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Author: Laura Anne Salsini Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838638019 Category : Literary Criticism Languages : en Pages : 204
Book Description
Matilde Serao's richly detailed narratives created a metamorphical city of women negotiating the social and cultural byways of turn-of-the-century Italy. With each text, Serao (1856-1927) added another stratum to her imaginary metropolis, grounding her works in realistic detail and acute social observation. Over the course of almost thirty novels, more than one hundred short stories, and innumerable newspaper articles, Serao articulated her own vision of female destiny in a society governed by traditional, often restrictive, paradigms of female behavior. This study examines how Serao refashioned traditional genres throughout her long literary career, a narrative strategy that allowed her to focus specifically on the depiction of female experiences.
Author: Laura Anne Salsini Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838638019 Category : Literary Criticism Languages : en Pages : 204
Book Description
Matilde Serao's richly detailed narratives created a metamorphical city of women negotiating the social and cultural byways of turn-of-the-century Italy. With each text, Serao (1856-1927) added another stratum to her imaginary metropolis, grounding her works in realistic detail and acute social observation. Over the course of almost thirty novels, more than one hundred short stories, and innumerable newspaper articles, Serao articulated her own vision of female destiny in a society governed by traditional, often restrictive, paradigms of female behavior. This study examines how Serao refashioned traditional genres throughout her long literary career, a narrative strategy that allowed her to focus specifically on the depiction of female experiences.
Author: Christine Gledhill Publisher: University of Illinois Press ISBN: 0252093666 Category : Performing Arts Languages : en Pages : 290
Book Description
This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception. With a uniquely global perspective, these essays examine the intersection of gender and genre in not only Hollywood films but also in independent, European, Indian, and Hong Kong cinemas. Working in the area of postcolonial cinema, contributors raise issues dealing with indigenous and global cinemas and argue that contemporary genres have shifted considerably as both notions of gender and forms of genre have changed. The volume addresses topics such as the history of feminist approaches to the study of genre in film, issues of female agency in postmodernity, changes taking place in supposedly male-dominated genres, concepts of genre and its use of gender in global cinema, and the relationship between gender and sexuality in film. Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen.
Author: Paul Beatty Publisher: Farrar, Straus and Giroux ISBN: 0374712247 Category : Fiction Languages : en Pages : 305
Book Description
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
Author: Mary Harrod Publisher: Routledge ISBN: 1315526077 Category : Social Science Languages : en Pages : 425
Book Description
Winner of first Prize in the BAFTSS Best Edited Collection competition, this volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to ‘undo’ or ‘subvert’ popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.
Author: Katarzyna Paszkiewicz Publisher: Edinburgh University Press ISBN: 1474425275 Category : Performing Arts Languages : en Pages : 306
Book Description
Examining the significance of women's work in popular film genres, this test sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola, and Kelly Reichard.
Author: Derek Longhurst Publisher: Routledge ISBN: 0415523265 Category : Literary Criticism Languages : en Pages : 232
Book Description
Annotation Responding to a fundamental challenge from feminism, a primary objective of this book is to propose that all narrative and its reading are intrinsically inflected by sexual politics. Various approaches represented here demonstrate problems of confronting the gendered pleasures of reading.
Author: Tonny Krijnen Publisher: Routledge ISBN: 1000463583 Category : Social Science Languages : en Pages : 224
Book Description
This thoroughly revised second edition provides a critical overview of the contemporary debates and discussions surrounding gender and mediated communication. The book is divided into three parts: representing, producing, and consuming, with each section made up of three chapters. The first chapter of each section attempts to answer the most basic questions: ‘Who is represented?’, ‘Who produces what?’, and ‘Who consumes what?’. The second chapter of each section draws attention to the complexity of the relationship between gender and media, concentrating on the 'why'. The third and final chapter of each section addresses the latest debates in the fields of media and gender, adding a vital layer of understanding of the topic at hand. Throughout, text boxes provide additional information on the most important concepts and topics, and exercises help bridge the gap between theory and everyday life media practices. The second edition has been updated in light of current developments with regard to gender, media technologies, and globalisation, including recent theoretical insights and examples. This is an ideal textbook for students studying gender and media, and for general courses on gender studies, sociology, cultural studies, and women’s studies.
Author: Mary Harrod Publisher: Springer Nature ISBN: 3030709949 Category : Performing Arts Languages : en Pages : 314
Book Description
Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.
Author: Rachel Moseley Publisher: Taylor & Francis ISBN: 131742848X Category : Social Science Languages : en Pages : 283
Book Description
Television for Women brings together emerging and established scholars to reconsider the question of ‘television for women’. In the context of the 2000s, when the potential meanings of both terms have expanded and changed so significantly, in what ways might the concept of programming, addressed explicitly to a group identified by gender still matter? The essays in this collection take the existing scholarship in this field in significant new directions. They expand its reach in terms of territory (looking beyond, for example, the paradigmatic Anglo-American axis) and also historical span. Additionally, whilst the influential methodological formation of production, text and audience is still visible here, the new research in Television for Women frequently reconfigures that relationship. The topics included here are far-reaching; from television as material culture at the British exhibition in the first half of the twentieth century, women’s roles in television production past and present, to popular 1960s television such as The Liver Birds and, in the twenty-first century, highly successful programmes including Orange is the New Black, Call the Midwife, One Born Every Minute and Wanted Down Under. This book presents ground-breaking research on historical and contemporary relationships between women and television around the world and is an ideal resource for students of television, media and gender studies.
Author: Laura Anne Salsini
Author: Laura Anne Salsini
Author: Christine Gledhill
Author: Paul Beatty
Author: Mary Harrod
Author: Katarzyna Paszkiewicz
Author: Derek Longhurst
Author: Tonny Krijnen
Author: Mary Harrod
Author: Rachel Moseley
Author: Annette Kuhn