1994 T. R. Fehrenbach Book Award, Texas Historical Commission, 1992 San Antonio Conservation Society Citation, 1993 Dramatic historical events have frequently provided subject matter for artists, particularly in pre-twentieth-century Texas, where works portraying historical, often legendary, events and individuals predominated. Until now, however, these paintings of Texas history have never received the kind of study given to historical, fictional, and film versions of the same events. Painting Texas History to 1900 fills this gap with an interdisciplinary approach that explores these paintings both as works of art and as historical documents. The author examines the works of more than forty artists, including Henry McArdle, Theodore Gentilz, Robert Onderdonk, William Huddle, Frederic Remington, Friedrich Richard Petri, Arthur T. Lee, Seth Eastman, Sarah Hardinge, Frank Reaugh, W. G. M. Samuel, Carl G. von Iwonski, and Julius Stockfleth. He places each work within its historical and cultural context to show why such subject matter was chosen, why it was depicted in a particular way, and why such a depiction gained popular acceptance. For example, paintings of heroic events of the Texas Revolution were especially popular in the years following the Civil War, when, in Ratcliffe's view, Texans needed such images to assuage the loss of the war and the humiliation of Reconstruction. Though the paintings cut across traditional art history categories—from the pictographs of early historic Indians to European-inspired oil paintings—they are bound together by their artists' intent for them to function as historically evocative documents. With their visual narratives of events that characterized all of America's westward expansion—Indian encounters, military battles, farming, ranching, surveying, and the closing of the frontier—these works add an important chapter to the story of the American West.
Publisher: University of Texas Press
ISBN: 0292785976
Category : Art
Languages : en
Pages : 191
Book Description
Certificate of Commendation, American Association for State and Local History, 1994 T. R. Fehrenbach Book Award, Texas Historical Commission, 1992 San Antonio Conservation Society Citation, 1993 Dramatic historical events have frequently provided subject matter for artists, particularly in pre-twentieth-century Texas, where works portraying historical, often legendary, events and individuals predominated. Until now, however, these paintings of Texas history have never received the kind of study given to historical, fictional, and film versions of the same events. Painting Texas History to 1900 fills this gap with an interdisciplinary approach that explores these paintings both as works of art and as historical documents. The author examines the works of more than forty artists, including Henry McArdle, Theodore Gentilz, Robert Onderdonk, William Huddle, Frederic Remington, Friedrich Richard Petri, Arthur T. Lee, Seth Eastman, Sarah Hardinge, Frank Reaugh, W. G. M. Samuel, Carl G. von Iwonski, and Julius Stockfleth. He places each work within its historical and cultural context to show why such subject matter was chosen, why it was depicted in a particular way, and why such a depiction gained popular acceptance. For example, paintings of heroic events of the Texas Revolution were especially popular in the years following the Civil War, when, in Ratcliffe's view, Texans needed such images to assuage the loss of the war and the humiliation of Reconstruction. Though the paintings cut across traditional art history categories—from the pictographs of early historic Indians to European-inspired oil paintings—they are bound together by their artists' intent for them to function as historically evocative documents. With their visual narratives of events that characterized all of America's westward expansion—Indian encounters, military battles, farming, ranching, surveying, and the closing of the frontier—these works add an important chapter to the story of the American West.
Faces of Béxar
Author: Jesús F. De la Teja
Publisher: Texas A&M University Press
ISBN: 1623494028
Category : History
Languages : en
Pages : 242
Book Description
Winner, 2019 Summerfield G. Robert Award, sponsored by The Sons of the Republic of Texas Faces of Béxar showcases the finest work of Jesús F. de la Teja, a foremost authority on Spanish colonial Mexico and Texas through the Republic. These essays trace the arc of the author’s career over a quarter of a century. A new bibliographic essay on early San Antonio and Texas history rounds out the collection, showing where Tejano history has been, is now, and where it might go in the future. For de la Teja, the Tejano experience in San Antonio is a case study of a community in transition, one moved by forces within and without. From its beginnings as an imperial outpost to becoming the center of another, newer empire—itself in transition—the social, political, and military history of San Antonio was central to Texas history, to say nothing of the larger contexts of Mexican and American history. Faces of Béxar explores this and more, including San Antonio's origins as a military settlement, the community's economic ties to Saltillo, its role in the fight for Mexican independence, and the motivations of Tejanos for joining Anglo Texans in the struggle for independence. Taken together, Faces of Béxar stands to be a milestone in the growing literature on Tejano history.
Publisher: Texas A&M University Press
ISBN: 1623494028
Category : History
Languages : en
Pages : 242
Book Description
Winner, 2019 Summerfield G. Robert Award, sponsored by The Sons of the Republic of Texas Faces of Béxar showcases the finest work of Jesús F. de la Teja, a foremost authority on Spanish colonial Mexico and Texas through the Republic. These essays trace the arc of the author’s career over a quarter of a century. A new bibliographic essay on early San Antonio and Texas history rounds out the collection, showing where Tejano history has been, is now, and where it might go in the future. For de la Teja, the Tejano experience in San Antonio is a case study of a community in transition, one moved by forces within and without. From its beginnings as an imperial outpost to becoming the center of another, newer empire—itself in transition—the social, political, and military history of San Antonio was central to Texas history, to say nothing of the larger contexts of Mexican and American history. Faces of Béxar explores this and more, including San Antonio's origins as a military settlement, the community's economic ties to Saltillo, its role in the fight for Mexican independence, and the motivations of Tejanos for joining Anglo Texans in the struggle for independence. Taken together, Faces of Béxar stands to be a milestone in the growing literature on Tejano history.
New Mexican Tinwork, 1840-1940
Author: Lane Coulter
Publisher: UNM Press
ISBN: 9780826315250
Category : Art
Languages : en
Pages : 220
Book Description
A beautifully illustrated book on the origins and history of traditional Hispanic tinwork.
Publisher: UNM Press
ISBN: 9780826315250
Category : Art
Languages : en
Pages : 220
Book Description
A beautifully illustrated book on the origins and history of traditional Hispanic tinwork.
Fifty Years of Good Reading
Author: University of Texas Press
Publisher: University of Texas Press
ISBN: 9780292785380
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
50 year since founding the University of Texas, they have witnessed major evolutions in the world of publishing.
Publisher: University of Texas Press
ISBN: 9780292785380
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
50 year since founding the University of Texas, they have witnessed major evolutions in the world of publishing.
Texas Furniture, Volume Two
Author: Lonn Taylor
Publisher: University of Texas Press
ISBN: 0292745818
Category : Antiques & Collectibles
Languages : en
Pages : 351
Book Description
The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas furniture and its makers. After more than a decade of investigation, they published Texas Furniture in 1975, and it quickly became the authoritative reference on this subject. An updated edition, Texas Furniture, Volume One, was issued in the spring of 2012. Texas Furniture, Volume Two presents over 150 additional pieces of furniture that were not included in Volume One, each superbly photographed in color and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. Taylor and Warren have also written a new introduction for this volume, in which they amplify the story of early Texas furniture. In particular, they compare and contrast the two important traditions of cabinetmaking in Texas, Anglo-American and German, and identify previously unknown artisans. The authors also discuss nineteenth-century Texans’ desire for refinement and gentility in furniture, non-commercial furniture making, and marquetry work. And they pay tribute to the twentieth-century collectors who first recognized the value of locally made Texas furniture and worked to preserve it. A checklist of Texas cabinetmakers, which contains biographical information on approximately nine hundred men who made furniture in Texas, completes the volume.
Publisher: University of Texas Press
ISBN: 0292745818
Category : Antiques & Collectibles
Languages : en
Pages : 351
Book Description
The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas furniture and its makers. After more than a decade of investigation, they published Texas Furniture in 1975, and it quickly became the authoritative reference on this subject. An updated edition, Texas Furniture, Volume One, was issued in the spring of 2012. Texas Furniture, Volume Two presents over 150 additional pieces of furniture that were not included in Volume One, each superbly photographed in color and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. Taylor and Warren have also written a new introduction for this volume, in which they amplify the story of early Texas furniture. In particular, they compare and contrast the two important traditions of cabinetmaking in Texas, Anglo-American and German, and identify previously unknown artisans. The authors also discuss nineteenth-century Texans’ desire for refinement and gentility in furniture, non-commercial furniture making, and marquetry work. And they pay tribute to the twentieth-century collectors who first recognized the value of locally made Texas furniture and worked to preserve it. A checklist of Texas cabinetmakers, which contains biographical information on approximately nine hundred men who made furniture in Texas, completes the volume.
Rosengren's Books
Author: Mary George
Publisher: Wings Press
ISBN: 1609403800
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
Virtually every San Antonio citizen over a certain age with any interest in literature will have vivid memories of Rosengren's Books. It was the absolute center of literary culture not only in San Antonio, but in Texas, for decades. Indeed, from the 1930s to the 1980s, Rosengren's Books was considered one of the finest bookstores between New York and San Francisco. It was a mid-continent haven for writers as diverse as Frost, John Dos Pasos, J. Frank Dobie, and Larry McMurtry. Rosengren's Books: An Oasis for Mind and Spirit is the story of a great American family of independent booksellers and the important literary institution they created. Beginning as a rare book store in Chicago, Frank and Florence Rosengren brought the store to San Antonio, Texas, in 1935. Located in various downtown locations, it became most well known as the charming book shop behind the Alamo, where it was visited by hundreds of thousands of tourists from around the world. At the heart of the story is Florence Rosengren, whom former San Antonio mayor Phil Hardberger calls the "Sylvia Beach of South Texas" and Texas Observer founding editor Ronnie Dugger described as "the chief guardian of civilization from here to Mexico City."
Publisher: Wings Press
ISBN: 1609403800
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
Virtually every San Antonio citizen over a certain age with any interest in literature will have vivid memories of Rosengren's Books. It was the absolute center of literary culture not only in San Antonio, but in Texas, for decades. Indeed, from the 1930s to the 1980s, Rosengren's Books was considered one of the finest bookstores between New York and San Francisco. It was a mid-continent haven for writers as diverse as Frost, John Dos Pasos, J. Frank Dobie, and Larry McMurtry. Rosengren's Books: An Oasis for Mind and Spirit is the story of a great American family of independent booksellers and the important literary institution they created. Beginning as a rare book store in Chicago, Frank and Florence Rosengren brought the store to San Antonio, Texas, in 1935. Located in various downtown locations, it became most well known as the charming book shop behind the Alamo, where it was visited by hundreds of thousands of tourists from around the world. At the heart of the story is Florence Rosengren, whom former San Antonio mayor Phil Hardberger calls the "Sylvia Beach of South Texas" and Texas Observer founding editor Ronnie Dugger described as "the chief guardian of civilization from here to Mexico City."
Rounded Up in Glory
Author: Michael Grauer
Publisher: University of North Texas Press
ISBN: 1574416332
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Frank Reaugh (1860-1945; pronounced "Ray") was called "the Dean of Texas artists" for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a "Who's Who" of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh's importance as more than just a "longhorn painter." Reaugh's works and far-reaching imagination earned him a prominent place in the Texas art pantheon.
Publisher: University of North Texas Press
ISBN: 1574416332
Category : Biography & Autobiography
Languages : en
Pages : 439
Book Description
Frank Reaugh (1860-1945; pronounced "Ray") was called "the Dean of Texas artists" for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a "Who's Who" of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh's importance as more than just a "longhorn painter." Reaugh's works and far-reaching imagination earned him a prominent place in the Texas art pantheon.