Functorial Semiotics for Creativity in Music and Mathematics PDF Download

Author: Guerino Mazzola
Publisher: Springer Nature
ISBN: 3030851907
Category : Mathematics
Languages : en
Pages : 166

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Book Description
This book presents a new semiotic theory based upon category theory and applying to a classification of creativity in music and mathematics. It is the first functorial approach to mathematical semiotics that can be applied to AI implementations for creativity by using topos theory and its applications to music theory. Of particular interest is the generalized Yoneda embedding in the bidual of the category of categories (Lawvere) - parametrizing semiotic units - enabling a Čech cohomology of manifolds of semiotic entities. It opens up a conceptual mathematics as initiated by Grothendieck and Galois and allows a precise description of musical and mathematical creativity, including a classification thereof in three types. This approach is new, as it connects topos theory, semiotics, creativity theory, and AI objectives for a missing link to HI (Human Intelligence). The reader can apply creativity research using our classification, cohomology theory, generalized Yoneda embedding, and Java implementation of the presented functorial display of semiotics, especially generalizing the Hjelmslev architecture. The intended audience are academic, industrial, and artistic researchers in creativity.

Author: Adalira Sáenz-Ludlow
Publisher: Springer
ISBN: 9463003371
Category : Education
Languages : en
Pages : 224

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Book Description
Semiotics as a Tool for Learning Mathematics is a collection of ten theoretical and empirical chapters, from researchers all over the world, who are interested in semiotic notions and their practical uses in mathematics classrooms. Collectively, they present a semiotic contribution to enhance pedagogical aspects both for the teaching of school mathematics and for the preparation of pre-service teachers. This enhancement involves the use of diagrams to visualize implicit or explicit mathematical relations and the use of mathematical discourse to facilitate the emergence of inferential reasoning in the process of argumentation. It will also facilitate the construction of proofs and solutions of mathematical problems as well as the progressive construction of mathematical conceptions that, eventually, will approximate the concept(s) encoded in mathematical symbols. These symbols hinge not only of mental operations but also on indexical and iconic aspects; aspects which often are not taken into account when working on the meaning of mathematical symbols. For such an enhancement to happen, it is necessary to transform basic notions of semiotic theories to make them usable for mathematics education. In addition, it is also necessary to back theoretical claims with empirical data. This anthology attempts to deal with such a conjunction. Overall, this book can be used as a theoretical basis for further semiotic considerations as well as for the design of different ways of teaching mathematical concepts.

Author: Guerino Mazzola
Publisher: Springer Science & Business Media
ISBN: 364224517X
Category : Computers
Languages : en
Pages : 331

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Book Description
This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music, based on the results and methods developed in the first author’s book Topos of Music and referring to semiotics, predicative objects, topos theory, and object-oriented concept architectures. The third part of the book details four case studies in musical creativity, including an analysis of the six variations of Beethoven's sonata op. 109, a discussion of the creative process in a CD coproduced in 2011 by the first and second authors, a recomposition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music. This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, and also a state-of-the-art survey addressed to researchers in creativity studies and music technology. The book contains summaries and end-of-chapter questions, and the authors have used the book as the main reference to teach an undergraduate creativity studies program and also to teach composition. The text is supported throughout with musical score examples.

Author: Jason Yust
Publisher: Springer
ISBN: 3642393578
Category : Computers
Languages : en
Pages : 256

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Book Description
This book constitutes the thoroughly refereed proceedings of the Fourth International Conference on Mathematics and Computation in Music, MCM 2013, held in Montreal, Canada, in June 2013. The 18 papers presented were carefully reviewed and selected from numerous submissions. They are promoting the collaboration and exchange of ideas among researchers in music theory, mathematics, computer science, musicology, cognition and other related fields.

Author: Guerino Mazzola
Publisher: Springer
ISBN: 3319644955
Category : Mathematics
Languages : en
Pages : 353

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Book Description
This is the fourth volume of the second edition of the now classic book “The Topos of Music”. The author presents appendices with background material on sound and auditory physiology; mathematical basics such as sets, relations, transformations, algebraic geometry, and categories; complements in physics, including a discussion on string theory; and tables with chord classes and modulation steps.

Author: Cristian S. Calude
Publisher: Springer Science & Business Media
ISBN: 1447107519
Category : Mathematics
Languages : en
Pages : 376

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Book Description
The finite - infinite interplay is central in human thinking, from ancient philosophers and mathematicians (Zeno, Pythagoras), to modern mathe matics (Cantor, Hilbert) and computer science (Turing, Godel). Recent developments in mathematics and computer science suggest a) radically new answers to classical questions (e. g. , does infinity exist?, where does infinity come from?, how to reconcile the finiteness of the human brain with the infinity of ideas it produces?), b) new questions of debate (e. g. , what is the role played by randomness?, are computers capable of handling the infinity through unconventional media of computation?, how can one approximate efficiently the finite by the infinite and, conversely, the infinite by finite?). Distinguished authors from around the world, many of them architects of the mathematics and computer science for the new century, contribute to the volume. Papers are as varied as Professor Marcus' activity, to whom this volume is dedicated. They range from real analysis to DNA com puting, from linguistics to logic, from combinatorics on words to symbolic dynamics, from automata theory to geography, and so on, plus an incursion into the old history of conceptions about infinity and a list of philosophical "open problems". They are mainly mathematical and theoretical computer science texts, but not all of them are purely mathematical.

Author: Guerino Mazzola
Publisher: Birkhäuser
ISBN: 303488141X
Category : Mathematics
Languages : en
Pages : 1310

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Book Description
With contributions by numerous experts

Author: Fernando Zalamea
Publisher: National Geographic Books
ISBN: 0956775012
Category : Philosophy
Languages : en
Pages : 0

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Book Description
A panoramic survey of the vast spectrum of modern and contemporary mathematics and the new philosophical possibilities they suggest. A panoramic survey of the vast spectrum of modern and contemporary mathematics and the new philosophical possibilities they suggest, this book gives the inquisitive non-specialist an insight into the conceptual transformations and intellectual orientations of modern and contemporary mathematics. The predominant analytic approach, with its focus on the formal, the elementary and the foundational, has effectively divorced philosophy from the real practice of mathematics and the profound conceptual shifts in the discipline over the last century. The first part discusses the specificity of modern (1830–1950) and contemporary (1950 to the present) mathematics, and reviews the failure of mainstream philosophy of mathematics to address this specificity. Building on the work of the few exceptional thinkers to have engaged with the “real mathematics” of their era (including Lautman, Deleuze, Badiou, de Lorenzo and Châtelet), Zalamea challenges philosophy's self-imposed ignorance of the “making of mathematics.” In the second part, thirteen detailed case studies examine the greatest creators in the field, mapping the central advances accomplished in mathematics over the last half-century, exploring in vivid detail the characteristic creative gestures of modern master Grothendieck and contemporary creators including Lawvere, Shelah, Connes, and Freyd. Drawing on these concrete examples, and oriented by a unique philosophical constellation (Peirce, Lautman, Merleau-Ponty), in the third part Zalamea sets out the program for a sophisticated new epistemology, one that will avail itself of the powerful conceptual instruments forged by the mathematical mind, but which have until now remained largely neglected by philosophers.

Author: Guerino Mazzola
Publisher: Springer Nature
ISBN: 3030856291
Category : Mathematics
Languages : en
Pages : 265

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Book Description
This book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.

Author: Elizabeth de Freitas
Publisher: Cambridge University Press
ISBN: 1107039487
Category : Education
Languages : en
Pages : 287

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Book Description
This book expands the landscape of research in mathematics education by analyzing how the body influences mathematical thinking.