Author: Armistead Churchill Gordon
Publisher:
ISBN:
Category : Albemarle County (Va.)
Languages : en
Pages : 432
Book Description
Virginian Writers of Fugitive Verse
Author: Armistead Churchill Gordon
Publisher:
ISBN:
Category : Albemarle County (Va.)
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Albemarle County (Va.)
Languages : en
Pages : 432
Book Description
Fugitive Verses
Author: Joanna Baillie
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 436
Book Description
Index of English Literary Manuscripts
Author: Margaret M. Smith
Publisher: A&C Black
ISBN: 0720119987
Category : Literary Criticism
Languages : en
Pages : 679
Book Description
Publisher: A&C Black
ISBN: 0720119987
Category : Literary Criticism
Languages : en
Pages : 679
Book Description
The Ladies' Repository
The Ladies' Repository, and Gatherings of the West
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368896741
Category : Fiction
Languages : en
Pages : 330
Book Description
Reprint of the original, first published in 1841.
Publisher: BoD – Books on Demand
ISBN: 3368896741
Category : Fiction
Languages : en
Pages : 330
Book Description
Reprint of the original, first published in 1841.
Veiled Intent
Author: Natasha Duquette
Publisher: Wipf and Stock Publishers
ISBN: 1620324121
Category : Religion
Languages : en
Pages : 305
Book Description
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.
Publisher: Wipf and Stock Publishers
ISBN: 1620324121
Category : Religion
Languages : en
Pages : 305
Book Description
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.
The Plays & Poems of Richard Brinsley Sheridan: Bibliography of the early collected editions. The rivals. St. Patrick's day. The duenna. A trip to Scarborough
Author: Richard Brinsley Sheridan
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
Book Description
The Bards of Bon-Accord, 1375-1860
Author: William Walker
Publisher:
ISBN:
Category : Scottish poetry
Languages : en
Pages : 730
Book Description
Publisher:
ISBN:
Category : Scottish poetry
Languages : en
Pages : 730
Book Description
The Romance of the Lyric in Nineteenth-Century Women's Poetry
Author: Lee Christine O'Brien
Publisher: University of Delaware
ISBN: 1611493927
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form offers a new account of the nature of the lyric as nineteenth-century women poets developed the form. It offers fresh assessments of the imaginative and aesthetic complexity of women’s poetry. The monograph seeks to redefine the range and cultural significance of women’s writing using the work of poets who have not, heretofore, been part of critical accounts of nineteenth-century lyric poetry. These new voices are set beside new readings of the poetry of established figures: for example, Christina Rossetti’s Goblin Market and Augusta Webster’s “Medea in Athens” and “Circe." The monograph draws substantially on the poetry of Rosamund Marriott Watson – who was lost to literary history before the restoration of her oeuvre through the scholarly and critical work of Professor Linda K. Hughes – to make the case that once neglected and lost voices provide new ways of determining the cultural centrality of women and the poetry they produced in one of the richest periods of poetic experimentation in the Western literary tradition. This monograph contends that Watson’s poetry and prose provide new ways of analyzing the complex and frequently transgressive nature of the lyric engagement of women with folklore and myth and with the growing understanding in the nineteenth century of the fragmented, fluid self in general and of the writer in particular.
Publisher: University of Delaware
ISBN: 1611493927
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form offers a new account of the nature of the lyric as nineteenth-century women poets developed the form. It offers fresh assessments of the imaginative and aesthetic complexity of women’s poetry. The monograph seeks to redefine the range and cultural significance of women’s writing using the work of poets who have not, heretofore, been part of critical accounts of nineteenth-century lyric poetry. These new voices are set beside new readings of the poetry of established figures: for example, Christina Rossetti’s Goblin Market and Augusta Webster’s “Medea in Athens” and “Circe." The monograph draws substantially on the poetry of Rosamund Marriott Watson – who was lost to literary history before the restoration of her oeuvre through the scholarly and critical work of Professor Linda K. Hughes – to make the case that once neglected and lost voices provide new ways of determining the cultural centrality of women and the poetry they produced in one of the richest periods of poetic experimentation in the Western literary tradition. This monograph contends that Watson’s poetry and prose provide new ways of analyzing the complex and frequently transgressive nature of the lyric engagement of women with folklore and myth and with the growing understanding in the nineteenth century of the fragmented, fluid self in general and of the writer in particular.
The Collected Poems of Amelia Alderson Opie
Author: Amelia Alderson Opie
Publisher: Oxford University Press
ISBN: 0199218900
Category : Art
Languages : en
Pages : 718
Book Description
The Collected Poems of Amelia Alderson Opie is the first annotated scholarly edition of the poetic corpus of Amelia Opie (1769-1853), a woman writer who made a significant contribution to literary culture in Britain during the Romantic and early Victorian periods.
Publisher: Oxford University Press
ISBN: 0199218900
Category : Art
Languages : en
Pages : 718
Book Description
The Collected Poems of Amelia Alderson Opie is the first annotated scholarly edition of the poetic corpus of Amelia Opie (1769-1853), a woman writer who made a significant contribution to literary culture in Britain during the Romantic and early Victorian periods.