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Author: Michael Gardiner Publisher: Edinburgh University Press ISBN: 0748627111 Category : Literary Criticism Languages : en Pages : 208
Book Description
This book charts the course of Scottish Critical Theory since the 1960s. It provocatively argues that 'French' critical-theoretical ideas have developed in tandem with Scottish writing during this period. Its themes can be read as a breakdown in Scottish Enlightenment thinking after empire - precisely the process which permitted the rise of 'theory'.The book places within a wider theoretical context writers such as Muriel Spark, Edwin Morgan, Ian Hamilton Finlay, James Kelman, Alexander Trocchi, Janice Galloway, Alan Warner and Irvine Welsh, as well as more recent work by Alan Riach and Pat Kane, who can be seen to take the 'post-Enlightenment' narrative forward. In doing so, it draws on the work of the Scottish thinkers John Macmurray and R.D. Laing as well as the continental philosophers Gilles Deleuze and Paul Virilio.
Author: Michael Gardiner Publisher: Edinburgh University Press ISBN: 0748627111 Category : Literary Criticism Languages : en Pages : 208
Book Description
This book charts the course of Scottish Critical Theory since the 1960s. It provocatively argues that 'French' critical-theoretical ideas have developed in tandem with Scottish writing during this period. Its themes can be read as a breakdown in Scottish Enlightenment thinking after empire - precisely the process which permitted the rise of 'theory'.The book places within a wider theoretical context writers such as Muriel Spark, Edwin Morgan, Ian Hamilton Finlay, James Kelman, Alexander Trocchi, Janice Galloway, Alan Warner and Irvine Welsh, as well as more recent work by Alan Riach and Pat Kane, who can be seen to take the 'post-Enlightenment' narrative forward. In doing so, it draws on the work of the Scottish thinkers John Macmurray and R.D. Laing as well as the continental philosophers Gilles Deleuze and Paul Virilio.
Author: Michael Gardiner Publisher: ISBN: 9780748622320 Category : Literary Collections Languages : en Pages : 0
Book Description
This book charts the course of Scottish Critical Theory since the 1960s. It provocatively argues that 'French' critical-theoretical ideas have developed in tandem with Scottish writing during this period. Its themes can be read as a breakdown in Scottish Enlightenment thinking after empire - precisely the process which permitted the rise of 'theory'.The book places within a wider theoretical context writers such as Muriel Spark, Edwin Morgan, Ian Hamilton Finlay, James Kelman, Alexander Trocchi, Janice Galloway, Alan Warner and Irvine Welsh, as well as more recent work by Alan Riach and Pat Kane, who can be seen to take the 'post-Enlightenment' narrative forward. In doing so, it draws on the work of the Scottish thinkers John Macmurray and R.D. Laing as well as the continental philosophers Gilles Deleuze and Paul Virilio.Key Features* Engaging polemic which connects Scottish literature with critical theory and continental thinking with Scottish philosophy.* Provides a needed corrective to the 'theory-fear' which has often stopped Scotland looking at its own Enlightenment.* Offers the first book-length commentary on contemporary Scottish writers, as well as re-positioning more familiar writers such as Muriel Spark and James Kelman.
Author: Catherine Mary McLoughlin Publisher: Cambridge University Press ISBN: 1107129575 Category : Literary Criticism Languages : en Pages : 407
Book Description
This volume traces transitions in British literature from 1960 to 1980, illuminating a diverse range of authors, texts, genres and movements. It considers innovations in form, emergent identities, changes in attitudes, preoccupations and in the mind itself, local and regional developments, and shifts within the oeuvres of individual authors.
Author: Eleano Bell Publisher: Rodopi ISBN: 9401209804 Category : History Languages : en Pages : 305
Book Description
Although a number of publications have appeared in recent years marking the importance of the ‘swinging sixties’, many tend to be personally reflective in nature and London-centric in their coverage. By contrast, The Scottish Sixties: Reading, Rebellion, Revolution? addresses this misrepresentation and in so doing fills a gap in both Scottish and British literary and cultural studies. Through a series of academic analyses based on archival records, ephemera and work produced during the 1960s, this volume focuses uniquely on Scotland. In its concern with some of the key figures of Scottish cultural life, the book considers amongst other topics the implications of censorship, the role of little magazines in shaping cultural debates, the radical nature of much Scottish literature of the time, developments in the avant-garde and the role of experiment in theatre, film, TV, fine art and music.
Author: Lynn Abrams Publisher: Edinburgh University Press ISBN: 0748630414 Category : History Languages : en Pages : 320
Book Description
Over the twentieth century Scots' lives changed infast, dramatic and culturally significant ways. By examining their bodies,homes, working lives, rituals, beliefs and consumption, this volume exposeshow the very substance of everyday life was composed, tracing both theintimate and the mass changes that the people endured. Using novelperspectives and methods, chapters range across the experiences of work, artand death, the way Scots conceived of themselves and their homes, and theway the 'old Scotland' of oppressive community rules broke down frommid-century as the country reinvented its everyday life and culture. Thisvolume brings together leading cultural historians of twentieth-centuryScotland to study the apparently mundane activities of people's lives,traversing the key spaces where daily experience is composed to expose thecontroversial personal and national politics that ritual and practice cangenerate. Key features: *Contains an overview of the material changesexperienced by Scots in their everyday lives during the course of thecentury*Focuses on some of the key areas of change in everyday experience,from the way Scots spent their Sundays to the homes in which they lived,from the work they undertook to the culture they consumed and eventually theway they died. *Pays particular attention to identity as well asexperience
Author: Sam Cooper Publisher: Taylor & Francis ISBN: 1317190807 Category : Literary Criticism Languages : en Pages : 196
Book Description
This book tells, for the first time, the story of the Situationist International’s influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition — as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the ‘society of the spectacle.’ This book constructs a long cultural history, beginning in the interwar period with the arrival of Surrealism to Britain, moving through the countercultures of the 1950s and 1960s, and finally surveying the directions in which Situationist theory and practice are being taken today. It combines agile historicism with close readings of a vast range of archival and newly excavated materials, including newspaper reports, underground pamphlets, Psychogeographical films, and experimental novels. It brings to light an overlooked but ferociously productive period of British avant-garde practice, and demonstrates how this subterranean activity helps us to understand postwar culture, late modernism, and the complex internationalization of the avant-garde. As popular and academic interest in the Situationists grows, this book offers an important contribution to the international history of the avant-garde and Surrealism. It will prove a valuable resource for researchers and students of English and Comparative Literature, Modernism and the Avant-Gardes, Twentieth Century and Contemporary History, Cultural Studies, Art History, and Political Aesthetics.
Author: Gábor Gergely Publisher: Routledge ISBN: 1000512290 Category : Social Science Languages : en Pages : 484
Book Description
Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe. The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus. The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.
Author: Ian Brown Publisher: Rodopi ISBN: 9401209944 Category : History Languages : en Pages : 256
Book Description
Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.
Author: Matt McGuire Publisher: Edinburgh University Press ISBN: 0748636277 Category : Literary Criticism Languages : en Pages : 240
Book Description
The last three decades have seen unprecedented flourishing of creativity across the Scottish literary landscape, so that contemporary Scottish poetry constitutes an internationally renowned, award-winning body of work. At the heart of this has been the work of poets. As this poetry makes space for its own innovative concerns, it renegotiates the poetic inheritance of preceding generations. At the same time, Scottish poetry continues to be animated by writing from other places. The Edinburgh Companion to Contemporary Scottish Poetry is the definitive guide to this flourishing poetic scene. Its chapters examine Scottish poetry in all three of the nation's languages. It analyses many thematic preoccupations: tradition and innovation; revolutions in gender; the importance of place; the aesthetic politics of devolution. These chapters are complemented by extended close readings of the work of key poets that have defined this era, including Edwin Morgan, Kathleen Jamie, Don Paterson, Aonghas MacNeacail and John Burnside.
Author: Monica Germana Publisher: Edinburgh University Press ISBN: 0748686347 Category : Literary Criticism Languages : en Pages : 217
Book Description
This book provides a critical survey of the gothic texts of late twentieth-century and contemporary Scottish women writers including Kate Atkinson, Ellen Galford, A.L. Kennedy, Ali Smith and Emma Tennant focusing on four themes: quests and other worlds, w
Author: Michael Gardiner
Author: Michael Gardiner
Author: Michael Gardiner
Author: Catherine Mary McLoughlin
Author: Eleano Bell
Author: Lynn Abrams
Author: Sam Cooper
Author: Gábor Gergely
Author: Ian Brown
Author: Matt McGuire
Author: Monica Germana