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From Vivaldi to Viotti

From Vivaldi to Viotti PDF Author: Chappell White
Publisher: Taylor & Francis
ISBN: 9782881244957
Category : Music
Languages : en
Pages : 420

Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

From Vivaldi to Viotti

From Vivaldi to Viotti PDF Author: Chappell White
Publisher: Taylor & Francis
ISBN: 9782881244957
Category : Music
Languages : en
Pages : 420

Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Viotti and the Chinnerys

Viotti and the Chinnerys PDF Author: Denise Yim
Publisher: Routledge
ISBN: 1351537644
Category : Music
Languages : en
Pages : 316

Book Description
The Italian violinist and composer Giovanni Battista Viotti (1755-1824) is considered today to have been one of the most significant forces in the history of violin playing. In 1792 he met Margaret and William Chinnery, a wealthy English couple with strong connections in the world of arts and letters. From that point onwards Viotti's life became inextricably bound up with theirs; he moved into their home and became a second father to their children, forming a remarkably successful m gerois. Henceforth, all Viotti's career decisions were taken with this family's welfare in mind. The Chinnery Family Papers feature over 100 Viotti letters and other documents. Drawing extensively on these papers, this book investigates the new light that they cast on Viotti's life and career, as well as the context in which he lived and worked. Fresh insights are given into the reception of Viotti's concertos in London and the solo performances he gave while in England, together with new information on his role as a music teacher in the Chinnery household, and his relationship with Mme de Sta and the Philharmonic Society.

The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344

Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.

Turin and the British in the Age of the Grand Tour

Turin and the British in the Age of the Grand Tour PDF Author: Paola Bianchi
Publisher: Cambridge University Press
ISBN: 1107147700
Category : History
Languages : en
Pages : 517

Book Description
This is an international publication exploring early modern cultural exchange between Britain and Savoy, including political, diplomatic, social, religious and artistic trends.

The Concerto

The Concerto PDF Author: Stephan D. Lindeman
Publisher: Routledge
ISBN: 1135922055
Category : Music
Languages : en
Pages : 666

Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.

Giovanni Battista Viotti

Giovanni Battista Viotti PDF Author: Massimiliano Sala
Publisher: Ut Orpheus
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 472

Book Description


Music In European Capitals

Music In European Capitals PDF Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393050806
Category : Music
Languages : en
Pages : 1128

Book Description
A glittering cultural tour of Europe's major capitals during a period of intense musical change. This volume continues the study of the eighteenth century begun in Haydn, Mozart, and the Viennese School 1740–1780 (1995) by focusing on the capital cities other than Vienna that were most important in the creation and diffusion of new music. It tells of events in Naples, where Vinci and Pergolesi went beyond their pre-1720 models to cultivate opera in a simpler, more direct manner, soon after christened the galant style. No less central was Venice, where Vivaldi perfected the concerto, on which were patterned the early symphonies and the newer kind of sonata. Dresden profited first from all these achievements and became, under Hasse's direction, the foremost center of Italian opera in Germany. Mannheim with its great orchestra did much to shape the modern symphony. A few years later, Paris became paramount, especially for its Opéra-Comique; during the 1770s the Opéra provided Gluck with a stage on which to cap his long international career. The book concludes with a description of Christian Bach in London, Paisiello in Saint Petersburg, and Boccherini in Madrid. This long-awaited book offers a view of eighteenth-century music that is broad and innovative while remaining sensitive to the values of those times and places. One comes away from it with an understanding of the European context behind the triumphs of Haydn and Mozart. Lavishly illustrated with music examples and reproductions, both in black-and-white and color, this master study will be of inestimable importance to scholars, cultural historians, performers, and all music lovers.

Experiencing the Violin Concerto

Experiencing the Violin Concerto PDF Author: Franco Sciannameo
Publisher: Rowman & Littlefield
ISBN: 0810888866
Category : Music
Languages : en
Pages : 205

Book Description
Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an orchestra’s many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi’s Four Seasons. In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation. Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener’s Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.

Beethoven: Violin Concerto

Beethoven: Violin Concerto PDF Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 0521451590
Category : Music
Languages : en
Pages : 142

Book Description
Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.

Paganini

Paganini PDF Author: Maiko Kawabata
Publisher: Boydell Press
ISBN: 1843837560
Category : Biography & Autobiography
Languages : en
Pages : 306

Book Description
"Our inherited image of Nicolo Paganini as a 'demonic violinist' has never been analysed in depth. What really made him 'demonic'? In fact, the many perceptions of Paganini as demonic - Faust, magician, devil, rake/libertine, Napoleon - were inter-related but not equivalent. This book investigates the legend of Paganini: separating fact from fiction, it explains how the legendary violinist challenged the very notion of what it meant to be a musician. An understanding of his violin techniques and musical ethos goes some way towards meeting this aim, beyond which an exploration of the wider cultural context is also presented. This book considers Paganini's performance innovations in the light of contemporary attitudes towards music and the supernatural, gender, sexuality, violence, heroism, masculinity, as well conceptions of power. A swirl of cultural factors coalesced in the performer to create that phenomenon of Romanticism, a larger-than- life Gothic villain. Because the mythology surrounding the violinist outlived and outgrew the man to monstrous proportions, so too did the idea of virtuosity inflate out of control, acquiring a potent, overwhelmingly negative aura in the process. An appendix brings together late nineteenth-century British press and literature coverage of Paganini that contributed to the developing myth surrounding the now famous composer and performer."--Publisher's description.