From John Durang to George Balanchine PDF Download

Author: Rick Anthony Simas
Publisher:
ISBN:
Category :
Languages : en
Pages : 484

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Author: Richard Buckle
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 472

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Book Description
Biografie van de oorspronkelijk Russische choreograaf.

Author: John Clifford
Publisher: University Press of Florida
ISBN: 0813072018
Category : Biography & Autobiography
Languages : en
Pages : 289

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Book Description
A talented young dancer and his brilliant teacher In this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine’s Apprentice is the story of Clifford—an exceptionally talented artist—and the guiding inspiration for his life’s work in dance. Growing up in Hollywood with parents in show business, Clifford acted in television productions such as The Danny Kaye Show, The Dinah Shore Show, and Death Valley Days. He recalls the beginning of his obsession with ballet: At age 11 he was cast as the Prince in a touring production of The Nutcracker. The director was none other than the legendary Balanchine, who would eventually invite Clifford to New York City and shape his career as both a mentor and artistic example. During his dazzling tenure with the New York City Ballet, Clifford danced the lead in 47 works, several created for him by Balanchine, Jerome Robbins, and others. He partnered famous ballerinas including Gelsey Kirkland and Allegra Kent. He choreographed eight ballets for the company, his first at age 20. He performed in Russia, Germany, France, and Canada. Afterward, he returned to the West Coast to found the Los Angeles Ballet, where he continued to innovate based on the Balanchine technique. In this book, Clifford provides firsthand insight into Balanchine’s relationships with his dancers, including Suzanne Farrell. Examining his own attachment to his charismatic teacher, Clifford explores questions of creative influence and integrity. His memoir is a portrait of a young dancer who learned and worked at lightning speed, who pursued the calls of art and genius on both coasts of America and around the world.

Author: Moira Shearer
Publisher: New York : Putnam
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216

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It was their sole encounter, but the sheer force and élan of Balanchine's personality, technique and genius held the young ballerina in total thrall from that day to this. As Moira Shearer observed his works over the years, she determined to set down Balanchine's extraordinary career and tempestuous life from a dancer's perspective. She researched his Russian youth, and the dazzling Diaghilev and continental years. She talked with key colleagues, ex-wives and impresarios as living background to her account of his hard-won triumphs with the New York City Ballet as the most innovative and important choreographer of this century. The story of Balanchine's life is here is full, the romantic destructiveness and willfulness along with the genius, but it is informal and distillate rather than compendious.

Author: Cassie Abate
Publisher: Bloomsbury Publishing
ISBN: 1350193364
Category : Performing Arts
Languages : en
Pages : 217

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Book Description
What does a musical theatre choreographer actually do? They just 'make up the steps', right? This book firstly debunks the misunderstandings around what musical theatre choreographers actually do, demonstrating their need to have an in-depth understanding of storytelling, music theory, performance practices and plot structure in order to create movement that enhances and enlivens the musical. Secondly, it equips the musical theatre choreographer with all the tools needed to create nuanced, informed and inspired movement for productions, through structured activities that build specific skills (such as 'notating the script' and 'scoring the score'). Traditionally, this training has been something of a series of secrets, passed from mentor to apprentice. The author demystifies the process to make the previously undisclosed “tricks of the trade” accessible to all choreographers, everywhere. Covering the entire process of choreographing a musical from the first script reading to the final curtain call, this book makes case for the absolute integrity of the choreographer to any musical theatre production and sets out the theoretical principles of choreography alongside the practical application during every step of the production process.

Author: Robert Gottlieb
Publisher: Harper Collins
ISBN: 006200865X
Category : Biography & Autobiography
Languages : en
Pages : 197

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Book Description
The foremost contemporary choreographer in the history of ballet, George Balanchine extended the art form into radical new paths that came to seem inevitable under his direction. He transformed movement and dance in classical and modern ballet, on the Broadway stage, and in the cinema. George Balanchine chronicles the life and achievements of this visionary artist from his early, almost accidental career in Russia, where his lifelong collaboration with Igor Stravinsky was forged, to his extraordinary accomplishments in America. The editor and writer Robert Gottlieb, one of the most knowledgeable dance critics in America, offers a superb and loving portrait of a genius who, though married many times to many ballerinas, remained truest to his greatest love, Terpischore, the Greek Muse of dance.

Author: Jennifer Homans
Publisher: Random House Trade Paperbacks
ISBN: 0812984781
Category : Biography & Autobiography
Languages : en
Pages : 817

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PULITZER PRIZE FINALIST • “A fascinating read about a true genius and his unrelenting thirst for beauty in art and in life.”—MIKHAIL BARYSHNIKOV Winner of the Plutarch Award for Best Biography and the Marfield Prize for Arts Writing • Finalist for the National Book Critics Circle Award, the Los Angeles Times Book Prize, the PEN/Jacqueline Bograd Weld Award, and the Kirkus Prize • Longlisted for the Baillie Gifford Prize Based on a decade of unprecedented research, the first major biography of George Balanchine, a broad-canvas portrait set against the backdrop of the tumultuous century that shaped the man The New York Times called “the Shakespeare of dancing”—from the bestselling author of Apollo’s Angels New York Times Editors’ Choice • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Vanity Fair, NPR, Oprah Daily Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—The New York Times called him “the Shakespeare of dancing.” His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine’s tumultuous and high-pitched life story and into the making of his extraordinary dances. Balanchine’s life intersected with some of the biggest historical events of his century. Born in Russia under the last czar, Balanchine experienced the upheavals of World War I, the Russian Revolution, exile, World War II, and the Cold War. A co-founder of the New York City Ballet, he pressed ballet in America to the forefront of modernism and made it a popular art. None of this was easy, and we see his loneliness and failures, his five marriages—all to dancers—and many loves. We follow his bouts of ill health and spiritual crises, and learn of his profound musical skills and sensibility and his immense determination to make some of the most glorious, strange, and beautiful dances ever to grace the modern stage. With full access to Balanchine’s papers and many of his dancers, Jennifer Homans, the dance critic for The New Yorker and a former dancer herself, has spent more than a decade researching Balanchine’s life and times to write a vast history of the twentieth century through the lens of one of its greatest artists: the definitive biography of the man his dancers called Mr. B.

Author: Kimberly Wylie
Publisher: GRIN Verlag
ISBN: 3638542912
Category : Biography & Autobiography
Languages : en
Pages : 16

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Essay from the year 2003 in the subject Biographies, University of Phoenix, language: English, abstract: By the time of George Balanchine’s untimely passing on April 30th, 1983, this 20th century master of choreography in ballet had created more than 400 works. His name is celebrated in the art world, much as Picasso or Stravinsky. Balanchine was arguably the most influential person in ballet, and his legacy continues to benefit the world of ballet long after his death.

Author: George Balanchine
Publisher: Viking Adult
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 438

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Author: Elizabeth Kattner
Publisher: University Press of Florida
ISBN: 0813057663
Category : Performing Arts
Languages : en
Pages : 193

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Book Description
Ever since George Balanchine arrived on the American dance scene in 1933, his revolutionary, fleet-footed repertoire has been immortalized in the ballet canon. Yet most of the works he created in Russia as a budding choreographer have been lost to history—until now. In the first book to focus exclusively on Balanchine’s Russian ballets, Elizabeth Kattner offers new insights into the artistic evolution of a legend through her reconstruction of his first group ballet, Funeral March. Drawing on more than a decade of research conducted in archives in the United States and Europe, Kattner synthesizes textual descriptions, photographs, musical scores, and the comparative study of other early Balanchine ballets in order to re-create this forgotten work. By interpreting and building upon these historical findings in the studio and in performance, this project enables dance history to be experienced kinesthetically. Addressing the controversy surrounding whether unrecorded dances should be reconstructed in the first place, Kattner meticulously describes her research methodologies, providing a valuable resource for other scholars seeking to revive history in this way. Finding Balanchine’s Lost Ballets enriches our understanding of Balanchine’s development as a choreographer through its ambitious, original approach to the subject. Kattner argues for the importance of dance reconstruction, when correctly approached, as a tool for reimagining the past and charting the future possibilities of dance history research.