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Author: X. Waswo Publisher: Mapin Publishing Pvt ISBN: 9789385360725 Category : Languages : en Pages : 136
Book Description
The first book of its kind to shed light on the tradition of Gauri dance Featuring hand-painted photographic prints Gauri (also known as Gavri or Gavari) is celebrated by tribal communities in the southern part of Rajasthan as a forty-day festival that entails fasting and celebration in honour of Lord Shiva and his consort, the Goddess Parvati. Public performances put on as part of the revelry include dance, storytelling, music and worship. The tradition of the Gauri dance has been celebrated for centuries, yet there have been no books in English till now on this mystical and enchanting practice. Photographer Waswo X. Waswo has joined with art historian Sonika Soni to create this book that delves into the esoteric world of Gauri dance. Through Waswo's distinctive studio portraiture, with the photographic prints hand-painted by hand-colorist Rajesh Soni, the astonishing visuals of Gauri costuming and performers is presented in beautiful color reproduction. In her essay, Sonika Soni explores the history of this ritual dance with an eye to examine both what is known about it, and what still needs to be discovered, keeping central the conflicting stories of its origins and the folk tales that make Gauri the enigmatic opera of Mewar.
Author: X. Waswo Publisher: Mapin Publishing Pvt ISBN: 9789385360725 Category : Languages : en Pages : 136
Book Description
The first book of its kind to shed light on the tradition of Gauri dance Featuring hand-painted photographic prints Gauri (also known as Gavri or Gavari) is celebrated by tribal communities in the southern part of Rajasthan as a forty-day festival that entails fasting and celebration in honour of Lord Shiva and his consort, the Goddess Parvati. Public performances put on as part of the revelry include dance, storytelling, music and worship. The tradition of the Gauri dance has been celebrated for centuries, yet there have been no books in English till now on this mystical and enchanting practice. Photographer Waswo X. Waswo has joined with art historian Sonika Soni to create this book that delves into the esoteric world of Gauri dance. Through Waswo's distinctive studio portraiture, with the photographic prints hand-painted by hand-colorist Rajesh Soni, the astonishing visuals of Gauri costuming and performers is presented in beautiful color reproduction. In her essay, Sonika Soni explores the history of this ritual dance with an eye to examine both what is known about it, and what still needs to be discovered, keeping central the conflicting stories of its origins and the folk tales that make Gauri the enigmatic opera of Mewar.
Author: Donovan Roebert Publisher: CRC Press ISBN: 1000260690 Category : Performing Arts Languages : en Pages : 384
Book Description
The book is a wide-ranging collection of essays on Indian classical dance, which include writings on dance appreciation, the criticism, theory and philosophy of dance, as well as some historical and light controversial articles. Also included is a seminal and unique monograph on the contribution of Sanjukta Panigrahi to the development of Odissi. The book approaches the subject from an internationalist point of view and opens up new possibilities for the appreciation of Indian dance in the context of a global intercultural critique. In addition, it is beautifully illustrated with a number of photographs captured by Arun Kumar. It will enrich and provide new ways of understanding for classical Indian dance, both for the dance community and for the general reader.
Author: R. R. Prasad Publisher: Discovery Publishing House ISBN: 9788171412983 Category : Social Science Languages : en Pages : 470
Book Description
Next to Africa, India has the largest tribal population (67.7 million) in the world. Indian tribes, spread over the length and breadth of the country, are concentrated in hilly and forest regions. The tribes of India differ considerably from one another in race, language culture and beliefs, and present a spectacle of striking diversity. It is this diversity marked by varied social characteristics and diverse cultural traditions and linguistic traits that lends lustre to the cultural mosaic of India. Encyclopaedia Profile of Indian Tribes, first of its kind, seeks to present a concise by comprehensive account of the socio-cultural profile of all the tribal communities who have been declared as Scheduled Tribes by the Government of India. The tribes are arranged alphabetically in order to facilitate easy reference. Each profile deals with the geographical distribution of the tribal population, the social structure, the means of subsistence and economic organisation, religious beliefs and practice, the political institutions, and modern social changes sweeping the community. At the end of each profile, there is a short bibliography for the more inquisitive reader. Each entry in this four volume set has been contributed by a scholar who has deep personal knowledge and contact with the community. This classic multi-volume set will be extremely useful to scholars studying tribals in India and abroad and to all those interested in a standard reference work on the Indian tribes.
Author: Ruth Vanita Publisher: Bloomsbury Publishing USA ISBN: 1501334441 Category : Performing Arts Languages : en Pages : 232
Book Description
Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.
Author: Manisha Pathak Dey Publisher: Notion Press ISBN: 1946280585 Category : Languages : en Pages : 97
Book Description
Emotions are very powerful. They can be the reason for success or failure in your life. Anger is the strongest and most powerful of them all. It can either lead to decimation or creation. Anger has always been and still is described as the worst of human emotions, but it has wrongly been given this title. In fact, it’s the motivational factor for all the achievers! Trinetra – The Magnetism of Anger is the story about a cool, calm and quiet person, Shiva, who learns from his mother, at an early age, about controlling his anger. He takes his anger and uses its energy to form a magnet. This magnet allows him to become clairvoyant and intuitive, helping him to turn obstacles into opportunities. He meets Guru Narendra, a scholar in physics, a life coach and an author of many books, who enlightens Shiva by showing him that the solution to each and every problem in life lay deep in the laws of nature.
Author: Michael Meyer Publisher: Rodopi ISBN: 9042027436 Category : Art Languages : en Pages : 425
Book Description
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van C& Zapiro.
Author: X. Waswo
Author: X. Waswo
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Author: Douglas M. Knight
Author: Donovan Roebert
Author: R. R. Prasad
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Author: Ruth Vanita
Author: Manisha Pathak Dey
Author: Manorma Sharma
Author: Michael Meyer