From Sophocles to Picasso PDF Download

Author: Whitney Jennings Oates
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216

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Author: Whitney Jennings Oates
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages :

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Author: Gertje Utley
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292

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The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.

Author: Michael S. Roth
Publisher: Getty Publications
ISBN: 9780892365388
Category : Autobiographical memory
Languages : en
Pages : 316

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In Disturbing Remains, ten extraordinary scholars focus on the remembrance and representation of traumatic historical events in the twentieth century. The volume opens with essays by David William Cohen, Veena Das, and Philip Gourevitch. Their reflections on the narratives framing Robert Ouko's death in Kenya, Sikh-Hindu violence in India around the time of Indira Gandhi's assassination, and the 1994 genocide of Tutsis by Hutus in Rwanda offer fresh insights into the genesis and aftermath of these tragedies. The next four essays explore the expression of societal disaster in works of art and ritual. Lenin's image, Pablo Picasso's Guernica, balsa figurines of whites made by the Kuna of Panama, and Chinese fertility statuettes after Mao Zedong's Great Leap Forward are the subjects taken up by Leah Dickerman, Carlo Ginzburg, Carlo Severi, and Jun Jing. Disturbing Remains closes with three essays about the influence of the dead on the construction of shared identity. István Rév looks at how Hungarians have dealt with the 1956 revolution and its executed leader, and Jörn Rüsen and Saul Friedländer contemplate the public memory of the Holocaust in Germany and worldwide.

Author: Ray Anne Kibbey
Publisher: New York : Garland Pub.
ISBN:
Category : Art
Languages : en
Pages : 312

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Author: Laurie Schneider Adams
Publisher: Routledge
ISBN: 042998183X
Category : Art
Languages : en
Pages : 583

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A pioneering overview of art and psychoanalysis that shows how each field can enrich and enlarge the other.

Author: Harry C. Rutledge
Publisher: University of Georgia Press
ISBN: 0820332666
Category : Literary Criticism
Languages : en
Pages : 174

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In The Guernica Bull, Harry C. Rutledge examines the use of classical motifs in twentieth-century literature, art, and drama. From the echoes of Plato's dialogues at the heart of Thomas Mann's Death in Venice to the retelling of the story of Harmodius and Aristogiton--a story with grim parallels to Nazi Germany--in Marguerite Yourcenar's Léna, these modern works are a testament to both the creativity of modern artists and the versatility and timelessness of classical themes. Rutledge finds the ideal meshing of classical images and modern sensibility in Pablo Picasso's Guernica. The most startling classical image in the painting is the bull, a Cubist face staring out from the canvas at the viewer, unmoved by the scene of death and destruction around him. A symbol of the intense violence and disorder which has characterized this century, Picasso's Minoan bull is, at the same time, a symbol of creative potency and artistic achievement. The classical tradition in our era is, Rutledge suggests, multi-faceted, much like the Cubist paintings which view human beings as if through a prism, in all their infinite variety and beauty. The legacy of the Greeks and Romans is both stimulus and resource for modern artists, as evidenced by the meticulous historical reconstruction in Yourcenar's Mémoires d'Hadrien, the recreation of an ancient setting in modern terms in Jean Cocteau's The Infernal Machine and T. S. Eliot's The Family Reunion, and the influence of classical monuments and landscapes in the poetry of Frederick Nicklaus, James Dickey, and Richard Wilbur. Modern artists have often found an affinity between themselves and the ancients. In the Greek and Roman works that, through their clarity and brevity, have transcended time and place, contemporary writers and painters perceive the essence of the infinite, which is the challenge in any artistic endeavor. Showing how some modernists have met this challenge, The Guernica Bull explores the ancient antecedents of several of the most distinctive twentieth-century masterpieces.

Author: Melvin E. Becraft
Publisher: Lulu.com
ISBN: 1365195929
Category : Art
Languages : en
Pages : 256

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Book Description
Analysis and criticism of Picasso's painting Guernica and key related Picasso paintings. In addition, there are two unauthenticated related drawings thought to be by Picasso by this author. Since this is a critique of art, quotes are considered by the author to be Fair Use.

Author: Anita Coles Costello
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 490

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Author: Lisa Florman
Publisher: MIT Press
ISBN: 9780262561556
Category : Architecture
Languages : en
Pages : 300

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Book Description
A radical new interpretation of Picasso and his relation to the classical seen through the artist's prints of the 1930s.