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Author: Laura D. Barefield Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Biography & Autobiography Languages : en Pages : 152
Book Description
This reading of canonical texts of medieval English literature - Sir Gawain and the Green Night and Chaucer's Man of Law's Tale - alongside Geoffrey of Monmouth's Historia regum Britanniae and other Anglo-Norman and English chronicles offers a broader context for reading the romance narratives and re-evaluates romance conventions in light of the genealogical priorities of these chronicles. By arguing that maternity is featured as a position of power, Gender and History in Medieval English Romance and Chronicle adds to our understanding of women and sovereignty, and the ways gender and authority were rhetorically linked to medieval texts.
Author: Laura D. Barefield Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Biography & Autobiography Languages : en Pages : 152
Book Description
This reading of canonical texts of medieval English literature - Sir Gawain and the Green Night and Chaucer's Man of Law's Tale - alongside Geoffrey of Monmouth's Historia regum Britanniae and other Anglo-Norman and English chronicles offers a broader context for reading the romance narratives and re-evaluates romance conventions in light of the genealogical priorities of these chronicles. By arguing that maternity is featured as a position of power, Gender and History in Medieval English Romance and Chronicle adds to our understanding of women and sovereignty, and the ways gender and authority were rhetorically linked to medieval texts.
Author: Geraldine Heng Publisher: Columbia University Press ISBN: 9780231125260 Category : Education Languages : en Pages : 550
Book Description
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
Author: Juliana Dresvina Publisher: Cambridge Scholars Publishing ISBN: 1443844284 Category : Art Languages : en Pages : 495
Book Description
This volume is an attempt to discuss the ways in which themes of authority and gender can be traced in the writing of chronicles and chronicle-like writings from the early Middle Ages to the Renaissance. With major contributions by fourteen authors, each of them specialists in the field, this study spans full across the compass of medieval and early modern Europe, from England and Scandinavia, to Byzantium and the Crusader Kingdoms; embraces a variety of media and methods; and touches evidence from diverse branches of learning such as language and literature, history and art, to name just a few. This is an important collection which will be of the highest utility for students and scholars of language, literature, and history for many years to come.
Author: Emma O. Bérat Publisher: Cambridge University Press ISBN: 1009434756 Category : Literary Criticism Languages : en Pages : 247
Book Description
Emma O. Bérat shows the centrality of women's legacies to medieval political and literary thought in chronicles, hagiography, and genealogy.
Author: Jan Shaw Publisher: Springer ISBN: 1137450460 Category : Literary Criticism Languages : en Pages : 274
Book Description
This book offers a much-needed consideration of Melusine within medieval and contemporary theories of space, memory, and gender. The Middle English Melusine offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life—and death—within a literary tradition that is more friendly to women’s agency than its continental counterparts. After establishing a “textual habitus of wonder,” Jan Shaw explores the tale in relation to a range of Middle English traditions including love and marriage, the spatial practices of women, the operation of individual and collective memory, and the legacies of patrimony. Melusine emerges as a complex figure, representing a multifaceted feminine subject that furthers our understanding of Middle English women’s sense of self in the world.
Author: A. Florschuetz Publisher: Springer ISBN: 1137343494 Category : Literary Criticism Languages : en Pages : 415
Book Description
Working at the intersection of medical, theological, cultural, and literary studies, this book offers an innovative approach to understanding maternity, genealogy and social identity as they are represented in popular literature in late-medieval England.
Author: Dana Oswald Publisher: Boydell & Brewer ISBN: 1843842327 Category : Literary Criticism Languages : en Pages : 245
Book Description
A gendered reading of monster and the monstrous body in medieval literature. Monsters abound in Old and Middle English literature, from Grendel and his mother in Beowulf to those found in medieval romances such as Sir Gowther. Through a close examination of the way in which their bodies are sexed and gendered, and drawing from postmodern theories of gender, identity, and subjectivity, this book interrogates medieval notions of the body and the boundaries of human identity. Case studies of Wonders of the East, Beowulf, Mandeville's Travels, the Alliterative Morte Arthure, and Sir Gowther reveal a shift in attitudes toward the gendered and sexed body, and thus toward identity, between the two periods: while Old English authors and artists respond to the threat of the gendered, monstrous form by erasing it, Middle English writers allow transgressive and monstrous bodies to transform and therefore integrate into society. This metamorphosis enables redemption for some monsters, while other monstrous bodies become dangerously flexible and invisible, threatening the communities they infiltrate. These changing cultural reactions to monstrous bodies demonstrate the precarious relationship between body and identity in medieval literature. DANA M. OSWALD is Assistant Professor of English, University of Wisconsin-Parkside.
Author: Laura D. Barefield
Author: Laura D. Barefield
Author: Laura D. Barefield
Author: Geraldine Heng
Author: Carol M. Meale
Author: Juliana Dresvina
Author: Emma O. Bérat
Author: Jan Shaw
Author: Corinne J. Saunders
Author: A. Florschuetz
Author: Dana Oswald