Gautier on Dance PDF Download

Author: Théophile Gautier
Publisher: Princeton University Press
ISBN:
Category : Ballet
Languages : en
Pages : 436

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Author: Deirdre Priddin
Publisher: London : A. and C. Black
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216

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Author: Karen Eliot
Publisher: University of Illinois Press
ISBN: 0252032500
Category : Performing Arts
Languages : en
Pages : 216

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The private and performance lives of five female dancers in Western dance history

Author: David Charlton
Publisher: Cambridge University Press
ISBN: 9780521646833
Category : Music
Languages : en
Pages : 524

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Table of contents

Author: Theophile Gautier
Publisher: New York Review of Books
ISBN: 159017271X
Category : Fiction
Languages : en
Pages : 227

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Book Description
Romantic provocateur, flamboyant bohemian, precocious novelist, perfect poet—not to mention an inexhaustible journalist, critic, and man-about-town—Théophile Gautier is one of the major figures, and great characters, of French literature. In My Fantoms Richard Holmes, the celebrated biographer of Shelley and Coleridge, has found a brilliantly effective new way to bring this great bu too-little-known writer into English. My Fantoms assembles seven stories spanning the whole of Gautier’s career into a unified work that captures the essence of his adventurous life and subtle art. From the erotic awakening of “The Adolescent” through “The Poet,” a piercing recollection of the mad genius Gérard de Nerval, the great friend of Gautier’s youth, My Fantoms celebrates the senses and illuminates the strange disguises of the spirit, while taking readers on a tour of modernity at its most mysterious. ”What ever would the Devil find to do in Paris?” Gautier wonders. “He would meet people just as diabolical as he, and find himself taken for some naïve provincial…” Tapestries, statues, and corpses come to life; young men dream their way into ruin; and Gautier keeps his faith in the power of imagination: “No one is truly dead, until they are no longer loved.”

Author: Amina Gautier
Publisher: University of Georgia Press
ISBN: 0820341320
Category : Fiction
Languages : en
Pages : 166

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“Gautier writes with exhilarating insight and confidence about the lives of teenagers . . . at risk from themselves, their families and their friends.”—Margot Livesey, New York Times bestselling author In Amina Gautier’s Brooklyn, some kids make it and some kids don’t, but not in simple ways or for stereotypical reasons. Gautier’s stories explore the lives of young African Americans who might all be classified as “at-risk,” yet who encounter different opportunities and dangers in their particular neighborhoods and schools and who see life through the lens of different family experiences. Gautier’s focus is on quiet daily moments, even in extraordinary lives; her characters do not stand as emblems of a subculture but live and breathe as people. In “The Ease of Living,” the young teen Jason is sent down south to spend the summer with his grandfather after witnessing the double murder of his two best friends, and he is not happy about it. In “Pan Is Dead,” two half-siblings watch as the heroin-addicted father of the older one works his way back into their mother’s life; in “Dance for Me,” a girl on scholarship at a posh Manhattan school teaches white girls to dance in the bathroom in order to be invited to a party. As teenagers in complicated circumstances, each of Gautier’s characters is pushed in many directions. To succeed may entail unforgiveable compro­mises, and to follow their desires may lead to catastrophe. Yet within these stories they exist and can be seen as they are, in the moment of choosing. “Despite its title, this is not a debut composed of rapid shocks and dangers, but a quieter accumulation of heartbreaking pressures.”—Foreword Reviews

Author: Larraine Nicholas
Publisher: Taylor & Francis
ISBN: 1134827636
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
The need to ‘rethink’ and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book’s contributions into: • Why Dance History? – the ideas, issues and key conversations that underpin any study of the history of theatrical dance. • Researching and Writing – discussions of the methodologies and approaches behind any successful research in this area. Everyone involved with dance creates and carries with them a history, and this volume explores the ways in which these histories might be used in performance-making – from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars, philosophers, choreographers, dancers and students alike, Rethinking Dance History is an essential starting point for anyone intrigued by the rich history and many directions of dance.

Author: Yelena Black
Publisher: A&C Black
ISBN: 1408829975
Category : Juvenile Fiction
Languages : en
Pages : 386

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Dancing with someone is an act of trust. Elegant and intimate; you're close enough to kiss, close enough to feel your partner's heartbeat. But for Vanessa, dance is deadly - and she must be very careful who she trusts . . .Vanessa Adler attends an elite ballet school - the same one her older sister, Margaret, attended before she disappeared. Vanessa feels she can never live up to her sister's shining reputation. But Vanessa, with her glorious red hair and fair skin, has a kind of power when she dances - she loses herself in the music, breathes different air, and the world around her turns to flames . . . Soon she attracts the attention of three men: gorgeous Zep, mysterious Justin, and the great, enigmatic choreographer Josef Zhalkovsky. When Josef asks Vanessa to dance the lead in the Firebird, she has little idea of the danger that lies ahead - and the burning forces about to be unleashed . . .

Author: Bennett Zon
Publisher: Routledge
ISBN: 1351557599
Category : Music
Languages : en
Pages : 366

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Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Author: Felicia M. McCarren
Publisher: Stanford University Press
ISBN: 9780804735247
Category : Performing Arts
Languages : en
Pages : 292

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Book Description
A history of dance’s pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the body’s transcendence of itself. Exploring dance’s historical links to the medical and scientific connotations of a “pathology,” this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the body’s meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of “choreas.” In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is “lost” in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicine’s discovery of “idea” manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest “idea,” suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.