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Author: Jon Lauck Publisher: University of Iowa Press ISBN: 1609384962 Category : History Languages : en Pages : 269
Book Description
During the half-century after the Civil War, intellectuals and politicians assumed the Midwest to be the font and heart of American culture. Despite the persistence of strong currents of midwestern regionalism during the 1920s and 1930s, the region went into eclipse during the post–World War II era. In the apt language of Minnesota’s F. Scott Fitzgerald, the Midwest slid from being the “warm center” of the republic to its “ragged edge.” This book explains the factors that triggered the demise of the Midwest’s regionalist energies, from anti-midwestern machinations in the literary world and the inability of midwestern writers to break through the cultural politics of the era to the growing dominance of a coastal, urban culture. These developments paved the way for the proliferation of images of the Midwest as flyover country, the Rust Belt, a staid and decaying region. Yet Lauck urges readers to recognize persisting and evolving forms of midwestern identity and to resist the forces that squelch the nation’s interior voices.
Author: Jon Lauck Publisher: University of Iowa Press ISBN: 1609384962 Category : History Languages : en Pages : 269
Book Description
During the half-century after the Civil War, intellectuals and politicians assumed the Midwest to be the font and heart of American culture. Despite the persistence of strong currents of midwestern regionalism during the 1920s and 1930s, the region went into eclipse during the post–World War II era. In the apt language of Minnesota’s F. Scott Fitzgerald, the Midwest slid from being the “warm center” of the republic to its “ragged edge.” This book explains the factors that triggered the demise of the Midwest’s regionalist energies, from anti-midwestern machinations in the literary world and the inability of midwestern writers to break through the cultural politics of the era to the growing dominance of a coastal, urban culture. These developments paved the way for the proliferation of images of the Midwest as flyover country, the Rust Belt, a staid and decaying region. Yet Lauck urges readers to recognize persisting and evolving forms of midwestern identity and to resist the forces that squelch the nation’s interior voices.
Author: Jon K. Lauck Publisher: University of Nebraska Press ISBN: 1496201825 Category : History Languages : en Pages : 391
Book Description
In comparison to such regions as the South, the far West, and New England, the Midwest and its culture have been neglected both by scholars and by the popular press. Historians as well as literary and art critics tend not to examine the Midwest in depth in their academic work. And in the popular imagination, the Midwest has never really ascended to the level of the proud, literary South; the cultured, democratic Northeast; or the hip, innovative West Coast. Finding a New Midwestern History revives and identifies anew the Midwest as a field of study by promoting a diversity of viewpoints and lending legitimacy to a more in-depth, rigorous scholarly assessment of a large region of the United States that has largely been overlooked by scholars. The essays discuss facets of midwestern life worth examining more deeply, including history, religion, geography, art, race, culture, and politics, and are written by well-known scholars in the field such as Michael Allen, Jon Butler, and Nicole Etcheson.
Author: Andy Oler Publisher: LSU Press ISBN: 0807171611 Category : Literary Criticism Languages : en Pages : 324
Book Description
The Midwest holds two conflicting positions in the American cultural imagination, both of which rob the region of its distinctiveness. Often, it is seen as the “heartland,” a pastoral ideal standing in for all of American culture. Alternatively, the Midwest can represent “flyover country,” part of an expansive, undifferentiated mass between the coasts. In Old-Fashioned Modernism: Rural Masculinity and Midwestern Literature, Andy Oler challenges both views by pairing fiction and poetry from the region with cultural and material texts that illustrate the processes by which regional modernism both opposes and absorbs prevailing models of twentieth-century manhood. Although it acknowledges a tradition of Midwestern urban literature, Old-Fashioned Modernism focuses on representations of life on farms and in small towns that generate specific forms of rural modernity. Oler considers a series of male protagonists who both fulfill and resist conventional American narratives of economic advancement, spatial experience, and gender roles. The writers he studies portray the onset of socioeconomic and mechanical modernity by merging realist and naturalist narratives with upwellings of modernist form and style. His analysis charts a trajectory in which Midwestern literature depicts experiences that appear dependent on nostalgic pastoralism but actually foreground the ongoing fragmentation and emerging anxieties of the countryside. In detailed readings of novels by Sherwood Anderson, William Cunningham, Langston Hughes, Wright Morris, and Dawn Powell, as well as the poetry of Lorine Niedecker, Oler highlights images of men from the rural Midwest who face the tensions between agricultural production and mass industrialization. These works of literature, which Oler examines alongside pieces of material culture like advertisements for farm implements and record labels, feature communities that support self-made as well as corporate identities. As portraits of the Midwest that resist the totalizing trajectory of industrialization, these texts generate spaces that meld rural and urban economics, land use, and affective experiences. Old-Fashioned Modernism reveals how Midwestern regionalism negotiates the anxieties and dominant narratives of early- and midcentury rural masculinities, as regional literature and culture alter the forms and spaces of literary modernism.
Author: Adam R. Ochonicky Publisher: Indiana University Press ISBN: 0253046009 Category : Performing Arts Languages : en Pages : 272
Book Description
How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.
Author: Sara Egge Publisher: University of Iowa Press ISBN: 1609385586 Category : History Languages : en Pages : 249
Book Description
Winner of the 2019 Gita Chaudhuri Prize Winner of the 2019 Benjamin F. Shambaugh Award Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities—in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation. These suffragists, mostly Yankees who migrated from the Northeast after the Civil War, participated enthusiastically in settling the region and developing communal institutions such as libraries, schools, churches, and parks. Meanwhile, as Egge’s detailed local study also shows, the efforts of the National American Women’s Suffrage Association did not always succeed in promoting the movement’s goals. Instead, it gained support among Midwesterners only when local rural women claimed the right to vote on the basis of their well-established civic roles and public service. By investigating civic responsibility, Egge reorients scholarship on woman suffrage and brings attention to the Midwest, a region overlooked by most historians of the movement. In doing so, she sheds new light onto the ways suffragists rejuvenated the cause in the twentieth century.
Author: Kelsey Squire Publisher: Literary Criticism in Perspect ISBN: 1571139974 Category : Literary Criticism Languages : en Pages : 175
Book Description
A contextualizing overview of the polarized critical reception of Willa Cather, one of the pre-eminent US authors of the twentieth-century.
Author: Charles Delgadillo Publisher: University Press of Kansas ISBN: 0700626387 Category : Political Science Languages : en Pages : 324
Book Description
“Roosevelt bit me and I went mad,” William Allen White said of his first encounter with Teddy in 1897. He grudgingly praised Franklin D. Roosevelt’s performance at the 1943 Casablanca Conference with, “We who hate your gaudy guts salute you.” Editor of the Emporia (Kansas) Gazette, the Sage of Emporia is known for his quips, quotations, and a sharply crafted view from Main Street expressed in his 1896 essay, “What’s the Matter with Kansas?” But for all his carefully cultivated small-town sagacity, William Allen White (1868–1944) was a public figure and political operator on a grand scale. Writing the first biography in a half-century to look at this side of White’s character and career, Charles Delgadillo brings to life a leading light of a once-widespread liberal Republican movement that has largely become extinct. White built his reputation as the voice of the midwestern middle class through his nationally syndicated articles and editorials. Crusader for Democracy takes us behind the veneer of the small-town newspaperman to show us the sophisticated, well-traveled man of the world who rubbed elbows with local, state, and national politicians, world-renowned journalists and authors, political activists of all kinds, and every president from William McKinley to FDR. Paradoxically, White, the master of insider politics, was also an insurgent who fought a fifty-year crusade for liberal reform, usually through and sometimes against the Republican Party. Delgadillo’s vivid portrait gives readers a behind-the-scenes view of the twentieth-century political and economic order in the making, with William Allen White firmly in the middle, deploying the soft power of friendship and influence to advance the cause of the common man and the promise of equal opportunity as the very foundation of American democracy.
Author: Emily Kathryn Morgan Publisher: University of Iowa Press ISBN: 1609389638 Category : Art Languages : en Pages : 295
Book Description
Imaging Animal Industry focuses on the visual culture of the American meat industry between 1890 and 1960. Drawing on archival collections across the American Midwest, this book relates a history of the meatpacking industry's use of images in the early to mid-twentieth century. In the process, it reveals the key role that images, particularly photographs, have played in assisting with the rise of industrial meat production.
Author: Jason Stacy Publisher: University of Illinois Press ISBN: 0252052730 Category : Literary Criticism Languages : en Pages : 333
Book Description
From Main Street to Stranger Things, how poetry changed our idea of small town life A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River Anthology won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.
Author: Michael C. Steiner Publisher: University Press of Kansas ISBN: 0700629548 Category : Political Science Languages : en Pages : 254
Book Description
The Harvard-educated, Jewish American philosopher Horace Meyer Kallen (1882–1974) is commonly credited with the concept of cultural pluralism, which envisioned immigrant and minority groups cultivating their distinctive social worlds and interacting to create an inclusive, ever-changing true American culture. Though living and teaching in Madison, Wisconsin, when he developed this influential theory, Kallen’s seven-year sojourn in the Midwest (1911–1918) rarely figures in accounts of the theory’s origins. And yet, Michael C. Steiner suggests, the Midwest, far from being a mere interruption in Kallen’s thought, was in fact the essential catalyst for the theory of cultural pluralism, a concept that continues to shape public debate a century later. The Midwest in the first decades of the twentieth century was a youthful region experiencing massive immigration and the xenophobic fervor of approaching war. In this milieu Steiner locates a pervasive pluralist zeitgeist rife with urban- and rural-based intellectuals and public figures deeply critical of both the all-absorbing melting pot ideology and white racist Anglo-Saxon exclusionism. Early proponents of diversity who interacted with Kallen to forge a pluralist sensibility and ideology as the Midwest was becoming the nation’s dominant region included public figures Hamlin Garland, Frederick Jackson Turner, and Jane Addams; African American activists Reverdy Ransom and Ida B. Wells; Norwegian American writers Ole E. Rølvaag and Waldemar Ager; and intellectuals Randolph Bourne and John Dewey. Tracing how Kallen’s interaction with these figures and his regional experience expanded his vision and added the final touch and crucial spatial dimension to his theory, Horace M. Kallen in the Heartland enhances our understanding of cultural pluralism. The book has direct bearing on the present, as once again denunciation of diversity and mass migration challenge the tenets and advocates of pluralism.
Author: Jon Lauck
Author: Jon Lauck
Author: Jon K. Lauck
Author: Andy Oler
Author: Adam R. Ochonicky
Author: Sara Egge
Author: Kelsey Squire
Author: Charles Delgadillo
Author: Emily Kathryn Morgan
Author: Jason Stacy
Author: Michael C. Steiner