Ganesh Pyne, His Life and Times PDF Download

Author: Ella Datta
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 132

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Book Description
Biography of Ganesa Paina, b. 1937, eminent Indian painter; includes reproductions of some paintings.

Author: Pranabranjan Ray
Publisher: Mapin Publishing Pvt
ISBN: 9789385360213
Category : Art
Languages : en
Pages : 0

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Book Description
Collection of paintings of Ganesh Pyne, 1937-2013, artist; includes study on his works.

Author: Shiladitya Sarkar
Publisher: books catalog
ISBN:
Category : Art
Languages : en
Pages : 136

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Book Description
Biography of Gaṇeśa Pāina, b. 1937, Indian painter.

Author: Geeti Sen
Publisher: Harper Collins
ISBN: 935029978X
Category : Art
Languages : en
Pages : 375

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Book Description
A lucid introduction to the greatest Indian artists of our time Enlivened by anecdotes and forty years' worth of conversations between the author and her subjects - eight artists, unknown during the 1970s and 80s but acknowledged masters today - Geeti Sen's essays bring together the best of Indian art, not so much as history or biography but as vibrantly alive memories. We travel with Sen as she explores Ganesh Pyne's Jottings as expressions of his secret, subliminal dreams; discovers that M.F. Husain's self-portraits are manifestations of his extraordinary, changing persona over seven decades; understands the rare religious icons Meera Mukherjee created in the last decade of her life; and unravels Nilima Sheikh's Firdaus scrolls, which ambitiously weave together disparate elements to comment on Kashmir. In these perceptive essays, Sen deconstructs Anupam Sud's representation of the body as beautiful and as an extension of her own identity, analyses Manjit Bawa's ingenious merging of the mythic with the present, sees in Zarina Hashmi's woodcuts the marks of migration and displacement, and accompanies S.H. Raza as he returns to his own past to reinvent the Bindu. Illustrated by the paintings of these masters, each essay is a journey both by the artist and the author to explore lesser-known dimensions of their work.

Author: Sunil Kumar Bhattacharya
Publisher: M.D. Publications Pvt. Ltd.
ISBN: 9788185880211
Category : Art
Languages : en
Pages : 142

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Book Description
Trends in Modern Indian Art is a study of Indian Art from the end of 19th century to 1990. Indian Art started with academic realism of Raja Ravi Varma at the close of the 19th century. Abanindranath Tagore who was trained by Samuel Palmer and Japanese artist. Okakura, established the wash process of water colour painting known as the Bengal School in the beginning of the 20th century. His disciples like Nandalal Bosa and Ventappa further elaborated the style of the Bengal School later known as the Oriental Style.

Author: Neville Tuli
Publisher: Mapin Publishing Pvt
ISBN:
Category : Art auctions
Languages : en
Pages : 316

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Book Description
FN-FN is presented in eleven Sections featuring 198 artists bringing together for the connoisseur and collector a formidable array of masterpieces as well as high quality works by the emerging talents of Indian contemporary painting. More than fifty-five artists' works went under the hammer for the first time at this Auction, creating a significant movement forward for the Indian arts market. The introduction of emerging artists in a curated auction has infused a fresh dynamic in this promising segment of the world market, creating greater national and international awareness regarding their work. An extensive bibliography featuring articles, monographs, exhibition & auction catalogues as well as books, serves as a valuable research resource. Featured are rare masterpieces by Abanindranath & Gaganendranath Tagore, Jamini Roy, Jogesh C. Seal, Sailoz Mookherjea, George Keyt, D.P. Roy Chowdhury, M. F. Husain, F. N. Souza, Paritosh Sen, K.H. Ara, V. S. Gaitonde, Sakti Burman, A. Ramachandran, Ganesh Pyne, Gogi Saroj Pal, Bikash Bhattacharjee to name a few.

Author: Dr. Johannes Lehmann
Publisher: Earthscan
ISBN: 1849770557
Category : Business & Economics
Languages : en
Pages : 449

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Book Description
"Biochar is the carbon-rich product when biomass (such as wood, manure, or crop residues) is heated in a closed container with little or no available air. It can be used to improve agriculture and the environment in several ways, and its stability in soil and superior nutrient-retention properties make it an ideal soil amendment to increase crop yields. In addition to this, biochar sequestration, in combination with sustainable biomass production, can be carbon-negative and therefore used to actively remove carbon dioxide from the atmosphere, with major implications for mitigation of climate change. Biochar production can also be combined with bioenergy production through the use of the gases that are given off in the pyrolysis process.This book is the first to synthesize the expanding research literature on this topic. The book's interdisciplinary approach, which covers engineering, environmental sciences, agricultural sciences, economics and policy, is a vital tool at this stage of biochar technology development. This comprehensive overview of current knowledge will be of interest to advanced students, researchers and professionals in a wide range of disciplines"--Provided by publisher.

Author: M. L. Ahuja
Publisher:
ISBN: 9788129127501
Category :
Languages : en
Pages : 0

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Book Description

Author: Penelope Rosemont
Publisher: A&C Black
ISBN: 9780485300888
Category : Philosophy
Languages : en
Pages : 582

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Book Description
Surrealist Women displays the range and significance of women's contributions to surrealism. Penelope Rosemont, affiliated with the Paris Surrealist Group in the 1960s and now a Chicago poet and painter, has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the origins of the movement.The texts are organised into historical periods ranging from the 1920s to the present, with introductions describing trends in the movement for each period; and each surrealist's work is prefaced by a brief biographical statement. Authors include El Allailly, Bruna, Cunard, Carrington, Cesaire, Gauthier, Giovanna, van Hirtum, Kahlo, Levy, Mansour, Mitrani, Pailthorpe, Joyce Peters, Rahon, Svankmajerova, Taub, Zangana>

Author: Geeta Kapur
Publisher:
ISBN: 9788189487249
Category : Art, India
Languages : en
Pages : 439

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Book Description
A commitment to modernity is the underlying theme of this volume. Through essays that are interpretive and theoretical, the author seeks to situate the modern in contemporary cultural practice. She sets up an ideological vantage point to view modernism along its multiple tracks in India and the third world.The essays divide into three sections. The first two sections, Artists and ArtWork and Film/Narratives, raise questions of authorship, genre, and contemporary features of national culture that materialize into an aesthetic in the Indian context. The last section, Frames of Reference, formalizes the polemical options developed across the book. The essays here propose resistance to the depoliticization of narratives, and affirm an open-ended engagement with the avant-garde. They explore the possibility of art practice finding its own signifying space that is still a space for radical transformation.Geeta Kapur is an independent art critic and curator living in New Delhi. Her extensive publications on modern Indian art include the book Contemporary Indian Artists (Delhi, 1978), exhibition catalogues and monographs on artists. She is currently writing a monograph on Tyeb Mehta. Her essays on cultural criticism have been widely presented in forums of art history and cultural studies. Her curatorial work includes the show Bombay/Mumbai 1992 2001 in the multi-part exhibition titled Century City: Art and Culture in the Modern Metropolis , at Tate Modern, London, in 2001. Geeta Kapur is a founder-editor of the Journal of Arts & Ideas and advisory editor to Third Text. She has held research fellowships at Indian Institute of Advanced Study, Shimla, Nehru Memorial Museum and Library, New Delhi, and Clare Hall, Cambridge University. For the past three decades, [Geeta Kapur s] has been the singular dominant presence in the field to a point that her writings alone seem to have constituted the whole field of modern Indian art theory and criticism. Tapati Guha-Thakurta, Biblio (Delhi), May June 2001. Geeta Kapur is a magisterial presence in the sphere of modern Indian art. [The] insistence on the primacy of bearing witness to creative practice has been the leitmotif of Kapur s work. . . . Kapur s contribution . . . is best understood by reflection on the radical change that her activity has brought about in Indian art criticism. Ranjit Hoskote, Art India (Mumbai), Vol. VI, 1, 2001. When Was Modernism is a book of essays: imaginative, interpretive, argumentative, polemical, political and, in the combined sense of all these, historical. . . . [It] provides an instance of passionate engagement that, at its best moments, verges on the poetic. Chaitanya Sambrani, ART AsiaPacific (Australia), Issue 30, 2001.