Gender Bias in Mystery and Romance Novel Publishing PDF Download

Author: Anna Faktorovich
Publisher: Anaphora Literary Press
ISBN: 1681140934
Category : Social Science
Languages : en
Pages : 299

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Book Description
Examines gender bias from the perspective of readers, writers and publishers, with a focus on the top two bestselling genres in modern fiction. It is a linguistic, literary stylistic, and structurally formalist analysis of the male and female “sentences” in the genres that have the greatest gender divide: romances and mysteries. The analysis will search for the historical roots that solidified what many think of today as a “natural” division. Virginia Woolf called it the fabricated “feminine sentence,” and other linguists have also identified clear sexpreferential differences in AngloAmerican, Swedish and French novels. Do female mystery writers adopt a masculine voice when they write mysteries? Are femalepenned mysteries structurally or linguistically different from their male competitors’, and vice versa among male romance writers? The first part can be used as a textbook for gender stylistics, as it provides an indepth review of prior research. The second part is an analysis of the results of a survey on readers’ perception of gender in passages from literature. The last part is a linguistic and structural analysis of actual statistical differences between the novels in the two genres, considering the impact of the author’s gender.

Author: Gregory Ashe
Publisher: Hodgkin and Blount
ISBN:
Category : Fiction
Languages : en
Pages : 144

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Book Description
Hazard and Somerset: Off Duty is a collection of short stories. It includes the following: “Tickets to the Gun Show” Emery Hazard just wants to take his boyfriend to a concert, but some people are assholes. (Takes place before Guilt by Association) “When the Road Rises Up” Hazard and Somers go on their first vacation as a couple, but when no one can explain the sound of a crying child at night, Hazard decides to investigate. (Takes place before Reasonable Doubt) “Little Stoics” Somers is going to get a book signed by Hazard’s favorite author. He just has to keep Hazard from escaping physical therapy first. (Takes place before Criminal Past) “Hazard and Somerset: Off Duty” Six vignettes featuring Hazard and Somerset in daily life. (Takes place after Criminal Past) Please note that three of these stories were distributed in a preliminary form to mailing list subscribers. “Hazard and Somerset: Off Duty” is exclusively available in this collection.

Author: Anna Faktorovich
Publisher: Anaphora Literary Press
ISBN: 1681142244
Category : Fiction
Languages : en
Pages : 238

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Book Description
The events depicted incorporate historical incidents to create an alternate history of a violent anti-corruption rebellion in the fictional town of Sparta, Tennessee, in the aftermath of World War II. It is based in part on the rebellion by veterans against the Mayor’s office in Athens, Tennessee, as well as on the Chicago Haymarket Riot. In Sparta, thousands of veterans return to the States from the War, and are confronted by crippling corruption, as they attempt to drink away the trauma of the War. Faced with bribes and a heap of misdemeanor tickets, the GIs try to retaliate by aggressively supporting the Democratic ticket, but soon discover that elections are not won by voters in Sparta. The Sheriff and his army of untrained deputies go on a killing spree, as they work to steal the election, until the Democrats are compelled to pick up arms to defend their lives and their civil rights. “A riveting account of corruption in politics from the interesting mindset of disgruntled post-war veterans. A combination that will intrigue readers throughout the story.” —David Walpuck, Administrator for the National Registry of Food Safety Professionals “Naive, impressionable, patriotic young men from Anna Faktorovich’s fictitious Sparta, Tennessee joined the fight against Fascism during World War II. They confronted death, cruelty, deprivation and returned home not as heroes but outsiders. Sparta had no use for them—no jobs, no place in society, only bars and the local jail. Finally enough became too much. Outrage triggered rebellion and a new war began. Like the one the returned G.I.s had left in Europe and Asia this one also was for freedom from oppression. “The novel is based on events that occurred in southern Tennessee in 1946. Faktorovich populates The Battle for Democracy with variety of characters—rich, poor, white, African-American—and glimpses of shantytown life, Southern mansions, trips to Hawaii. Among the most fascinating personalities are the members of a Cherokee family that migrated to Sparta after their Oklahoma house was razed to make room for a military installation. Another is Giorgio, whose wilder instincts are tamed by his relationship with the sensible and attractive Haley. Less agreeable are the Ku Klux Klansmen the author describes, the opulence of the town mayor reigning over his miniature fiefdom, the bartender turned cop with an eye for profit at whatever cost. The novel is told with journalistic veracity and with vivid descriptions of places and events. Reading it one believes in what is taking place and participates along with the characters and their struggles to achieve equality and justice.” —Robert Joe Stout, winner of national journalism awards for news writing, author of Hidden Dangers: Mexico on the Brink of Disaster “An intriguing and often funny depiction of widespread governmental corruption in a mid-1940s southern city and the political efforts of a band of World War II veterans and their allies to address it.” —Jere Krakoff, retired civil rights attorney with the ACLU National Prison Project in Washington, D.C. “The Battle for Democracy, Anna Faktorovich’s second historical novel, focuses on events that transpired in Athens, Tennessee, in the wake of World War II, when returning veterans revolted against a corrupt city government. Athens becomes the mythical town of Sparta in Faktorovich’s riveting narrative. She takes a number of liberties with historical fact, reflecting her intent, as she puts it in her provocative introduction to the novel, to ‘step away from historical accuracy and into symbolic truth.’ In doing so she explores the frontier of historical fiction and the critical issue of how far an author can stretch or embroider historical truth in order to create a more artistic and meaningful story. Her characters, especially the returning veterans, are vividly rendered and her style in general is inventive and engaging. As the title indicates, The Battle for Democracy is representative of all those points on the historical timeline when democratic forces have battled greed and corruption, while also speaking directly and forcefully to our world today.” —Lucas Carpenter, C.H. Candler Professor Emeritus of English, Oxford College of Emory University “Anna Faktorovich’s historical novel The Battle for Democracy illuminates a little-known but highly representative incident in American labor history—the battle of returning World War II veterans against the corrupt political machinery of Athens, Tennessee. A timely reminder that the greatest threats to democracy come not from abroad but from our homegrown ideologues and zealots, whether of party, creed, or avarice.” —Robert Begiebing, founding director of the Low-Residency MFA in Fiction and Nonfiction, and Professor of English Emeritus at Southern New Hampshire University “…Veterans of World War II returned from the front and were caught in a storm of wild corruption at home. Two conflicting morals cannot coexist. As a result, they stage a revolt of front-line soldiers against the corrupt Mayor and Sheriff. Social conflict heats up until they are forced to use weapons, and people are killed and injured. The President of the United States and the Governor of the State do not intervene because it is a battle for democracy. The insurgency is victorious. The novel is brilliant and enlightening.” –Vasyl Baziv, organizer of the Ukrainian National Democratic movement (1989-1990), professor at the “Ukraine” International University, and ambassador

Author: Faktorovich, Anna
Publisher: Anaphora Literary Press
ISBN: 168114025X
Category : Business & Economics
Languages : en
Pages : 182

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Book Description
This is a comparative study of Wendell Berry’s theory of New Agrarian economics in contrast with other agrarian proposals, as well as communist, capitalist and feudal economic theories. The argument for an agrarian world has both similarities and sharp contrasts with Marxist communism, industrial capitalism, and classic feudalism. Agrarianism can be seen more clearly when it is contrasted and shown as having existed in parallel with each of these stages of economic world development. As the world quickly grows in the direction of overpopulation and pollution, a re-evaluation is needed of the previously used sustainability methods that have kept humanity in balance with the earth for millennia. As resources continue to become scarcer, those who can support themselves independently from mass-agricultural ventures might have a survival advantage. And this advantage should be explored before the world reaches a catastrophic phase. As the American farming population shrinks further below one percent of the overall population, this is a crucial moment to consider if agrarianism and agriculture itself should retain a central role in American political theory or if it should fade into the past.

Author: Shirley Jackson
Publisher: McClelland & Stewart
ISBN: 0735254419
Category : Biography & Autobiography
Languages : en
Pages : 167

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Book Description
In a hilariously charming domestic memoir, America’s celebrated master of terror turns to a different kind of fright: raising children In her celebrated fiction, Shirley Jackson explored the darkness lurking beneath the surface of small-town America. But in Life Among the Savages, she takes on the lighter side of small-town life. In this witty and warm memoir of her family’s life in rural Vermont, she delightfully exposes a domestic side in cheerful contrast to her quietly terrifying fiction. With a novelist’s gift for character, an unfailing maternal instinct, and her signature humor, Jackson turns everyday family experiences into brilliant adventures. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

Author: Paul Beatty
Publisher: Farrar, Straus and Giroux
ISBN: 0374712247
Category : Fiction
Languages : en
Pages : 305

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Book Description
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.

Author: Maya Rodale
Publisher:
ISBN: 9780990635666
Category :
Languages : en
Pages : 0

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Book Description
Long before clinch covers and bodice rippers, romance novels had a bad reputation as the lowbrow lit of desperate housewives and hopeless spinsters. But why were these books-the escape and entertainment of choice for millions of women-singled out for scorn and shame? Dangerous Books for Girls examines the secret history of the genre's bad reputation-from the "damned mob of scribbling women" in the nineteenth century to the sexy mass-market paperbacks of the twentieth century-and shows how romance novels have inspired and empowered generations of women to dream big, refuse to settle, and believe they're worth it. For every woman who has ever hidden the cover of a romance-and every woman who has been curious about those "Fabio books"-Dangerous Books For Girls shows why there's no room for guilt when reading for pleasure.

Author: Anna Faktorovich
Publisher: Anaphora Literary Press
ISBN: 1681145588
Category : Language Arts & Disciplines
Languages : en
Pages : 700

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Book Description
The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press.

Author: Anne Toner
Publisher: Cambridge University Press
ISBN: 1108424155
Category : Language Arts & Disciplines
Languages : en
Pages : 223

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Book Description
A new exploration of the innovative features of Jane Austen's style.

Author: Cynthia Leitich Smith
Publisher: Candlewick Press
ISBN: 1536202002
Category : Young Adult Fiction
Languages : en
Pages : 231

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Book Description
New York Times best-selling author Cynthia Leitich Smith turns to realistic fiction with the thoughtful story of a Native teen navigating the complicated, confusing waters of high school — and first love. When Louise Wolfe’s first real boyfriend mocks and disrespects Native people in front of her, she breaks things off and dumps him over e-mail. It’s her senior year, anyway, and she’d rather spend her time with her family and friends and working on the school newspaper. The editors pair her up with Joey Kairouz, the ambitious new photojournalist, and in no time the paper’s staff find themselves with a major story to cover: the school musical director’s inclusive approach to casting The Wizard of Oz has been provoking backlash in their mostly white, middle-class Kansas town. From the newly formed Parents Against Revisionist Theater to anonymous threats, long-held prejudices are being laid bare and hostilities are spreading against teachers, parents, and students — especially the cast members at the center of the controversy, including Lou’s little brother, who’s playing the Tin Man. As tensions mount at school, so does a romance between Lou and Joey — but as she’s learned, “dating while Native” can be difficult. In trying to protect her own heart, will Lou break Joey’s?