Genre, Style, and Compositional Procedure in Beethoven's "Kreutzer" Sonata, Opus 47 PDF Download

Author: Suhnne Ahn
Publisher:
ISBN:
Category :
Languages : en
Pages : 550

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Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 9780521625555
Category : Music
Languages : en
Pages : 254

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Book Description
An invaluable guide to the available historical source material on playing the violin and viola.

Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 9780253346964
Category : Music
Languages : en
Pages : 732

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Book Description
The Piano in Chamber Ensemble describes more than 3,200 compositions, from duos to octets, by more than 1,600 composers. It is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and their teachers will find a wealth of chamber works from all periods.

Author: Lewis Lockwood
Publisher: W. W. Norton & Company
ISBN: 0393326381
Category : Biography & Autobiography
Languages : en
Pages : 621

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Book Description
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.

Author: Lewis Lockwood
Publisher: University of Illinois Press
ISBN: 9780252029325
Category : Music
Languages : en
Pages : 186

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Book Description
"Lewis Lockwood and Mark Kroll's volume The Beethoven Violin Sonatas is the first scholarly book in English devoted exclusively to the Beethoven sonatas and deals with them in unprecedented depth. Serving readers, listeners, and performers as a companion to the sonatas, it presents seven critical and historical essays by some of the most important American and European Beethoven specialists of our time.

Author: Janet Schmalfeldt
Publisher: Oxford University Press
ISBN: 0190656123
Category : Music
Languages : en
Pages : 350

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Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.

Author: D. J. Hoek
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374

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Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.

Author: Mark Katz
Publisher: Routledge
ISBN: 1135576955
Category : Music
Languages : en
Pages : 424

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Book Description
The violin was first mentioned in a book in the sixteenth century. An abundant and diverse literature on the instrument has grown since then, and a complete general guide to these materials has not been produced in the modern era. The last, Edward Heron-Allen's De Fidiculis Bibliographia , was published in1894. This book fills that void, organizing and annotating information on the violin from a variety of fields and sources. It provides a comprehensive, though selective, guide to all facets of the instrument. The book is divided into 4 main parts: Reference and General Studies; Acoustics and Construction; Violin Playing, Performance Practice, and Music; and Violinists, Composers, and Violin Teachers. It will serve as a ready reference for students and scholars, and is a welcome addition to the esteemed Routledge Music Bibliography series.

Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 0253056748
Category : Music
Languages : en
Pages : 853

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Book Description
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.

Author: Danuta Mirka
Publisher: Oxford Handbooks
ISBN: 0199841578
Category : Music
Languages : en
Pages : 719

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Book Description
Consolidates the research field of topic theory by clarifying its basic concepts and exploring its historical foundations.