Author: Douglas Wilson
Publisher: Canon Press & Book Service
ISBN: 1885767307
Category : Calvinism
Languages : en
Pages : 154
Book Description
Easy Chairs, Hard Words is a dialogue on God's sovereignty and predestination.
Easy Chairs, Hard Words
Author: Douglas Wilson
Publisher: Canon Press & Book Service
ISBN: 1885767307
Category : Calvinism
Languages : en
Pages : 154
Book Description
Easy Chairs, Hard Words is a dialogue on God's sovereignty and predestination.
Publisher: Canon Press & Book Service
ISBN: 1885767307
Category : Calvinism
Languages : en
Pages : 154
Book Description
Easy Chairs, Hard Words is a dialogue on God's sovereignty and predestination.
Mrs. Piccolo's Easy Chair
Author: Jean Jackson
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 40
Book Description
Hungry for a snack, Mrs. Piccolo's easy chair follows her to the grocery store, swallowing up several people as it goes.
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 40
Book Description
Hungry for a snack, Mrs. Piccolo's easy chair follows her to the grocery store, swallowing up several people as it goes.
From the Easy Chair
Author: George William Curtis
Publisher: BoD – Books on Demand
ISBN: 3734035597
Category : Fiction
Languages : en
Pages : 98
Book Description
Reproduction of the original: From the Easy Chair by George William Curtis
Publisher: BoD – Books on Demand
ISBN: 3734035597
Category : Fiction
Languages : en
Pages : 98
Book Description
Reproduction of the original: From the Easy Chair by George William Curtis
From the Easy Chair (Complete)
Author: George William Curtis
Publisher: Library of Alexandria
ISBN: 1613108427
Category : Fiction
Languages : en
Pages : 443
Book Description
The house was full, and murmurous with the pleasant chat and rustling movement of well-dressed persons of both sexes who waited patiently the coming of the orator, looking at the expanse of stage, which was carpeted, and covered with rows of settees that went backward from the footlights to a landscape of charming freshness of color, that might have been set for the "Maid of Milan" or the pastoral opera. Between the seats and the foot-lights was a broad space, upon which stood a small table and two or three chairs; and if the orator of the evening, like a primo tenore, had been surveying the house through the friendly chinks of the pastoral landscape, he would have felt a warm suffusion of pleasure that his name should be the magic spell to summon an audience so fair, so numerous, and so intelligent. There were ushers who showed ladies to seats, and with their dress-coats and bright badges looked like a milder Metropolitan police. But no greater force was presumed to be required of them than pressing aside a too discursive crinoline. In the soft, ample light, as the audience sat with fluttering ribbons and bright gems and splendid silks and shawls, so tranquilly expectant, so calmly smiling, so shyly blushing (if, haply, in all that crowd there were a pair of lovers!), it was hard to believe that civil war was wasting the land, and that at the very moment some of those glad hearts were broken--but would not know it until the sad news came. Yet it was easy, in the same glance, to feel that even the terrible shape that we thought we had eluded forever did not seem, after all, so terrible; that even civil war might be shaking the gates and the guests still smile in the chambers. But while leaning against the wall, under the balcony, the Easy Chair looks around upon the humming throng and thinks of camps far away, and beating drums and wild alarms and sweeping squadrons of battle, there is a sudden hush and a simultaneous glance towards one side of the house, and there, behind the seats at the side, and making for the stage door, marches a procession, two and two, very solemn, very bald, very gray, and in evening dress. They are the invited guests, the honored citizens of Brooklyn, the reverend clergy, and others; a body of substantial, intelligent, decorous persons. They disappear for a moment within the door, and immediately emerge upon the stage with a composed bustle, moving the seats, taking off their coats, sedately interchanging little jests, and finally seating themselves, and gazing at the audience evidently with a feeling of doubt whether the honor of the position compensates for its great disadvantage; for to sit behind an orator is to hear, without seeing, an actor. The audience is now waiting, both upon the stage and in the boxes, with patient expectation. There is little talking, but a tension of heads towards the stage. The last word is spoken there, the last joke expires; all attention is concentrated upon an expected object. The edge of eagerness is not suffered to turn, but precisely at the right moment a figure with a dark head and another with a gray head are seen at the depth of the stage, advancing through the aisle towards the foot-lights and the audience. They are the president of the society and the orator. The audience applauds. It is not a burst of enthusiasm; it is rather applausive appreciation of acknowledged merit. The gray-headed orator bows gravely and slightly, lays a roll of MS. upon the table, then he and the president seat themselves side by side. For a moment they converse, evidently complimenting the brilliant audience. The orator, also, evidently says that the table is right, that the light is right, that the glass of water is right, and finally that he is ready. In a few neat words "the honored son of Massachusetts" is introduced, and he rises and moves a few steps forward.
Publisher: Library of Alexandria
ISBN: 1613108427
Category : Fiction
Languages : en
Pages : 443
Book Description
The house was full, and murmurous with the pleasant chat and rustling movement of well-dressed persons of both sexes who waited patiently the coming of the orator, looking at the expanse of stage, which was carpeted, and covered with rows of settees that went backward from the footlights to a landscape of charming freshness of color, that might have been set for the "Maid of Milan" or the pastoral opera. Between the seats and the foot-lights was a broad space, upon which stood a small table and two or three chairs; and if the orator of the evening, like a primo tenore, had been surveying the house through the friendly chinks of the pastoral landscape, he would have felt a warm suffusion of pleasure that his name should be the magic spell to summon an audience so fair, so numerous, and so intelligent. There were ushers who showed ladies to seats, and with their dress-coats and bright badges looked like a milder Metropolitan police. But no greater force was presumed to be required of them than pressing aside a too discursive crinoline. In the soft, ample light, as the audience sat with fluttering ribbons and bright gems and splendid silks and shawls, so tranquilly expectant, so calmly smiling, so shyly blushing (if, haply, in all that crowd there were a pair of lovers!), it was hard to believe that civil war was wasting the land, and that at the very moment some of those glad hearts were broken--but would not know it until the sad news came. Yet it was easy, in the same glance, to feel that even the terrible shape that we thought we had eluded forever did not seem, after all, so terrible; that even civil war might be shaking the gates and the guests still smile in the chambers. But while leaning against the wall, under the balcony, the Easy Chair looks around upon the humming throng and thinks of camps far away, and beating drums and wild alarms and sweeping squadrons of battle, there is a sudden hush and a simultaneous glance towards one side of the house, and there, behind the seats at the side, and making for the stage door, marches a procession, two and two, very solemn, very bald, very gray, and in evening dress. They are the invited guests, the honored citizens of Brooklyn, the reverend clergy, and others; a body of substantial, intelligent, decorous persons. They disappear for a moment within the door, and immediately emerge upon the stage with a composed bustle, moving the seats, taking off their coats, sedately interchanging little jests, and finally seating themselves, and gazing at the audience evidently with a feeling of doubt whether the honor of the position compensates for its great disadvantage; for to sit behind an orator is to hear, without seeing, an actor. The audience is now waiting, both upon the stage and in the boxes, with patient expectation. There is little talking, but a tension of heads towards the stage. The last word is spoken there, the last joke expires; all attention is concentrated upon an expected object. The edge of eagerness is not suffered to turn, but precisely at the right moment a figure with a dark head and another with a gray head are seen at the depth of the stage, advancing through the aisle towards the foot-lights and the audience. They are the president of the society and the orator. The audience applauds. It is not a burst of enthusiasm; it is rather applausive appreciation of acknowledged merit. The gray-headed orator bows gravely and slightly, lays a roll of MS. upon the table, then he and the president seat themselves side by side. For a moment they converse, evidently complimenting the brilliant audience. The orator, also, evidently says that the table is right, that the light is right, that the glass of water is right, and finally that he is ready. In a few neat words "the honored son of Massachusetts" is introduced, and he rises and moves a few steps forward.
The View From The Rocking Chair
Author: Matt McGee
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979183598
Category :
Languages : en
Pages : 262
Book Description
When you get to the end of your life, what will you care about the most? Relationships. Your relationship with God, your spouse, your children, and your close friends. We know these relationships make up what matters most in life. Yet we live in a fast-paced world where developing deep and meaningful relationships is harder that ever. Explore what it looks like to: Live the full life, instead of busy. Raise children who are godly, not just good. Build God's Kingdom together as a family, rather than chasing after the American Dream. This book is designed to help you and your family walk through life making thoughtful and intentional choices while focusing daily on what is most important. It is meant to keep you from experiencing regret at the end of your life and lead you instead to a place of gratitude and contentment. Includes a small group study plan and discussion questions.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979183598
Category :
Languages : en
Pages : 262
Book Description
When you get to the end of your life, what will you care about the most? Relationships. Your relationship with God, your spouse, your children, and your close friends. We know these relationships make up what matters most in life. Yet we live in a fast-paced world where developing deep and meaningful relationships is harder that ever. Explore what it looks like to: Live the full life, instead of busy. Raise children who are godly, not just good. Build God's Kingdom together as a family, rather than chasing after the American Dream. This book is designed to help you and your family walk through life making thoughtful and intentional choices while focusing daily on what is most important. It is meant to keep you from experiencing regret at the end of your life and lead you instead to a place of gratitude and contentment. Includes a small group study plan and discussion questions.
The Stick Chair Book
Author: Christopher Schwarz
Publisher:
ISBN: 9781954697034
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781954697034
Category :
Languages : en
Pages :
Book Description
Now I Sit Me Down
Author: Witold Rybczynski
Publisher: Farrar, Straus and Giroux
ISBN: 0374713359
Category : Antiques & Collectibles
Languages : en
Pages : 257
Book Description
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
Publisher: Farrar, Straus and Giroux
ISBN: 0374713359
Category : Antiques & Collectibles
Languages : en
Pages : 257
Book Description
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
Angel Behind the Rocking Chair
Author: Pam Vredevelt
Publisher: Multnomah
ISBN: 0307797015
Category : Religion
Languages : en
Pages : 185
Book Description
After the loss of her first baby and the birth of a fourth child with Down Syndrome, Pam Vredevelt felt that she had fallen from God's grasp. As she was soon to discover, however, God was just beginning to hold her tight and lead the way out of her endless pit of despair. With humor and touching insight, Pam unveils her struggle to emerge from darkness into the light in this paperback release of her popular work. Many have been touched by the same anguish; Pam shares their stories and how the supernatural touch of God sustained them through the darkest days of life. From the Trade Paperback edition.
Publisher: Multnomah
ISBN: 0307797015
Category : Religion
Languages : en
Pages : 185
Book Description
After the loss of her first baby and the birth of a fourth child with Down Syndrome, Pam Vredevelt felt that she had fallen from God's grasp. As she was soon to discover, however, God was just beginning to hold her tight and lead the way out of her endless pit of despair. With humor and touching insight, Pam unveils her struggle to emerge from darkness into the light in this paperback release of her popular work. Many have been touched by the same anguish; Pam shares their stories and how the supernatural touch of God sustained them through the darkest days of life. From the Trade Paperback edition.
The Western Paradox
Author: Bernard DeVoto
Publisher: Yale University Press
ISBN: 0300133863
Category : Business & Economics
Languages : en
Pages : 614
Book Description
“This book is the fascinating record of DeVoto’s crusade to save the West from itself. . . . His arguments, insights, and passion are as relevant and urgent today as they were when he first put them on paper.”—Arthur M. Schlesinger, Jr., from the Foreword Bernard DeVoto (1897-1955) was, according to the novelist Wallace Stegner, “a fighter for public causes, for conservation of our natural resources, for freedom of the press and freedom of thought.” A Pulitzer Prize-winning historian, DeVoto is best remembered for his trilogy, The Year of Decision: 1846, Across the Wide Missouri, and The Course of Empire. He also wrote a column for Harper’s Magazine, in which he fulminated about his many concerns, particularly the exploitation and destruction of the American West. This volume brings together ten of DeVoto’s acerbic and still timely essays on Western conservation issues, along with his unfinished conservationist manifesto, Western Paradox, which has never before been published. The book also includes a foreword by Arthur M. Schlesinger, Jr., who was a student of DeVoto’s at Harvard University, and a substantial introduction by Douglas Brinkley and Patricia Limerick, both of which shed light on DeVoto’s work and legacy.
Publisher: Yale University Press
ISBN: 0300133863
Category : Business & Economics
Languages : en
Pages : 614
Book Description
“This book is the fascinating record of DeVoto’s crusade to save the West from itself. . . . His arguments, insights, and passion are as relevant and urgent today as they were when he first put them on paper.”—Arthur M. Schlesinger, Jr., from the Foreword Bernard DeVoto (1897-1955) was, according to the novelist Wallace Stegner, “a fighter for public causes, for conservation of our natural resources, for freedom of the press and freedom of thought.” A Pulitzer Prize-winning historian, DeVoto is best remembered for his trilogy, The Year of Decision: 1846, Across the Wide Missouri, and The Course of Empire. He also wrote a column for Harper’s Magazine, in which he fulminated about his many concerns, particularly the exploitation and destruction of the American West. This volume brings together ten of DeVoto’s acerbic and still timely essays on Western conservation issues, along with his unfinished conservationist manifesto, Western Paradox, which has never before been published. The book also includes a foreword by Arthur M. Schlesinger, Jr., who was a student of DeVoto’s at Harvard University, and a substantial introduction by Douglas Brinkley and Patricia Limerick, both of which shed light on DeVoto’s work and legacy.
How to Become a Writer
Author: Lorrie Moore
Publisher:
ISBN: 9780571323289
Category : Authorship
Languages : en
Pages : 32
Book Description
Taken from award-winning writer Lorrie Moore's debut short story collection Self-Help (1985), How To Become a Writer is a wryly witty deconstruction of tips for aspiring writers, told in vignettes by a self-absorbed narrator who fails to observe the wrold around her. A modern classic, this story has been pulled out to accompany the launch of the Faber Modern Classics list.
Publisher:
ISBN: 9780571323289
Category : Authorship
Languages : en
Pages : 32
Book Description
Taken from award-winning writer Lorrie Moore's debut short story collection Self-Help (1985), How To Become a Writer is a wryly witty deconstruction of tips for aspiring writers, told in vignettes by a self-absorbed narrator who fails to observe the wrold around her. A modern classic, this story has been pulled out to accompany the launch of the Faber Modern Classics list.