Atanazy Raczyński Gallery PDF Download

Author: Galeria Atanazego Raczyńskiego (Poznań)
Publisher:
ISBN:
Category :
Languages : en
Pages : 525

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Author: Anna Dobrzycka
Publisher:
ISBN:
Category :
Languages : pl
Pages : 128

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Author: M. Piotr Michalowski
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Maciej Piotr Michałowski
Publisher:
ISBN:
Category : Painting, Polish
Languages : pl
Pages : 542

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Author: Anna Dobrzycka
Publisher:
ISBN:
Category :
Languages : pl
Pages : 192

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Book Description

Author: Galeria Rogalińska Edwarda Raczyńskiego
Publisher:
ISBN:
Category : 19th century
Languages : en
Pages : 488

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Author: Muzeum Narodowe, Poznan
Publisher:
ISBN:
Category :
Languages : en
Pages : 128

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Author: Michał Mencfel
Publisher: BRILL
ISBN: 9004508457
Category : Art
Languages : en
Pages : 570

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Book Description
This book depicts the long rich life and wide ranging work of Count Athanasius Raczyński (1788–1874). By exploring his complex personality, his processes of thought and his accomplishments, it reveals a man at once a wealthy aristocrat, a Pole in the Prussian diplomatic service, an active participant in and perceptive observer and critical commentator on political life, a connoisseur and art collector of European renown, and the author of ground breaking studies on German and Portuguese art – in short a distinguished and fascinating nineteenth century figure.

Author: Richard Offner
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 400

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Book Description
Section 3, Vol. 3.

Author: Michael W. Cole
Publisher: Princeton University Press
ISBN: 0691198322
Category : ART
Languages : en
Pages : 315

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Book Description
"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--