From Garrick to Gluck PDF Download

Author: Daniel Heartz
Publisher: Pendragon Press
ISBN: 9781576470817
Category : History
Languages : en
Pages : 360

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Book Description
A collection of 18 essays on musical theatre in the eighteenth century, written between 1967 and 2001

Author: Patricia Howard
Publisher: Cambridge University Press
ISBN: 9780521296649
Category : Music
Languages : en
Pages : 160

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Book Description
This book explores all aspects of Gluck's historically important opera Orfeo.

Author: David Charlton
Publisher: Cambridge University Press
ISBN: 1316515842
Category : Music
Languages : en
Pages : 393

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Book Description
A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.

Author: Patricia Howard
Publisher: Routledge
ISBN: 1351565362
Category : History
Languages : en
Pages : 512

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Book Description
This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck‘s life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.

Author: Patricia Howard
Publisher: Psychology Press
ISBN: 9780415940726
Category : Music
Languages : en
Pages : 178

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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Margaret R. Butler
Publisher: Eastman Studies in Music
ISBN: 1580469019
Category : Drama
Languages : en
Pages : 198

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Book Description
How do you create a style of opera that speaks to everyone, when no one agrees on what it should say -- or how?

Author: Jessica Gabriel Peritz
Publisher: Univ of California Press
ISBN: 0520380800
Category : Music
Languages : en
Pages : 300

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Book Description
How did "voice" become a metaphor for selfhood in the Western imagination? The Lyric Myth of Voice situates the emergence of an ideological connection between voice and subjectivity in late eighteenth-century Italy, where long-standing political anxieties and new notions of cultural enlightenment collided in the mythical figure of the lyric poet-singer. Ultimately, music and literature together shaped the singing voice into a tool for civilizing modern Italian subjects. Drawing on a range of approaches and frameworks from historical musicology to gender studies, disability studies, anthropology, and literary theory, Jessica Gabriel Peritz shows how this ancient yet modern myth of voice attained interpretable form, flesh, and sound. The publisher gratefully acknowledges the generous support of the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844

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Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.

Author: Stefan Berger
Publisher: Routledge
ISBN: 1136592881
Category : History
Languages : en
Pages : 378

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Book Description
Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their uses, which expands outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term. One of its fortes is the inclusion of Eastern Europe. The cross-national angle of Popularizing National Pasts is apparent in the scope of its comparative project, as well as that of the longue durée it covers. Apart from essays on Britain, France, and Germany, the collection includes studies of popular histories in Scandinavia, Eastern and Southern Europe, notably Romania, Bulgaria, Croatia, Armenia, Russia and the Ukraine, as well as considering the US and Argentina. Cross-national comparison is also a central concern of the thirteen case studies in the volume, which are, each, devoted to comparing between two, or more, national historical cultures. Thus temporality –both continuities and breaks- in popular notions of the past, its interpretations and consumption, is examined in the long continuum. The volume makes available to English readers, probably for the first time, the cutting edge of Eastern European scholarship on popular histories, nationalism and culture.

Author: Mark Darlow
Publisher: Routledge
ISBN: 1351192051
Category : Social Science
Languages : en
Pages : 269

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Book Description
"Eighteenth-century French cultural life was often characterised by quarrels, and the arrival of Viennese composer Christoph Willibald Gluck in Paris in 1774 was no exception, sparking a five-year pamphlet and press controversy which featured a rival Neapolitan composer, Niccolo Piccinni. However, as this study shows, the Gluck-Piccinni controversy was about far more than which composer was better suited to lead French operatic reform. A consideration of cultural politics in 1770s Paris shows that a range of issues were at stake: court versus urban taste as the proper judge of music, whether amateurs or specialists should have the right to speak of opera, whether the epic or the tragic mode is more suited for drama reform, and even: why should the public argue about opera at all? Mark Darlow is Senior Lecturer in French at the University of Cambridge."