G alto Flute part: Flight of The Bumblebee for Flute Quintet PDF Download

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G alto Flute part: Flight of The Bumblebee for Flute Quintet

G alto Flute part: Flight of The Bumblebee for Flute Quintet PDF Author: Nikolai Rimsky-Korsakov
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 4

Book Description
G alto Flute part _ Flight of The Bumblebee by Nikolai Rimsky-Korsakov arranged for Flute Quintet (C Piccolo, C Flutes 1 - 2, G Alto and Bass Flute) advanced level, key concert A minor, duration 1.30 (+-). Score and single parts available in series. Scan Qr code (in cover) for audio demo or visit www.glissato.it. product code: EG1142. "Flight of the Bumblebee" (Russian: Полёт шмеля) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture.

G alto Flute part: Flight of The Bumblebee for Flute Quintet

G alto Flute part: Flight of The Bumblebee for Flute Quintet PDF Author: Nikolai Rimsky-Korsakov
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 4

Book Description
G alto Flute part _ Flight of The Bumblebee by Nikolai Rimsky-Korsakov arranged for Flute Quintet (C Piccolo, C Flutes 1 - 2, G Alto and Bass Flute) advanced level, key concert A minor, duration 1.30 (+-). Score and single parts available in series. Scan Qr code (in cover) for audio demo or visit www.glissato.it. product code: EG1142. "Flight of the Bumblebee" (Russian: Полёт шмеля) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture.

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