Gender and Popular Visual Culture in India PDF Download

Author: Francis P. Barclay
Publisher:
ISBN: 9781032561462
Category :
Languages : en
Pages : 0

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Author: Francis P. Barclay
Publisher: Taylor & Francis
ISBN: 1000997022
Category : Social Science
Languages : en
Pages : 233

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Book Description
Perhaps, male-mindedness seems to have adapted to changing-contemporary circumstances to become more covert and conspiratorial. Sexist suggestions—through objectification and substantiated subordination—for instance, may have been explicit in Indian media a decade earlier. But in the contemporary times of online social media and vociferous feminism, such openness of unfairness against women in the media will, more often than not, be met with strife and unpalatable backlash—fearing which blatant prejudice is prudently steered clear of. It is, hence, understandable that patriarchy, to sustain itself as a culture, has adapted to become more benevolent in an increasingly hostile environment. To identify such sly and stealthy sexism embedded in media content, one may need a reconfigured grasp of contemporary feminist issues and an altered nuance for isolation and identification of discriminatory depictions. This book exposes redefined and hidden sexism that predominates the popular visual culture of India—particularly investigating mass and new media representations that are a prime part of and have a domineering effect on the ensemble of popular visual culture—and characterises contemporary feminist movements. It binds a collection of contemporary Indian case studies of sexism and feminism encompassing communication media such as print, cinema, television, Web series and social media. There is a lack of book titles that study media sexism in the present times, and the proposed book aims to explore an unexplored area that is of social and scholarly importance. This book highlights the duality of media platforms: while media is a critical tool associated with fourth-wave feminism, they still remain to be a deterrent to the development of women engendering inherent and age-old patriarchal notions. This book will be an eye-opener to the general readers about benevolent sexism and train them to identify sexism hidden in seemingly pro-women media representations.

Author: Francis P Barclay
Publisher: Routledge
ISBN: 9781032561448
Category :
Languages : en
Pages : 0

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With attention to various forms of media, from Bollywood cinema and soap opera to web platforms and social media, this book critically examines visual media in India as a propagator of hidden sexism, even in apparently feminist portrayals.

Author: Gayatri Sinha
Publisher: Damaris Publishing
ISBN:
Category : Art
Languages : en
Pages : 350

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The demand for Modern, Post-Modern and Contemporary Indian art among collectors all over the world has spiralled in the past few years. This book covers major trends in Indian art over the last 150 years, taking in a broad sweep the shift from traditional forms of painting through the mechanical reproduction to 21st century Contemporary art.

Author: Rachel Dwyer
Publisher: Rutgers University Press
ISBN: 9780813531755
Category : Performing Arts
Languages : en
Pages : 244

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"The unique style of this cinema is explored through an analysis of the mise-en-scene of the film itself - the locations, sets and costumes - and shows how they, along with the song and dance sequences, construct the 'look' and meaning of a film. Equally important to India's visual culture is publicity. Cinema India explores the development of film advertising and its range of aesthetic influences, from indigenous sources, for example, the Ajanta cave paintings, to foreign styles, such as Art Deco, and examines how publicity material is able to convey social, political and economic information about the society in which it is produced."--BOOK JACKET.

Author: Kathy Justice Gentile
Publisher: Cambridge Scholars Publishing
ISBN: 1527551490
Category : Social Science
Languages : en
Pages : 255

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With dramatic advances in media technology, the practice of sexing or erotically enhancing images has become an increasingly widespread phenomenon. The eroticized “look,” as both noun and verb, the thing or image that draws our look, and the look that we bestow on images that elicit our visual, physiological, and emotional attention, is the focus of the essays in this volume. Every day, whether we are out in the world or in the workplace or in the privacy of our homes, we enter visual fields that heighten and distort reality, distortions that often emphasize sexuality and erotic promise. The contributors for this collection look at the sexualization of visual culture from a range of disciplinary perspectives, including literature, film studies, history, philosophy, art history, and media studies, with gender and sexuality studies providing the encompassing critical framework that binds these essays into a coherent analytical project. The essays in this collection offer new theoretical conceptions of perception and representation, as well as rigorous reconsiderations of the polarized feminist debates over pornographic images. Essays on literature and film range from an interrogation of Baudrillard’s theory of seduction that posits femininity as a strategy of illusion and subversion to Bridget Jones’s challenge to the prevailing disciplinary regime that prescribes rigid standards for feminine beauty to a reevaluation of the subversive potential of sexy female robots. Other contributors consider the history of nudist images in US periodicals, the proliferation of eroticized images of girls in new digital technologies, gentlemanly masculinity in men’s fashion in late Victorian England, and a rape prevention campaign’s unintentional reinforcement of persistent heterosexist misconceptions about rape.

Author: Patricia Uberoi
Publisher: Oxford University Press, USA
ISBN: 9780198060833
Category : Social Science
Languages : en
Pages : 309

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Book Description
The book looks at the impact of popular culture on everyday life in India. It examines the linkages between popular media, gender relations and family life.

Author: Arti Sandhu
Publisher: Bloomsbury Publishing
ISBN: 1472590856
Category : Social Science
Languages : en
Pages : 225

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Book Description
Fashion in India is distinctly unique, in its aesthetics, systems, designers and influences. Indian Fashion is the first study of its kind to examine the social, political, global and local elements that give shape to this multifaceted center. Spanning India's long historical contribution to global fashion to the emergence of today's vibrant local fashion scene, Sandhu provides a comprehensive overview of the Indian fashion world. From elite high-end to street style of the masses, the book explores the complex realities of Indian dress through key issues such as identity, class, youth and media. This ground-breaking book does not simply apply western fashion theory to an Indian context, but allows for a holistic understanding of how fashion is created, worn, displayed and viewed in India. Accessibly written, Indian Fashion will be a fantastic resource for students of fashion, cultural studies and anthropology.

Author: Sikata Banerjee
Publisher: Taylor & Francis
ISBN: 1317226127
Category : Social Science
Languages : en
Pages : 152

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Book Description
Interpretations of manhood have unfolded in India within a middle class cultural milieu shaped by an assertive self-confidence fuelled by liberalisation, a process by which India has been integrated into the global political economy and the prominence of Hindutva or Hindu nationalist politics. This book unpacks a particular gendered vision of nation in the modern Indian context by drawing on popular films. This muscular nationalism is an intersection of a specific vision of masculinity with the political doctrine of nationalism. The idea of nation is animated by an idea of manhood associated with martial prowess, muscular strength and toughness, but coupled with the image and construct of virtuous woman – a gendered binary of martial man and chaste woman. The author skilfully and convincingly draws together issues of political economy, including globalization and neoliberalism with majoritarian politics and popular culture, thus showing how disparate strands intersect and build on each other. Using interpretive methodologies and popular media, the book presents new interpretations of Bollywood films through the lenses of gender, masculinity and nationalism. It will be of interest to scholars of South Asian politics and culture, in particular Indian nationalism, popular culture, media and gender studies.

Author: Charu Gupta
Publisher: University of Washington Press
ISBN: 0295806567
Category : History
Languages : en
Pages : 354

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Caste and gender are complex markers of difference that have traditionally been addressed in isolation from each other, with a presumptive maleness present in most studies of Dalits (“untouchables”) and a presumptive upper-casteness in many feminist studies. In this study of the representations of Dalits in the print culture of colonial north India, Charu Gupta enters new territory by looking at images of Dalit women as both victims and vamps, the construction of Dalit masculinities, religious conversion as an alternative to entrapment in the Hindu caste system, and the plight of indentured labor. The Gender of Caste uses print as a critical tool to examine the depictions of Dalits by colonizers, nationalists, reformers, and Dalits themselves and shows how differentials of gender were critical in structuring patterns of domination and subordination.