Author: V. G. CowdinPublisher:
ISBN:
Category :
Languages : en
Pages : 5
Book Description
Gen. Beauregard's Grand March; Genl. Beauregard's Grand March
Author: V. G. CowdinGen. Beauregard's Grand March
Author: Mrs. V. G. CowdinPublisher:
ISBN:
Category : United States
Languages : en
Pages : 5
Book Description
Gen. Beauregard's Grand March
Author: E. HeinemanConfederate Sheet Music
Author: E. Lawrence AbelPublisher: McFarland
ISBN: 1476606382
Category : History
Languages : en
Pages : 265
Book Description
During the American Civil War, songs united and inspired people on both sides. The North had a well-established music publishing industry when the war broke out, but the South had no such industry. The importance of music as an expression of the South's beliefs was obvious; as one music publisher said, "The South must not only fight her own battles but sing her own songs and dance to music composed by her own children." Southern entrepreneurs quickly rose to the challenge. This reference book is distinguished by three major differences from previously published works. First, it lists sheet music that is no longer extant (and listed nowhere else). Second, it gives complete lyrics for all extant songs, a rich source for researchers. And third, a brief historical background has been provided for many of the songs. Each entry provides as much of the following as possible (staying faithful to the typography of each title page): the title as published, names of all lyricists, composers and publishers; dates of publication; cities of publication; and if applicable, the names of catalogs or magazines in which the song appeared. Music published in Southern cities under Federal occupation is excluded.
Sheet Music of the Confederacy
Author: Robert I. CurtisPublisher: McFarland
ISBN: 1476692610
Category : Music
Languages : en
Pages : 523
Book Description
The creation of the Confederate States of America and the subsequent Civil War inspired composers, lyricists, and music publishers in Southern and border states, and even in foreign countries, to support the new nation. Confederate-imprint sheet music articulated and encouraged Confederate nationalism, honored soldiers and military leaders, comforted family and friends, and provided diversion from the hardships of war. This is the first comprehensive history of the sheet music of the Confederacy. It covers works published before the war in Southern states that seceded from the Union, and those published during the war in Union occupied capitals, border and Northern states, and foreign countries. It is also the first work to examine the contribution of postwar Confederate-themed sheet music to the South's response to its defeat, to the creation and fostering of Lost Cause themes, and to the promotion of national reunion and reconciliation.
Singing the New Nation
Author: E. Lawrence AbelPublisher: Stackpole Books
ISBN: 0811746763
Category : History
Languages : en
Pages : 428
Book Description
Scholarly volumes have been written about the causes of the war, presenting plausible reasons for the bloodbath of the 1860s. The arguments are endless and fascinating. Every generation finds new insight into the times. What has largely been ignored is the role of songs in America’s Civil War. This book chronicles the war’s social history in terms of its seldom discussed musical side, and is told from the perspective of the South. Outmanned and outgunned during the War, the South was certainly not musically bested.
Genl. Beauregard's Grand March
Author: E. HeinemanGl. Beauregard's Grand March
Author: V. G. CowdinThe Military Operations of General Beauregard in the War Between the States, 1861 to 1865
Author: Alfred RomanPublisher:
ISBN:
Category : Confederate States of America
Languages : en
Pages : 746
Book Description
Music and the Southern Belle
Author: Candace BaileyPublisher: SIU Press
ISBN: 0809385570
Category : History
Languages : en
Pages : 276
Book Description
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.