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Author: Adriana Méndez Rodenas Publisher: Vanderbilt University Press ISBN: 9780826512994 Category : Biography & Autobiography Languages : en Pages : 350
Book Description
Upon her return to Paris, Merlin expanded this into La Havane, an ambitious three-volume account of the political, social, and economic organization of the island. From the viewpoint of feminist and psychoanalytical theory, Gender and Nationalism in Colonial Cuba explores the many ways in which issues of gender have contributed to Merlin's virtual absence from the canons of literature and from the discourses on Cuban national identity.
Author: Adriana Méndez Rodenas Publisher: Vanderbilt University Press ISBN: 9780826512994 Category : Biography & Autobiography Languages : en Pages : 350
Book Description
Upon her return to Paris, Merlin expanded this into La Havane, an ambitious three-volume account of the political, social, and economic organization of the island. From the viewpoint of feminist and psychoanalytical theory, Gender and Nationalism in Colonial Cuba explores the many ways in which issues of gender have contributed to Merlin's virtual absence from the canons of literature and from the discourses on Cuban national identity.
Author: Sarah L. Franklin Publisher: University Rochester Press ISBN: 1580464025 Category : History Languages : en Pages : 240
Book Description
Investigates how patriarchy operated in the lives of the women of Cuba, from elite women to slaves Scholars have long recognized the importance of gender and hierarchy in the slave societies of the New World, yet gendered analysis of Cuba has lagged behind study of other regions. Cuban elites recognized that creating and maintaining the Cuban slave society required a rigid social hierarchy based on race, gender, and legal status. Given the dramatic changes that came to Cuba in the wake of the Haitian Revolution and the growth of the enslaved population, the maintenance of order required a patriarchy that placed both women and slaves among the lower ranks. Based on a variety of archival and printed primary sources, this book examines how patriarchy functioned outside the confines of the family unit by scrutinizing the foundation on which nineteenth-century Cuban patriarchy rested. This book investigates how patriarchy operated in the lives of the women of Cuba, from elite women to slaves. Through chapters on motherhood, marriage, education, public charity, and the sale of slaves, insight is gained into the role of patriarchy both as a guiding ideology and lived history in the Caribbean's longest lasting slave society. Sarah L. Franklin is assistant professor of history at the University of North Alabama.
Author: Teresa Prados-Torreira Publisher: ISBN: 9780813028521 Category : History Languages : en Pages : 186
Book Description
This book examines a rarely studied yet crucial group of insurgents who fought for Cuban independence from Spain during the 19th century: rebel women known as mambisas. Coming from a wide variety of backgrounds--rich and poor, black and white, rural and urban, young and old--these women determinedly and passionately helped forge Cuba's new national identity. They wrote political pamphlets, carried military correspondence across enemy lines, raised money in New York and raised their families in rebel camps, served as nurses, and fought on the rebel army's front lines. In defeat or victory, imprisonment or exile, their stories are fascinating and compelling. Parallel to the evolution of the Cuban nationalist process, another social phenomenon was occurring--the growth of feminist consciousness. The rebel women's participation in the anticolonial struggle encouraged many of these women to question their role and position within their families and society. In a dramatic shift of cultural attitudes, many women began to view themselves as equal partners with men. This is the first work that explores how women shaped the war and were in turn shaped by it. Mambisas puts a human face on the Cuban struggle for independence, while at the same time examining the connection between nationalism and feminism in 19th-century Cuba.
Author: Alison Fraunhar Publisher: Univ. Press of Mississippi ISBN: 1496814460 Category : History Languages : en Pages : 273
Book Description
Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure's role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender. Fraunhar's study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.
Author: Vera M. Kutzinski Publisher: University of Virginia Press ISBN: 9780813914671 Category : Cuba Languages : en Pages : 0
Book Description
How and why has Cuba's national identity been cast in terms of a cross-cultural synthesis called mestizaje, and what roles have race, gender, sexuality, and class played in the construction of that synthesis? What specific cultural, political, and economic interests does mestizaje represent? Exploring these and other questions, Vera Kutzinski focuses on images of the mulata in nineteenth- and twentieth-century Cuban poetry, fiction, and visual arts. These images, she argues, are at the heart of Cuba's peculiar form of multiculturalism.
Author: Megan Daigle Publisher: Univ of California Press ISBN: 0520282973 Category : Social Science Languages : en Pages : 290
Book Description
"Megan Daigle explores the role of women in Cuban political culture by examining the rise of economies of sex, romance, and money since the early 1990s. Investigating the lived realities of the Cuban women (and some men) who date tourists and offering a unique perspective on the surrounding debates, From Cuba with Love raises issues about women's bodies-what they can or should do and, equally, what can be done to them. Daigle draws attention to the violence experienced by these young women at the hands of a moralistic state, an opportunistic police force, and even their own families and partners. Daigle's provocative perspective will make readers question how race and politics in Cuba are tied to women and sex, and the ways in which political power acts directly on the bodies of individuals through law, policing, institutional programs, and social norms"--Provided by publisher.
Author: Lillian Guerra Publisher: Univ of North Carolina Press ISBN: 0807829250 Category : History Languages : en Pages : 326
Book Description
Focusing on a period of history rocked by four armed movements, Lillian Guerra traces the origins of Cubans' struggles to determine the meaning of their identity and the character of the state, from Cuba's last war of independence in 1895 to the consolida
Author: Devyn Spence Benson Publisher: UNC Press Books ISBN: 146962673X Category : History Languages : en Pages : 335
Book Description
Analyzing the ideology and rhetoric around race in Cuba and south Florida during the early years of the Cuban revolution, Devyn Spence Benson argues that ideas, stereotypes, and discriminatory practices relating to racial difference persisted despite major efforts by the Cuban state to generate social equality. Drawing on Cuban and U.S. archival materials and face-to-face interviews, Benson examines 1960s government programs and campaigns against discrimination, showing how such programs frequently negated their efforts by reproducing racist images and idioms in revolutionary propaganda, cartoons, and school materials. Building on nineteenth-century discourses that imagined Cuba as a raceless space, revolutionary leaders embraced a narrow definition of blackness, often seeming to suggest that Afro-Cubans had to discard their blackness to join the revolution. This was and remains a false dichotomy for many Cubans of color, Benson demonstrates. While some Afro-Cubans agreed with the revolution's sentiments about racial transcendence--"not blacks, not whites, only Cubans--others found ways to use state rhetoric to demand additional reforms. Still others, finding a revolution that disavowed blackness unsettling and paternalistic, fought to insert black history and African culture into revolutionary nationalisms. Despite such efforts by Afro-Cubans and radical government-sponsored integration programs, racism has persisted throughout the revolution in subtle but lasting ways.
Author: Adriana Méndez Rodenas
Author: Adriana Méndez Rodenas
Author: Sarah L. Franklin
Author: Teresa Prados-Torreira
Author: Alison Fraunhar
Author: Vera M. Kutzinski
Author: Megan Daigle
Author: Karina Lissette Céspedes
Author: Lillian Guerra
Author: Tiffany A. Sippial
Author: Devyn Spence Benson