Author: José Toro HardyPublisher: Cognitio
ISBN: 0988312883
Category : Business & Economics
Languages : en
Pages : 735
Book Description
Fundamentos de Teoría Económica
Author: José Toro HardyPublisher: Cognitio
ISBN: 0988312883
Category : Business & Economics
Languages : en
Pages : 735
Book Description
Fundamentos y Modelos del Estudio Pragmático y Sociopragmático del Español
Author: Susana de los HerosPublisher: Georgetown University Press
ISBN: 9781589019379
Category : Foreign Language Study
Languages : en
Pages : 400
Book Description
This rich textbook provides a comprehensive introduction to the principal concepts and thematic areas of Spanish pragmatics. It is aimed at advanced students of Spanish -- upper-level undergraduates and beginning graduate students -- who need to hone their language skills for contextually sensitive use of the language. Written entirely in Spanish, with Spanish examples, this volume introduces basic pragmatics, methods of analysis, and new thematic areas such as language and the press and globalization. Theoretical explanations combine with practical exercises in each chapter to help students master the subtleties of language use.
AIC 2004 Color and Paints, Interim Meeting of the International Color Association, Proceedings
Author: AIC 2004 Color and Paints, Proceedings, Interim Meeting of the International Color Association
Author: Fundamentos de visión binocular
Author: Álvaro M. Pons MorenoPublisher: Universitat de València
ISBN: 8437093821
Category : Science
Languages : en
Pages : 452
Book Description
'Fundamentos de visión binocular' recopila los principales aspectos teóricos de este campo, ordenándolos y adaptándolos para el estudiante y el docente de ciencias de la visión. Su recorrido por las principales características motoras y sensoriales de la visión binocular lo convierte en un manual de gran utilidad tanto en optometría como en oftalmología. Álvaro M. Pons Moreno es doctor en Física y profesor titular de la Universitat de València. Su docencia se centra en la diplomatura de Óptica y Optometría de esa universidad, en especial en el área de Óptica Fisiológica y Visión Binocular. Su actividad investigadora se desarrolla también en el campo de las ciencias de la visión, con más de cuarenta trabajos publicados. Francisco M. Martínez Verdú es doctor en Física por la Universitat Politècnica de Catalunya. Es profesor titular en la Escuela de Óptica y Optometría de la Universitat d'Alacant. Su actividad docente e investigadora se centra en las ciencias de la visión, sobre todo en óptica visual, visión binocular, visión de color y ergonomía visual.
International Handbook of Semiotics
Author: Peter Pericles TrifonasPublisher: Springer
ISBN: 9401794049
Category : Philosophy
Languages : en
Pages : 1282
Book Description
This book provides an extensive overview and analysis of current work on semiotics that is being pursued globally in the areas of literature, the visual arts, cultural studies, media, the humanities, natural sciences and social sciences. Semiotics—also known as structuralism—is one of the major theoretical movements of the 20th century and its influence as a way to conduct analyses of cultural products and human practices has been immense. This is a comprehensive volume that brings together many otherwise fragmented academic disciplines and currents, uniting them in the framework of semiotics. Addressing a longstanding need, it provides a global perspective on recent and ongoing semiotic research across a broad range of disciplines. The handbook is intended for all researchers interested in applying semiotics as a critical lens for inquiry across diverse disciplines.
The Semiotic Web 1986
Author: Thomas A. SebeokPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110861313
Category : Language Arts & Disciplines
Languages : en
Pages : 744
Book Description
Reading Lezama's Paradiso
Author: William RowlandsonPublisher: Peter Lang
ISBN: 9783039107513
Category : Literary Collections
Languages : en
Pages : 296
Book Description
This book focuses on the novel Paradiso of Cuban author José Lezama Lima (1910-1976), and in particular on the protagonist José Cemí. It examines the development of Cemí according to the three distinct phases detailed by Lezama: the 'placentario' world of family protection, the awakening to the exterior world and the subsequent friendships made, and the eventual encounters with Oppiano Licario. Cemí's progression, and his growing ability to interpret and create texts, is analysed as analogous to the reader's progression through the novel. In this respect, both the reader and Cemí are obliged to interpret the complex symbolism according to interpretative skills acquired from the text itself. In a similar fashion, the connection between Cemí's 'guide' Licario, and the author Lezama is investigated. By exploring these connections between reader and protagonist, author and character, the author of this work suggests a radical and hitherto unexplored approach to the text of Lezama.
The Power of the Frame
Author: José María Castillo-PomedaPublisher: Babelcube Inc.
ISBN: 1071526928
Category : Photography
Languages : en
Pages : 181
Book Description
Beauty is a subject that has obsessed man since ancient times. While the concept of "the beautiful" is true is relative and depends on each social group and each era, it is also true that our perception of beauty is subject to the harmony of the measures. In any facet of our life, we instictively seek harmony and balance. Why, before two seemingly equal or similar images, one attracts us more than the other? The information they transmit to us is the same but... one is better, we like it more... The answer is inside, in its geometry, in its structure, in short: in its composition. By studying the basic components of an image, the fundamental elements of visual communication, we find a universal language. Knowing how to recognize them in our frame, relocate them and compose with them is as much or more important than the correct handling of the camera. There is still for some the common place that the image does not articulate a language itself, it does not go beyond being an illustration and that it is necessary to "explain" it. I once heard José Saramago, affirm the absolute superiority of the word over the image and condemn the old saying "worth a picture more than a thousand words" to the garbage can. This view, which seems logical in a Nobel Prize for literature, can underline the superiority of written language in the field of abstraction or mental creation. But it is to want to close your eyes (and never better) to the communicative and poetic value of the image. Of course, this controversy settled it, already in the Renaissance, Leonardo da Vinci when he said: "Write the name of God next to his image and see where they look," (da Vinci 187:98)
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