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Author: Elizabeth Rodini Publisher: Bloomsbury Publishing ISBN: 1838604847 Category : Art Languages : en Pages : 233
Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.
Author: Elizabeth Rodini Publisher: Bloomsbury Publishing ISBN: 1838604847 Category : Art Languages : en Pages : 233
Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.
Author: Elizabeth Rodini Publisher: Bloomsbury Publishing ISBN: 1838604820 Category : Art Languages : en Pages : 224
Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.
Author: Institut du Monde Arabe (Paris) Publisher: Yale University Press ISBN: 0300124309 Category : History Languages : en Pages : 388
Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Author: JamesG. Harper Publisher: Routledge ISBN: 1351539868 Category : Art Languages : en Pages : 342
Book Description
Unprecedented in its range - extending from Venice to the New World and from the Holy Roman Empire to the Ottoman Empire - this collection probes the place that the Ottoman Turks occupied in the Western imaginaire, and the ways in which this occupation expressed itself in the visual arts. Individual essays in this volume examine specific images or groups of images, problematizing the 'truths' they present and analyzing the contexts that shape the presentation of Ottoman or Islamic subject matter in European art. The contributors trace the transmission of early modern images and representations across national boundaries and across centuries to show how, through processes of translation that often involved multiple stages, the figure of the Turk (and by extension that of the Muslim) underwent a multiplicity of interpretations that reflect and reveal Western needs, anxieties and agendas. The essays reveal how anachronisms and inaccuracies mingled with careful detail to produce a "Turk," a figure which became a presence to reckon with in painting, sculpture, tapestry and printmaking.
Author: Jason Goodwin Publisher: Sarah Crichton Books ISBN: 1429922729 Category : Fiction Languages : en Pages : 427
Book Description
Investigator Yashim travels to Venice in the latest installment of the Edgar® Award–winning author Jason Goodwin's captivating historical mystery series Jason Goodwin's first Yashim mystery, The Janissary Tree, brought home the Edgar® Award for Best Novel. His follow-up, The Snake Stone, more than lived up to expectations and was hailed by Marilyn Stasio in The New York Times Book Review as "a magic carpet ride to the most exotic place on earth." Now, in The Bellini Card, Jason Goodwin takes us back into his "intelligent, gorgeous and evocative" (The Independent on Sunday) world, as dazzling as a hall of mirrors and utterly compelling. Istanbul, 1840: the new sultan, Abdülmecid, has heard a rumor that Bellini's vanished masterpiece, a portrait of Mehmet the Conqueror, may have resurfaced in Venice. Yashim, our eunuch detective, is promptly asked to investigate, but -- aware that the sultan's advisers are against any extravagant repurchase of the painting -- decides to deploy his disempowered Polish ambassador friend, Palewski, to visit Venice in his stead. Palewski arrives in disguise in down-and-out Venice, where a killer is at large as dealers, faded aristocrats, and other unknown factions seek to uncover the whereabouts of the missing Bellini. But is it the Bellini itself that endangers all, or something associated with its original loss? And why is it that all the killer's victims are somehow tied to the alluring Contessa d'Aspi d'Istria? Will the Austrians unmask Palewski, or will the killer find him first? Only Yashim can uncover the truth behind the manifold mysteries.
Author: Eric Karpeles Publisher: ISBN: Category : Art Languages : en Pages : 386
Book Description
"Eric Karpele's guide offers a feast for the eyes as it celebrates the close relationship between the visual and literary arts in Proust's masterpiece, Karpeles has identified and located all of the paintings to which Proust makes exact reference. Where only a painter's name is mentioned to indicate a certain mood or appearance, he has chosen a representative work to illustrate the impression that Proust sought to evoke. Botticelli's angels, Manet's courtesans, Mantegna's warriors and Carpaccio's saints stand among Monet's water lilies and Piranesi's engravings of Rome, while Karpeles's insightful essay and lucid contextual commentary explain their significance to Proust. Extensive notes and a comprehensive index of all painters and paintings mentioned in the novel provide an invaluable resource for the reader navigating In Search of Lost Time for the first time or the fifth."--BOOK JACKET.
Author: David J. Roxburgh Publisher: Royal Academy Books ISBN: Category : Art Languages : en Pages : 520
Book Description
This catalogue accompanies an exhibition devoted to the artistic & cultural riches of the Turkic-speaking peoples. Texts by leading scholars trace Turkic history & cultural development, while artefacts ranging from painting, sculpture, textiles, metalwork & ceramics reflect the artistic influences that the Turks assimilated.
Author: Lisa Jardine Publisher: Cornell University Press ISBN: 9780801438080 Category : Art Languages : en Pages : 236
Book Description
In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
Author: Palais des beaux-arts (Bruxelles). Publisher: Hatje Cantz Verlag ISBN: 9783775739665 Category : Art, European Languages : en Pages : 291
Book Description
"....The aim of our exhibition is to focus on the Ottoman Empire...and to explore the different ways the Ottomans, or 'Turks' as they were already called by their contemporaries, impacted the art and culture of the Renaissance.
Author: Elizabeth Rodini
Author: Elizabeth Rodini
Author: Elizabeth Rodini
Author: Institut du Monde Arabe (Paris)
Author: JamesG. Harper
Author: Jason Goodwin
Author: Emine Fetvacı
Author: Eric Karpeles
Author: David J. Roxburgh
Author: Lisa Jardine
Author: Palais des beaux-arts (Bruxelles).