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Author: Richard McKenzie Publisher: GRIN Verlag ISBN: 3656003599 Category : Performing Arts Languages : en Pages : 77
Book Description
Thesis (M.A.) from the year 2010 in the subject Communications - Movies and Television, grade: "Merit", University of Reading (German Studies), course: MA (Res), language: English, abstract: This dissertation examines two DEFA films produced in the 1960’s by Joachim Kunert and Konrad Wolf,who became part of East Germany’s 2nd generation of filmmakers and who explored the causes of National Socialism and the remedies for the dreadful catastrophe that overcame Germany between 1933 and 1945. The collapse of the Reich in 1945 saw the end of the 12 year National Socialist reign of terror over Germany. The Nazi’s had ensured that they had control of cultural life in Germany and had invested heavily in a film industry that created a national myth in order to support Nazi Party aims and which manipulated the public. The defeat of Germany saw the discrediting and failure of fascist, national identity, myth making, artistic stereotypes and the foundational films produced in Germany during the period 1933-45. By the 1960’s DEFA, the GDR’s state film production company had been exploring the origins of National Socialism for twenty years, starting with Wolfgang Staudte’s Die Mörder sind unter uns, 1946, DEFA. The GDR’s state film company, DEFA, was given the task of” [...]restor[ing] democracy in Germany and remove all traces of fascist and militaristic ideology from the minds of every German[...] (Allen, 1999,3). These films were produced to enable the Germans to have an “honest confrontation with the military and moral catastrophe that [...]the Germans had brought on themselves[...]” (Barnouw,2008,48) and sought to “develop a cinematic language[...]to confront the recent German past (Pinkert,2008,20). The “grammar” of DEFA anti- fascist films was established by such films as Staudte, Die Mörder Sind Unter Uns orIrgendwo in Berlin, 1946, Gerhard Lamprecht, DEFA and Die Buntkarierten,1949, Kurt Maetzig, DEFA or Rotation,1949, Wolfgang Staudte,DEFA. These films were made by a generation that had grown up in the Weimar period and who had experienced the slide from Weimar chaos to National Socialist Dictatorship at first hand. The film makers were born in the late 19th or early 20th Centuries, Staudte in 1906, Lamprecht in 1897 and Maetzig in 1911. Their early films are an almost emotional expression of the moment of defeat containing heartfelt investigations of the causes of the catastrophe from within the Soviet Occupation Zone and later in the GDR. The 1950’s saw DEFA turn its attention to films which explored the everyday concerns of GDR citizens struggling to build a new state centring on the Berlin films of the middle of that decade.
Author: Richard McKenzie Publisher: GRIN Verlag ISBN: 3656003599 Category : Performing Arts Languages : en Pages : 77
Book Description
Thesis (M.A.) from the year 2010 in the subject Communications - Movies and Television, grade: "Merit", University of Reading (German Studies), course: MA (Res), language: English, abstract: This dissertation examines two DEFA films produced in the 1960’s by Joachim Kunert and Konrad Wolf,who became part of East Germany’s 2nd generation of filmmakers and who explored the causes of National Socialism and the remedies for the dreadful catastrophe that overcame Germany between 1933 and 1945. The collapse of the Reich in 1945 saw the end of the 12 year National Socialist reign of terror over Germany. The Nazi’s had ensured that they had control of cultural life in Germany and had invested heavily in a film industry that created a national myth in order to support Nazi Party aims and which manipulated the public. The defeat of Germany saw the discrediting and failure of fascist, national identity, myth making, artistic stereotypes and the foundational films produced in Germany during the period 1933-45. By the 1960’s DEFA, the GDR’s state film production company had been exploring the origins of National Socialism for twenty years, starting with Wolfgang Staudte’s Die Mörder sind unter uns, 1946, DEFA. The GDR’s state film company, DEFA, was given the task of” [...]restor[ing] democracy in Germany and remove all traces of fascist and militaristic ideology from the minds of every German[...] (Allen, 1999,3). These films were produced to enable the Germans to have an “honest confrontation with the military and moral catastrophe that [...]the Germans had brought on themselves[...]” (Barnouw,2008,48) and sought to “develop a cinematic language[...]to confront the recent German past (Pinkert,2008,20). The “grammar” of DEFA anti- fascist films was established by such films as Staudte, Die Mörder Sind Unter Uns orIrgendwo in Berlin, 1946, Gerhard Lamprecht, DEFA and Die Buntkarierten,1949, Kurt Maetzig, DEFA or Rotation,1949, Wolfgang Staudte,DEFA. These films were made by a generation that had grown up in the Weimar period and who had experienced the slide from Weimar chaos to National Socialist Dictatorship at first hand. The film makers were born in the late 19th or early 20th Centuries, Staudte in 1906, Lamprecht in 1897 and Maetzig in 1911. Their early films are an almost emotional expression of the moment of defeat containing heartfelt investigations of the causes of the catastrophe from within the Soviet Occupation Zone and later in the GDR. The 1950’s saw DEFA turn its attention to films which explored the everyday concerns of GDR citizens struggling to build a new state centring on the Berlin films of the middle of that decade.
Author: Ivo Ritzer Publisher: Springer Nature ISBN: 3030698661 Category : Social Science Languages : en Pages : 312
Book Description
This book reflects and analyzes the relationship between media and genre, focusing on both aesthetics and discursive meaning. It considers genres as having a decisive impact on media cultures, either in film, on TV, in computer games, comics or radio, on the level of production as well as reception. The book discusses the role of genres in media and cultural theory as a configuration of media artifacts that share specific aesthetic characteristics. It also reflects genre as a concept of categorization of media artifacts with which the latter can be analyzed under terms depending on a specific historical situation or cultural context. A special focus is placed on trans-media perspectives. Even as genres develop their own traditions within one medium, they reach beyond a media-specific horizon, necessitating a double perspective that considers the distinct recourse to genre within a medium as well as the trans-media circulation and adaption of genres.
Author: Richard McKenzie Publisher: Roberts Rinehart Publishers ISBN: 9781570982057 Category : Biography & Autobiography Languages : en Pages : 358
Book Description
Richard McKenzie, a painter and a widower with two young sons when he met Ava Astaire, describes the romance of their courtship and their decision to move from Los Angeles to West Cork, Ireland. The couple's restoration of a 200-year-old stone cottage in West Cork is the thread that weaves through this absorbing tale. 60 photos.
Author: Birgit Schwelling Publisher: transcript Verlag ISBN: 383941931X Category : Social Science Languages : en Pages : 373
Book Description
How did civil society function as a locus for reconciliation initiatives since the beginning of the 20th century? The essays in this volume challenge the conventional understanding of reconciliation as a benign state-driven process. They explore how a range of civil society actors - from Turkish intellectuals apologizing for the Armenian Genocide to religious organizations working towards the improvement of Franco-German relations - have confronted and coped with the past. These studies offer a critical perspective on local and transnational reconciliation acts by questioning the extent to which speech became an alternative to silence, remembrance to forgetting, engagement to oblivion.
Author: Dwight R. Lee Publisher: HarperPB ISBN: 9780066619835 Category : Business & Economics Languages : en Pages : 221
Book Description
Picking up where the smash bestseller The Millionaire Next Door leaves off, Getting Rich in America reveals eight simple, practical, commonsense rules anybody can follow to save a million dollars--without sacrificing quality of life. Based on years of research studying self-made millionaires, and a phi-losophy that has proven successful for the authors, internationally acclaimed economists Dwight R. Lee and Richard B. McKenzie unveil a profound truth in the quest to become wealthy: Getting rich is a choice--and choosing to be rich, especially in America, has never been easier. With its emphasis on achieving balance, Getting Rich in America is filled with exercises and easy-to-execute calculations that reveal how the "little things" really do add up and practical tips for saving and making your money work harder--so you don't have to.
Author: Paul Cooke Publisher: Walter de Gruyter ISBN: 3110268477 Category : Literary Criticism Languages : en Pages : 304
Book Description
This volume offers the first book-length academic investigation of Florian Henckel von Donnersmarck’s Oscar-winning film The Lives of Others (2006). The aim of this edited collection is twofold. On the one hand, it offers new insight into one of the most successful German films of the past two decades, placing The Lives of Others within its wider historical, political, aesthetic and industrial context. On the other, it offers this group of scholars, which includes many of the leading international figures in the field, opportunity to make a series of interventions on the state of contemporary German film and German film studies.
Author: Susanne Popp Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: 9783631657799 Category : Historiography Languages : en Pages : 377
Book Description
This volume of essays is the result of the EU project -EHISTO-, which dealt with the mediation of history in popular history magazines and explored how history in the commercialised mass media can be used in history teaching in order to develop the media literacy and the transcultural competences of young people. The volume offers articles which for the first time address the phenomenon of popular history magazines in Europe and their mediating strategies in a foundational way. The articles are intended as introductory material for teachers and student teachers. The topic also offers an innovative approach in terms of making possible a European cross-country comparison, in which results based on qualitative and quantitative methods are presented, related to the content focus areas profiled in the national magazines."
Author: Tim Bergfelder Publisher: Bloomsbury Publishing ISBN: 1911239422 Category : Performing Arts Languages : en Pages : 625
Book Description
This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.