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Author: Norma Broude Publisher: Bloomsbury Publishing USA ISBN: 1501325175 Category : Art Languages : en Pages : 328
Book Description
Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as "the father of modernist primitivism.†? In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.
Author: Norma Broude Publisher: Bloomsbury Publishing USA ISBN: 1501325175 Category : Art Languages : en Pages : 328
Book Description
Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as "the father of modernist primitivism.†? In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.
Author: Norma Broude Publisher: Bloomsbury Publishing USA ISBN: 1501325167 Category : Art Languages : en Pages : 337
Book Description
Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as “the father of modernist primitivism.” In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.
Author: Norma Broude Publisher: ISBN: 9781501325182 Category : Painters Languages : en Pages : 307
Book Description
"Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as 'the father of modernist primitivism.' In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond."--Bloomsbury Publishing.
Author: Belinda Thomson Publisher: Thames & Hudson ISBN: 0500775125 Category : Art Languages : en Pages : 345
Book Description
This authoritative account of the life and work of Paul Gauguin, one of the most original artists of the late nineteenth century, is revised and updated with color illustrations throughout. Artist Paul Gauguin achieved a high public profile during his lifetime and was one of the first artists of his generation to achieve international recognition. But his prominence has always been tangled up with the dramatic and problematic events of his life—his self-imposed exile on a remote South Sea island and his turbulent relationships with his peers—as with the appeal of his art. In this revised and updated edition, art historian Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most complicated artists of the late nineteenth century. Gauguin’s painting, sculpture, prints, and ceramics are discussed in the light of his public persona, his relations with his contemporaries, his exhibitions, and their critical reception. His private world, beliefs, and aspirations emerge through his extensive cache of journals, letters, and other writings. Fully illustrated in color, and drawing on the new, more global conversation surrounding the artist, Gauguin is the definitive volume on this controversial and often contradictory figure.
Author: Fabrizio Dori Publisher: SelfMadeHero ISBN: 9781910593271 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
In 1891, Paul Gauguin (1848-1903) arrives on the French Polynesian island of Tahiti. In this lush paradise, he is liberated from the concerns of the city-dwelling European. He is free: to love, to sing, and to create. In Copenhagen, Gauguin's wife enjoys no such freedom. She would rather forget her odious husband and his degenerate artwork. Instead, in a city resistant to the avant-garde, she is tasked with selling a collection of his extravagantly priced Tahitian paintings. When they finally go on sale--in Paris, shortly after Gauguin's return--sales are catastrophic. For Monet, Renoir, and the rest of the old guard, nothing indicates that these bizarre, visionary works are of any lasting significance. Gauguin: The Other World is a revelatory biography of an artist whose qualities as a man won him few admirers in his own lifetime, but whose talents as a painter would have an enormous influence on the art of Picasso, Matisse, and many more.
Author: Belinda Thomson Publisher: ISBN: Category : Art Languages : en Pages : 148
Book Description
When Paul Gauguin (1848-1903) painted Vision After the Sermon in the summer of 1888 he was a mature artist who had travelled, exhibited and worked in a variety of media. Today the painting is considered a masterpiece, helping to assure Gauguin's fame the world over. Few paintings have given rise to more art historical analysis and critique, more speculation, admiration or recrimination. Accompanying the innovative painting-in-focus exhibition, 'Gauguin's Vision', this book illuminates one of the most intriguing and famous images in the history of western art. This re-examination of the painting, Vision After the Sermon: Jacob Wrestling with the Angel brings together works by Gauguin, his mentors such as Paul C, zanne and Edgar Degas, and younger contemporaries including Emile Bernard, Paul S, rusier, Maurice Denis and Henri van de Velde. It explores the biographical, pictorial and cultural circumstances that enabled Gauguin to make such a radical statement in paint in 1888. This beautifully illu
Author: Paul Gauguin Publisher: Chronicle Books ISBN: 9780811848411 Category : Art Languages : en Pages : 186
Book Description
"In 1894, Paul Gauguin came to the conclusion that European culture in general, and French culture in particular, was spiritually and morally bankrupt. So he left. On the eighth of June that same year, he arrived in Tahiti, an island of tropical warmth, impenetrable jungles, and - most importantly for Gauguin - unspoiled, undecadent, un-European, and extremely beautiful people." "He luxuriated in this paradise for two years, producing some of his most skillful and best-known paintings, as well as a more personal masterpiece: his journal and the woodblocks he made to accompany it. In his Tahiti diary, Gauguin wrote affectionately about the majestic and earthy people he met." "In 1896, he abruptly returned to France, where his journal was declared too racy for publication. Ultimately, he published it himself but was unable to include his powerful woodblock illustrations. In Noa Noa they appear together for the first time, accompanied by the whimsical, brightly colored sketches that Gauguin included in the margins of his journal. This collection of sensuous and intriguing illustrations is a testament to Gauguin's reverence for nature and his respect for the nobility of Tahitian society."--BOOK JACKET.
Author: Paul Gauguin Publisher: Courier Corporation ISBN: 9780486294414 Category : Art Languages : en Pages : 164
Book Description
"These journals are an illuminating self-portrait of a unique personality....They bring sharply into focus for me his goodness, his humor, his insurgent spirit, his clarity of vision, his inordinate hatred of hypocrisy and sham."--Emil Gauguin, the artist's son, in the Preface. One of the great innovative figures in modern art, Gauguin was a complex, driven individual who, in 1883, gave up his job as a stockbroker in order to be free to paint every day. As time passed, he determined to sacrifice everything for his artistic vocation. Finally, in pursuit of a place to paint "natural men and women living lives unstained by the sham and hypocrisy of civilization, he took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. Completed during the artist's final sojourn in the Marquesas, these revealing journals -- reprinted from rare limited edition -- throw much light on the painter's inner life and his thoughts about a great many topics. We learn of Gauguin's first stay in Paris in 1876, and his initial encounter with Impressionism, his tumultuous relationship with van Gogh when they lived and painted together in Arles, his pithy evaluations of Degas, Cezanne, Manet, and other artists; his opinion of art dealers and critics (poor), and much more. Also here are illuminating glimpses of Gauguin's life in the islands: his delight in the simple, carefree lives of the natives and the physical charms of Polynesian women, counterbalanced by his struggles with poverty, hatred of the missionaries, and despair over the failures of French colonial justice. Witty, wide-ranging, and aphoristic, these writings are not only entertaining in themselves, they are crucial for anyone seeking to understand Gauguin and his work. The text is enhanced with 27 full-page illustrations by Gauguin. Dover (1997) unabridged republication of "Paul Gauguin's Intimate Journals, " Boni and Liveright, New York, 1921.
Author: David Sweetman Publisher: ISBN: Category : Art Languages : en Pages : 648
Book Description
This biography of the French artist describes his travels, lifestyle, love affairs, and the battle with syphilis that eventually took his life.
Author: Paul Gauguin Publisher: Little Brown & Company ISBN: 9780316855013 Category : Artists Languages : en Pages : 320
Book Description
GAUGUIN BY HIMSELF is the first publication to give equal weight to the full range of Gauguin's activities both as an artist and a writer. His letters, including many to fellow painters such as Pissarro and Van Gogh, comment freely on contemporaries such as Cezanne, Monet and Degas, and meet head-on the changing aesthetic concerns of avant-garde Paris in the last two decades of the nineteenth century. They also chart his increasingly hazardous travels around the globe in pursuit of his elusive idea of the 'primitive' from Paris and Copenhagen to Brittany, Provence, Panama, the West Indies and finally the South Pacific. Illustrated with over 200 of his most powerful and decorative works of art, GAUGUIN BY HIMSELF offers a fresh look at the diverse faces and talents of a man who chose to live outside the boundaries of society in order to fulfil his vocation as a 'great artist'.
Author: Norma Broude
Author: Norma Broude
Author: Norma Broude
Author: Norma Broude
Author: Belinda Thomson
Author: Fabrizio Dori
Author: Belinda Thomson
Author: Paul Gauguin
Author: Paul Gauguin
Author: David Sweetman
Author: Paul Gauguin