Author: Art Institute of ChicagoPublisher:
ISBN:
Category : Art
Languages : en
Pages : 354
Book Description
Italian Paintings Before 1600 in the Art Institute of Chicago
Author: Christopher LloydPublisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
In color, the rest in duotone; there are also eighty comparative illustrations.
General Catalogue
Author: Oxford University PressPublisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 596
Book Description
French and British Paintings from 1600 to 1800 in the Art Institute of Chicago
Author: Art Institute of ChicagoPublisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 336
Book Description
The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honor Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British. Each painting in the catalog is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.
Northern European and Spanish Paintings Before 1600 in the Art Institute of Chicago
Author: Art Institute of ChicagoPublisher:
ISBN:
Category : Art
Languages : en
Pages : 488
Book Description
"This volume documents the Art Institute of Chicago's significant - yet relatively unknown - collection of French, Spanish, Netherlandish, English, and German paintings created before 1600. More than one hundred works, including altarpieces, private devotional works, portraits, and landscapes by such masters as Lucas Cranach, Gerard David, El Greco, Jan Gossart, and Rogier van der Weyden, receive their first in-depth analysis. More than 350 images - including comparative illustrations of underdrawings, reconstructed ensembles, and related works - accompany the entries"--BOOK JACKET
Annual Reports
Author: Carnegie InstitutePublisher:
ISBN:
Category : Art museums
Languages : en
Pages : 302
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Bulletin of the Art Institute of Chicago
Author: Art Institute of ChicagoPublisher:
ISBN:
Category : Art
Languages : en
Pages : 482
Book Description
Desire and Excess
Author: Jonah SiegelPublisher: Princeton University Press
ISBN: 1400849829
Category : Art
Languages : en
Pages : 381
Book Description
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 880
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). LibraryPublisher:
ISBN:
Category : Art
Languages : en
Pages : 686
Book Description