Author: Hamed Khosravi
Publisher: Hatje Cantz Verlag
ISBN: 3775744339
Category : Architecture
Languages : en
Pages : 197
Book Description
The Elusive Modernist setzt sich mit der Geschichte der Moderne auseinander und zwar basierend auf dem Vermächtnis eines ihrer Protagonisten, Gabriel Guevrekian (ca. 1900–1970). Der in Istanbul geborene Guevrekian wuchs in Teheran auf und zog als junger Erwachsener nach Wien, um an der Kunstgewerbeschule Architektur zu studieren. Später arbeitete er mit Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage und Robert Mallet-Stevens, und zu seinen bekanntesten Entwürfen gehören der kubistische Garten für die Villa Noailles in Frankreich und zwei Häuser für die Wiener Werkbund-Ausstellung. Mit nicht einmal dreißig Jahren galt Guevrekian als eine der bedeutendsten Persönlichkeiten der europäischen Avantgarde in Paris. Im Laufe der 1930er-Jahre verbrachte er einige Jahre im Iran, wo er öffentliche Bauten entwarf; nach Ende des Zweiten Weltkriegs lehrte er zunächst in Europa und schließlich in Amerika. Seine ganz unterschiedlichen Unternehmungen, sowie die Häuser und Nationalitäten, die er in Asien, Europa und Amerika besaß, führten zu einer Reihe sehr verschieden ausgeprägter Persönlichkeiten. Er füllte durch seine eigene, sehr unmittelbare Auseinandersetzung jede Disziplin mit Bedeutung aus, machte jede Stadt zum Zentrum und jede Ära epochal.
Gabriel Guevrekian
Author: Hamed Khosravi
Publisher: Hatje Cantz Verlag
ISBN: 3775744339
Category : Architecture
Languages : en
Pages : 197
Book Description
The Elusive Modernist setzt sich mit der Geschichte der Moderne auseinander und zwar basierend auf dem Vermächtnis eines ihrer Protagonisten, Gabriel Guevrekian (ca. 1900–1970). Der in Istanbul geborene Guevrekian wuchs in Teheran auf und zog als junger Erwachsener nach Wien, um an der Kunstgewerbeschule Architektur zu studieren. Später arbeitete er mit Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage und Robert Mallet-Stevens, und zu seinen bekanntesten Entwürfen gehören der kubistische Garten für die Villa Noailles in Frankreich und zwei Häuser für die Wiener Werkbund-Ausstellung. Mit nicht einmal dreißig Jahren galt Guevrekian als eine der bedeutendsten Persönlichkeiten der europäischen Avantgarde in Paris. Im Laufe der 1930er-Jahre verbrachte er einige Jahre im Iran, wo er öffentliche Bauten entwarf; nach Ende des Zweiten Weltkriegs lehrte er zunächst in Europa und schließlich in Amerika. Seine ganz unterschiedlichen Unternehmungen, sowie die Häuser und Nationalitäten, die er in Asien, Europa und Amerika besaß, führten zu einer Reihe sehr verschieden ausgeprägter Persönlichkeiten. Er füllte durch seine eigene, sehr unmittelbare Auseinandersetzung jede Disziplin mit Bedeutung aus, machte jede Stadt zum Zentrum und jede Ära epochal.
Publisher: Hatje Cantz Verlag
ISBN: 3775744339
Category : Architecture
Languages : en
Pages : 197
Book Description
The Elusive Modernist setzt sich mit der Geschichte der Moderne auseinander und zwar basierend auf dem Vermächtnis eines ihrer Protagonisten, Gabriel Guevrekian (ca. 1900–1970). Der in Istanbul geborene Guevrekian wuchs in Teheran auf und zog als junger Erwachsener nach Wien, um an der Kunstgewerbeschule Architektur zu studieren. Später arbeitete er mit Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage und Robert Mallet-Stevens, und zu seinen bekanntesten Entwürfen gehören der kubistische Garten für die Villa Noailles in Frankreich und zwei Häuser für die Wiener Werkbund-Ausstellung. Mit nicht einmal dreißig Jahren galt Guevrekian als eine der bedeutendsten Persönlichkeiten der europäischen Avantgarde in Paris. Im Laufe der 1930er-Jahre verbrachte er einige Jahre im Iran, wo er öffentliche Bauten entwarf; nach Ende des Zweiten Weltkriegs lehrte er zunächst in Europa und schließlich in Amerika. Seine ganz unterschiedlichen Unternehmungen, sowie die Häuser und Nationalitäten, die er in Asien, Europa und Amerika besaß, führten zu einer Reihe sehr verschieden ausgeprägter Persönlichkeiten. Er füllte durch seine eigene, sehr unmittelbare Auseinandersetzung jede Disziplin mit Bedeutung aus, machte jede Stadt zum Zentrum und jede Ära epochal.
The Modernist Garden in France
Author: Dorothée Imbert
Publisher: Yale University Press
ISBN: 9780300047165
Category : Gardening
Languages : en
Pages : 310
Book Description
The modernist garden, which flourished in France between the 1910s and the 1930s, vividly mirrored the geometries and cubist aesthetics familiar to the decorative and fine arts of the period. Created by architects and artists, these gardens were often conceived as tableaux in which plants played a role only as pigment or texture. This handsomely illustrated book by Dorothée Imbert presents for the first time - in word and image - a comprehensive study of these arresting architectonic gardens.
Publisher: Yale University Press
ISBN: 9780300047165
Category : Gardening
Languages : en
Pages : 310
Book Description
The modernist garden, which flourished in France between the 1910s and the 1930s, vividly mirrored the geometries and cubist aesthetics familiar to the decorative and fine arts of the period. Created by architects and artists, these gardens were often conceived as tableaux in which plants played a role only as pigment or texture. This handsomely illustrated book by Dorothée Imbert presents for the first time - in word and image - a comprehensive study of these arresting architectonic gardens.
Fletcher Steele, Landscape Architect
Author: Robin S. Karson
Publisher: Univ of Massachusetts Press
ISBN: 9781558494138
Category : Architecture
Languages : en
Pages : 352
Book Description
For 60 years, Fletcher Steele practised landscape architecture as a fine art, designing nearly 700 gardens. Often brilliant, always original, Steele's work is considered by many as a link between 19th century beaux arts formalism & modern landscape design.
Publisher: Univ of Massachusetts Press
ISBN: 9781558494138
Category : Architecture
Languages : en
Pages : 352
Book Description
For 60 years, Fletcher Steele practised landscape architecture as a fine art, designing nearly 700 gardens. Often brilliant, always original, Steele's work is considered by many as a link between 19th century beaux arts formalism & modern landscape design.
Modern Landscape Architecture
Author: Marc Treib
Publisher: MIT Press
ISBN: 9780262700511
Category : Architecture
Languages : en
Pages : 152
Book Description
Twenty-two essays that provide a forum for assessing the tenets, accomplishments and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline These twenty-two essays provide a rich forum for assessing the tenets, accomplishments, and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline. During the 1930s Garrett Eckbo, Dan Kiley, and JamesRose began to integrate modernist architectural ideas into their work and to design a landscape more in accord with the life and sensibilities of their time. Together with Thomas Church, whose gardens provided the setting for California living, they laid the foundations for a modern American landscape design. This first critical assessment of modem landscape architecture brings together seminal articles from the 1930s and 1940s by Eckbo, Kiley, Rose, Fletcher Steele, and Christopher Tunnard, and includes contributions by contemporary writers and designers such as Peirce Lewis, Catherine Howett, John Dixon Hunt, Peter Walker, and Martha Schwartz who examine the historical and cultural framework within which modern landscape designers have worked. There are also essays by Lance Neckar, Reuben Rainey, Gregg Bleam, Michael Laurie, and Marc Treib that discuss the designs and legacy of the Americans Tunnard, Eckbo, Church, Kiley, and Robert Irwin. Dorothée Imbert takes up Pierre-Emile Legrain and French modernist gardens of the 1920s, and Thorbjörn Andersson reviews experiments with stylized naturalism developed by Erik Glemme and others in the Stockholm park system.
Publisher: MIT Press
ISBN: 9780262700511
Category : Architecture
Languages : en
Pages : 152
Book Description
Twenty-two essays that provide a forum for assessing the tenets, accomplishments and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline These twenty-two essays provide a rich forum for assessing the tenets, accomplishments, and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline. During the 1930s Garrett Eckbo, Dan Kiley, and JamesRose began to integrate modernist architectural ideas into their work and to design a landscape more in accord with the life and sensibilities of their time. Together with Thomas Church, whose gardens provided the setting for California living, they laid the foundations for a modern American landscape design. This first critical assessment of modem landscape architecture brings together seminal articles from the 1930s and 1940s by Eckbo, Kiley, Rose, Fletcher Steele, and Christopher Tunnard, and includes contributions by contemporary writers and designers such as Peirce Lewis, Catherine Howett, John Dixon Hunt, Peter Walker, and Martha Schwartz who examine the historical and cultural framework within which modern landscape designers have worked. There are also essays by Lance Neckar, Reuben Rainey, Gregg Bleam, Michael Laurie, and Marc Treib that discuss the designs and legacy of the Americans Tunnard, Eckbo, Church, Kiley, and Robert Irwin. Dorothée Imbert takes up Pierre-Emile Legrain and French modernist gardens of the 1920s, and Thorbjörn Andersson reviews experiments with stylized naturalism developed by Erik Glemme and others in the Stockholm park system.
Landscape Modernism Renounced
Author: David Jacques
Publisher: Routledge
ISBN: 1136616330
Category : Architecture
Languages : en
Pages : 286
Book Description
Before the Second World War landscape architect Christopher Tunnard was the first author on Modernism in Landscape in the English language, but later became alarmed by the destructive forces of Post-war reconstruction. Between the 1950s and the 1970s he was in the forefront of the movement to save the city, becoming an acclaimed author sympathetic to preservation. Ironically it was the Modernist ethos that he had so fervently advocated before the war that was the justification for the dismemberment of great cities by officials, engineers and planners. This was not the first time that Tunnard had to re-evaluate his principles, as he had done so in the 1930s in rejecting Arts-and-Crafts in favour of Modernism. This book tracks his changing ideology, by reference to his writings, his colleagues and his work. Christopher Tunnard is one of the most influential figures in Landscape Architecture and his journey is one that still resonates in the discipline today. His leading role in first embracing the tenets of Modernism and then moving away from to embrace a more conservationist approach can be seen in the success and impact on the profession of those with whom he worked and taught.
Publisher: Routledge
ISBN: 1136616330
Category : Architecture
Languages : en
Pages : 286
Book Description
Before the Second World War landscape architect Christopher Tunnard was the first author on Modernism in Landscape in the English language, but later became alarmed by the destructive forces of Post-war reconstruction. Between the 1950s and the 1970s he was in the forefront of the movement to save the city, becoming an acclaimed author sympathetic to preservation. Ironically it was the Modernist ethos that he had so fervently advocated before the war that was the justification for the dismemberment of great cities by officials, engineers and planners. This was not the first time that Tunnard had to re-evaluate his principles, as he had done so in the 1930s in rejecting Arts-and-Crafts in favour of Modernism. This book tracks his changing ideology, by reference to his writings, his colleagues and his work. Christopher Tunnard is one of the most influential figures in Landscape Architecture and his journey is one that still resonates in the discipline today. His leading role in first embracing the tenets of Modernism and then moving away from to embrace a more conservationist approach can be seen in the success and impact on the profession of those with whom he worked and taught.
Garden History
Author: Tom Turner
Publisher: Routledge
ISBN: 1134370822
Category : Architecture
Languages : en
Pages : 474
Book Description
An updated version of this book is now available as European Gardens (2011), also by Tom Turner. Expanding into other regions are Asian Gardens (2010) and the forthcoming British Gardens, both also by Turner and published by Routledge. Tom Turner, well-known teacher and writer in landscape architecture, garden design and garden history here explores more than 150 gardens over four millennia of Western garden design. He considers the why, the what, the how and the where of garden design by tracing the development of gardens through history and across social, political and philosophical boundaries. Fully illustrated throughout, each chapter critically examines a particular type of garden both as part of a wider socio-political context and as an aesthetic entity, asking how the design of each garden reflects the philosophical approach of its creator. Inspirational, reflective and informative, this book brings together knowledge and understanding from a diverse range of related interests to add depth and breadth to a fascinating subject.
Publisher: Routledge
ISBN: 1134370822
Category : Architecture
Languages : en
Pages : 474
Book Description
An updated version of this book is now available as European Gardens (2011), also by Tom Turner. Expanding into other regions are Asian Gardens (2010) and the forthcoming British Gardens, both also by Turner and published by Routledge. Tom Turner, well-known teacher and writer in landscape architecture, garden design and garden history here explores more than 150 gardens over four millennia of Western garden design. He considers the why, the what, the how and the where of garden design by tracing the development of gardens through history and across social, political and philosophical boundaries. Fully illustrated throughout, each chapter critically examines a particular type of garden both as part of a wider socio-political context and as an aesthetic entity, asking how the design of each garden reflects the philosophical approach of its creator. Inspirational, reflective and informative, this book brings together knowledge and understanding from a diverse range of related interests to add depth and breadth to a fascinating subject.
From Dangast to Colorado Springs
Author: Gert Gröning
Publisher: Akademische Verlagsgemeinschaft München
ISBN: 3960910088
Category : Science
Languages : en
Pages : 167
Book Description
Irma Franzen-Heinrichsdorff was a 20th century landscape architect, who was not widely known in Germany. Her creative horticultural work included not least her impressive "landscape ideas" for private gardens, some of which are presented and paid tribute to here for the first time. In this book, Franzen-Heinrichsdorff's remarkable biography is traced using information from previously untapped sources. Franzen-Heinrichsdorff studied at the horticultural institute "Lehr- und Forschungsanstalt für Gartenbau" in Berlin-Dahlem and became the first woman to gain the qualification of "Staatlich diplomierte Gartenbauinspektorin", i. e. horticultural inspector, in the subject of landscape gardening. She thereby attained the highest academic honour there was in this profession at the time. Influenced by expressionism and with an interest in music and dance, the accomplished illustrator and designer had a promising career as a landscape architect ahead of her. Rather than marrying the distinguished solo flutist Alfred Tibursky, the father of her two children, she tied the knot with landscape architect Gustav Heinrichsdorff, only to divorce him several years later. Family-related and professional difficulties forced Franzen-Heinrichsdorff to give up her career, and she went on to run a children's home in the North Sea resort of Dangast for twenty years instead. Undeterred by intermittent harassment from National Socialists, she also cared for three foster children there over the years. It was not until later in life that she had the opportunity to work as a landscape architect once again in Colorado Springs in the United States of America; two of her former foster children and her son were instrumental in paving the way for her.
Publisher: Akademische Verlagsgemeinschaft München
ISBN: 3960910088
Category : Science
Languages : en
Pages : 167
Book Description
Irma Franzen-Heinrichsdorff was a 20th century landscape architect, who was not widely known in Germany. Her creative horticultural work included not least her impressive "landscape ideas" for private gardens, some of which are presented and paid tribute to here for the first time. In this book, Franzen-Heinrichsdorff's remarkable biography is traced using information from previously untapped sources. Franzen-Heinrichsdorff studied at the horticultural institute "Lehr- und Forschungsanstalt für Gartenbau" in Berlin-Dahlem and became the first woman to gain the qualification of "Staatlich diplomierte Gartenbauinspektorin", i. e. horticultural inspector, in the subject of landscape gardening. She thereby attained the highest academic honour there was in this profession at the time. Influenced by expressionism and with an interest in music and dance, the accomplished illustrator and designer had a promising career as a landscape architect ahead of her. Rather than marrying the distinguished solo flutist Alfred Tibursky, the father of her two children, she tied the knot with landscape architect Gustav Heinrichsdorff, only to divorce him several years later. Family-related and professional difficulties forced Franzen-Heinrichsdorff to give up her career, and she went on to run a children's home in the North Sea resort of Dangast for twenty years instead. Undeterred by intermittent harassment from National Socialists, she also cared for three foster children there over the years. It was not until later in life that she had the opportunity to work as a landscape architect once again in Colorado Springs in the United States of America; two of her former foster children and her son were instrumental in paving the way for her.
Culture and Cultural Politics Under Reza Shah
Author: Bianca Devos
Publisher: Routledge
ISBN: 1135125538
Category : History
Languages : en
Pages : 352
Book Description
Culture and Cultural Politics Under Reza Shah presents a collection of innovative research on the interaction of culture and politics accompanying the vigorous modernization programme of the first Pahlavi ruler. Examining a broad spectrum of this multifaceted interaction it makes an important contribution to the cultural history of the 1920s and 1930s in Iran, when, under the rule of Reza Shah Pahlavi, dramatic changes took place inside Iranian society. With special reference to the practical implementation of specific reform endeavours, the various contributions critically analyze different facets of the relationship between cultural politics, individual reformers and the everyday life of modernist Iranians. Interpreting culture in its broadest sense, this book brings together contributions from different disciplines such as literary history, social history, ethnomusicology, art history, and Middle Eastern politics. In this way, it combines for the first time the cultural history of Iran’s modernity with the politics of the Reza Shah period. Challenging a limited understanding of authoritarian rule under Reza Shah, this book is a useful contribution to existing literature for students and scholars of Middle Eastern History, Iranian History and Iranian Culture.
Publisher: Routledge
ISBN: 1135125538
Category : History
Languages : en
Pages : 352
Book Description
Culture and Cultural Politics Under Reza Shah presents a collection of innovative research on the interaction of culture and politics accompanying the vigorous modernization programme of the first Pahlavi ruler. Examining a broad spectrum of this multifaceted interaction it makes an important contribution to the cultural history of the 1920s and 1930s in Iran, when, under the rule of Reza Shah Pahlavi, dramatic changes took place inside Iranian society. With special reference to the practical implementation of specific reform endeavours, the various contributions critically analyze different facets of the relationship between cultural politics, individual reformers and the everyday life of modernist Iranians. Interpreting culture in its broadest sense, this book brings together contributions from different disciplines such as literary history, social history, ethnomusicology, art history, and Middle Eastern politics. In this way, it combines for the first time the cultural history of Iran’s modernity with the politics of the Reza Shah period. Challenging a limited understanding of authoritarian rule under Reza Shah, this book is a useful contribution to existing literature for students and scholars of Middle Eastern History, Iranian History and Iranian Culture.
James Rose
Author: Dean Cardasis
Publisher: University of Georgia Press
ISBN: 0820350958
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
The first biography of this important landscape architect, James Rose examines the work of one of the most radical figures in the history of mid-century modernist American landscape design. An artist who explored his profession with words and built works, Rose fearlessly critiqued the developing patterns of land use he witnessed during a period of rapid suburban development. The alternatives he offered in his designs for hundreds of gardens were based on innovative and iconoclastic environmental and philosophic principles, some of which have become mainstream today. A classmate of Garrett Eckbo and Dan Kiley at Harvard, Rose was expelled in 1937 for refusing to design landscapes in the Beaux-Arts method. In 1940, the year before he received his first commission, Rose also published the last of his influential articles for Architectural Record, a series of essays written with Eckbo and Kiley that would become a manifesto for developing a modernist landscape architecture. Over the next four decades, Rose articulated his philosophy in four major books. His writings foreshadowed many principles since embraced by the profession, including the concept of sustainability and the wisdom of accommodating growth and change. James Rose includes new scholarship on many important works, including the Dickenson Garden in Pasadena and the Averett House in Columbus, Georgia, as well as unpublished correspondence. Throughout his career Rose refined his conservation ethic, finding opportunities to create landscapes for contemplation, self-discovery, and pleasure. At a time when issues of economy and environmentalism are even more pressing, Rose's writings and projects are both relevant and revelatory.
Publisher: University of Georgia Press
ISBN: 0820350958
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
The first biography of this important landscape architect, James Rose examines the work of one of the most radical figures in the history of mid-century modernist American landscape design. An artist who explored his profession with words and built works, Rose fearlessly critiqued the developing patterns of land use he witnessed during a period of rapid suburban development. The alternatives he offered in his designs for hundreds of gardens were based on innovative and iconoclastic environmental and philosophic principles, some of which have become mainstream today. A classmate of Garrett Eckbo and Dan Kiley at Harvard, Rose was expelled in 1937 for refusing to design landscapes in the Beaux-Arts method. In 1940, the year before he received his first commission, Rose also published the last of his influential articles for Architectural Record, a series of essays written with Eckbo and Kiley that would become a manifesto for developing a modernist landscape architecture. Over the next four decades, Rose articulated his philosophy in four major books. His writings foreshadowed many principles since embraced by the profession, including the concept of sustainability and the wisdom of accommodating growth and change. James Rose includes new scholarship on many important works, including the Dickenson Garden in Pasadena and the Averett House in Columbus, Georgia, as well as unpublished correspondence. Throughout his career Rose refined his conservation ethic, finding opportunities to create landscapes for contemplation, self-discovery, and pleasure. At a time when issues of economy and environmentalism are even more pressing, Rose's writings and projects are both relevant and revelatory.
Landscape Design in Color
Author: Mira Engler
Publisher: Taylor & Francis
ISBN: 0429798067
Category : Architecture
Languages : en
Pages : 476
Book Description
Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.
Publisher: Taylor & Francis
ISBN: 0429798067
Category : Architecture
Languages : en
Pages : 476
Book Description
Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.