Gendered Modernities PDF Download

Author: D. Hodgson
Publisher: Springer
ISBN: 1137099445
Category : Social Science
Languages : en
Pages : 277

View

Book Description
Based on long-term ethnographic research, the book chapters explore the intersection of 'gender' and 'modernity' as they are mediated in the lives and subjectivities of diverse individuals and groups. How are the messages of modernity/tradition gendered? How are the material practices and cultural meanings of modernity shaped by local ideas of gender and 'progress'? Together these chapters demonstrate that the ideas of progress, rationality, order, and development encompassed by 'modernity' are profoundly gendered, whether conveyed by mass media images of consumption, agendas of nation-building, or legal discourse. Furthermore, the mutual inflections of gender and modernity are at once pervasively 'global,' occurring in different locales and ways; and deeply 'local,' shaping and shaped by the structures and experiences of culture, class, ethnicity, and nation.

Author: Amitava Chatterjee (Assistant professor of history)
Publisher: Primus Books
ISBN: 9789389850017
Category : Gender identity
Languages : en
Pages : 296

View

Book Description
This book shows how gender is central to our imagination and understanding of modernity. The essays in this volume unravel the complexities of modernity's relationship to femininity and the cultures of gender construction amidst the diverse manifestations of colonialism and nationalism. The essays cover varied aspects of gender identities, including the private spheres of elite women who expressed their freedom through their subversive, restricted sexuality, thus shaking off the shackles of domination; the debates regarding dress codes for women; the deplorable condition of girls after marriage; legislative battles to achieve the right to divorce; challenges to notions of sports as a masculine activity; the different meanings of modernity for women writers; the implications of print cultures and cinema on women; gendered meanings of peace and partition; women's preferences, perceptions and practices; the politics of resistance; and questions of agency and autonomy.

Author: Antoinette Burton
Publisher: Routledge
ISBN: 1134636474
Category : History
Languages : en
Pages : 425

View

Book Description
Gender, Sexuality and Colonial Modernities considers the ways in which modernity was constructed, in all its incompleteness, through colonialism. Using a variety of archival resources and equally diverse methodologies, the authors trace modernity's unstable foundations in the slippages and ruptures of colonial gender and sexual politics. As a whole, the essays illustrate that modern colonial regimes are never self-evidently hegemonic, but are always in process - subject to disruption and contest - and never finally accomplished; and are therefore unfinished business.

Author: Rita FELSKI
Publisher: Harvard University Press
ISBN: 0674036794
Category : Literary Criticism
Languages : en
Pages : 257

View

Book Description
In an exploration of the complex relations between women and the modern, this work challenges conventional male-centred theories of modernity. It examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.

Author: Lisa Rofel
Publisher: Univ of California Press
ISBN: 0520210794
Category : History
Languages : en
Pages : 349

View

Book Description
"Cogent, evocative, and theoretically rigorous. I know of no one else who has so artfully delineated the complex, heterogeneous effects of political mobilization on the formation of collective and individual subjectivities."—Dorinne Kondo, author of Crafting Selves

Author: Heidemarie Winkel
Publisher: Routledge
ISBN: 042984476X
Category : Social Science
Languages : en
Pages : 248

View

Book Description
Until today, Western, European sociology contributes to the social reality of colonial modernity, and gender knowledge is a paradigmatic example of it. Multiple Gender Cultures, Sociology, and Plural Modernities critically engages with these ‘Western eyes’ and shifts the focus towards the global variety of gendered socialities and hierarchically entangled social histories. This is conceptualised as multiple gender cultures within plural modernities. The authors examine the multifaceted realities of gendered life in varying contexts across the globe. Bringing together different perspectives, the volume provides a rereading of the social fabric of gender in contrast to androcentrist-modernist as well as orientalist representations of ‘the’ gendered Other. The key questions explored by this volume are: which social mechanisms lead to conflicting or shifting gender dynamics against the backdrop of global entanglements and interdependencies, and to what extent are neocolonial gender regimes at work in this regard? How are varying gender cultures sociohistorically and culturally structured, and how are they connected within (global) power relations? How can established hierarchies and asymmetries become an object of criticism? How can historical, cultural, social, and political specificities be analysed without gendered and other reifications? That way, the volume aims to promote border thinking in sociological understanding of social reality towards multiple gender cultures and plural modernities.

Author: Rita Felski
Publisher: Harvard University Press
ISBN: 0674263383
Category : Literary Criticism
Languages : en
Pages : 257

View

Book Description
In an innovative and invigorating exploration of the complex relations between women and the modern, Rita Felski challenges conventional male-centered theories of modernity. She also calls into question those feminist perspectives that have either demonized the modern as inherently patriarchal, or else assumed a simple opposition between men’s and women’s experiences of the modern world. Combining cultural history with cultural theory, and focusing on the fin de siècle, Felski examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution, and perversion. Her approach is comparative and interdisciplinary, covering a wide variety of texts from the English, French, and German traditions: sociological theory, realist and naturalist novels, decadent literature, political essays and speeches, sexological discourse, and sentimental popular fiction. Male and female writers from Simmel, Zola, Sacher-Masoch, and Rachilde to Marie Corelli, Wilde, and Olive Schreiner come under Felski’s scrutiny as she exposes the varied and often contradictory connections between femininity and modernity. Seen through the lens of Felski’s discerning eye, the last fin de siècle provides illuminating parallels with our own. And Felski’s keen analysis of the matrix of modernism offers needed insight into the sense of cultural crisis brought on by postmodernism.

Author: Andrew N. Weintraub
Publisher: University of Hawaii Press
ISBN: 0824874196
Category : Music
Languages : en
Pages : 377

View

Book Description
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.

Author: Devapriya Sanyal
Publisher: Routledge
ISBN: 1000509192
Category : Social Science
Languages : en
Pages : 187

View

Book Description
This book analyses the role of women in the films of one of the leading filmmakers of the ‘Third World’ in the 1950s, Satyajit Ray, a national icon in filmmaking in India. The book explores the portrayal of women in the context of the creation of national culture after India became independent. Gender issues were very important to India under Jawaharlal Nehru in the 1950s – with the enactment of inheritance and divorce laws. Ray’s portrayal of women and his films anticipate much of the theorizing of later-day feminism. This book analyses cinematic texts with special reference to the women characters using feminist film theory and representation along with a study of the socio-political and economic conditions pertinent to the times – both relevant to the film’s making and its setting. The primary texts studied are films spanning over four decades from Pather Panchali (1955) to his last trilogy and are based on a categorization of the broad feminine ‘types’ represented in the films – based on the socio-political situations in which they are placed – and their relationships with the other characters present. Ray’s portrayal of women has an enormous bearing on our understanding of how modern India evolved in the Nehru era and after, and this book explore just that: the place of the woman as it is and should be in a young nation encumbered by patriarchy. Gendered Modernity and Indian Cinema will be of interest to academics in the field of World cinema, Indian and Bengali cinema, Film Studies as well as Gender Studies and South Asian culture and society.

Author: Alexandra Staub
Publisher: Routledge
ISBN: 1351719432
Category : Architecture
Languages : en
Pages : 571

View

Book Description
The Routledge Companion to Modernity, Space and Gender reframes the discussion of modernity, space and gender by examining how "modernity" has been defined in various cultural contexts of the twentieth and twenty-first centuries, how this definition has been expressed spatially and architecturally, and what effect this has had on women in their everyday lives. In doing so, this volume presents theories and methods for understanding space and gender as they relate to the development of cities, urban space and individual building types (such as housing, work spaces or commercial spaces) in both the creation of and resistance to social transformations and modern global capitalism. The book contains a diverse range of case studies from the US, Europe, the UK, and Asian countries such as China and India, which bring together a multiplicity of approaches to a continuing and common issue and reinforces the need for alternatives to the existing theoretical canon.