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Author: Marion J. Kaminkow Publisher: Genealogical Publishing Com ISBN: 9780806316673 Category : Biography & Autobiography Languages : en Pages : 882
Book Description
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
Author: Marion J. Kaminkow Publisher: Genealogical Publishing Com ISBN: 9780806316673 Category : Biography & Autobiography Languages : en Pages : 882
Book Description
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
Author: Beatrice Moore Caffey Reed Publisher: ISBN: Category : North Carolina Languages : en Pages : 164
Book Description
Thomas Moore, probably the son of Thomas Moore and Rachel of Dorchester, Maryland, married Sarah (Smith?) and had a will probated in 1805. Descendants and relatives lived in North Carolina, Maryland and elsewhere.
Author: Shyon Baumann Publisher: Princeton University Press ISBN: 0691187282 Category : Performing Arts Languages : en Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Marion J. Kaminkow
Author: Marion J. Kaminkow
Author: Beatrice Moore Caffey Reed
Author: Daughters of the American Revolution. Library
Author: 
Author: Library of Congress
Author: Jessie Owen Shaw
Author: Robert Peter
Author: Shyon Baumann
Author: Joanna Baillie
Author: Rigby