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Author: Edward Simmons Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 261
Book Description
This book is an autobiography of the American Impressionist painter, Edward Simmons, who is well-known for his mural works, one of which was featured in the Library of Congress. Simmons was a member of the Ten American Painters, who, as a group, seceded from the Society of American Artists. He was also considered a contributor to the style known as the American Renaissance, a movement after the American Civil War that stressed the relationships among architecture, painting, sculpture, and interior design.
Author: Edward Simmons Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 261
Book Description
This book is an autobiography of the American Impressionist painter, Edward Simmons, who is well-known for his mural works, one of which was featured in the Library of Congress. Simmons was a member of the Ten American Painters, who, as a group, seceded from the Society of American Artists. He was also considered a contributor to the style known as the American Renaissance, a movement after the American Civil War that stressed the relationships among architecture, painting, sculpture, and interior design.
Author: Anne Gregory Terhune Publisher: University of Pennsylvania Press ISBN: 0812208870 Category : Juvenile Nonfiction Languages : en Pages : 293
Book Description
This first full-length study fosters a greater understanding of Hovenden's gifts as a painter and of his stylistic contribution to art. Chronologically organized, it is both a retrospective of Hovenden's work and a critical biography of the artist.
Author: Paul M. Zall Publisher: Univ. of Tennessee Press ISBN: 9780870495441 Category : Humor Languages : en Pages : 236
Book Description
Compares humorous stories Twain told publicly and privately with those wrongly attributed to him, and discusses his development as a speaker.
Author: Bailey Van Hook Publisher: Penn State Press ISBN: 9780271024790 Category : Social Science Languages : en Pages : 308
Book Description
Images of women were ubiquitous in America at the turn of the last century. In painting and sculpture, they took on a bewildering variety of identities, from Venus, Ariadne, and Diana to Law, Justice, the Arts, and Commerce. Bailey Van Hook argues here that the artists' concepts of art coincided with the construction of gender in American culture. She finds that certain characteristics such as &"ideal,&" &"beautiful,&" &"decorative,&" and &"pure&" both describe this art and define the perceived role of women in American society at the time. Most late nineteenth-century American artists had trained in Paris, where they learned to use female imagery as a pictorial language of provocative sensuality. Van Hook first places the American artists in an international context by discussing the works of their French teachers, including Jean-L&éon G&ér&ôme and Alexandre Cabanel. She goes on to explore why they soon had to distance themselves from that context, primarily because their art was perceived as either openly sensual or too obliquely foreign by American audiences. Van Hook delineates the modes of representation the American painters chose, which ranged from the more traditional allegorical or mythological subjects to a decorative figure painting indebted to Whistler. Changing American culture ultimately rejected these idealized female images as too genteel and, eventually, too academic and European. Angels of Art is the first study to discuss the predominance of images of women across stylistic boundaries and within the wider context of European art. It relies heavily on contemporary sources both to document critical responses and to find intersecting patterns in attitudes toward women and art.
Author: Edward Simmons
Author: Edward Simmons
Author: W. L. George
Author: Anne Gregory Terhune
Author: Bailey Van Hook
Author: 
Author: Edward Livermore Burlingame
Author: Paul M. Zall
Author: Bailey Van Hook
Author: Herbert David Croly
Author: Mariana G. Van Rensselaer