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Author: Brian K. Etter Publisher: Routledge ISBN: 1351735071 Category : Social Science Languages : en Pages : 409
Book Description
This title was first published in 2001. The last century has witnessed the ascendancy of the avant-garde in music. From Schoenberg to Boulez to Stockhausen, the avant-garde has defined the modern conception of musical creativity. Contemporary serious music demands the "new" in terms of style, form and ways of listening and hearing. Implicit in this approach is the rejection of the "old", from the baroque to the music of the later 19th-century symphonists. Paradoxically, however, it is this "old" repertoire which contiues to dominate concert programmes. An exploration of this dichotomy lies at the heart of this book. Drawing on a wealth of European philosophical and musical texts, the author examines the origins of the avant-garde and its relation to modernity in tandem with the history of the tonal tradition.
Author: Brian K. Etter Publisher: Routledge ISBN: 1351735071 Category : Social Science Languages : en Pages : 409
Book Description
This title was first published in 2001. The last century has witnessed the ascendancy of the avant-garde in music. From Schoenberg to Boulez to Stockhausen, the avant-garde has defined the modern conception of musical creativity. Contemporary serious music demands the "new" in terms of style, form and ways of listening and hearing. Implicit in this approach is the rejection of the "old", from the baroque to the music of the later 19th-century symphonists. Paradoxically, however, it is this "old" repertoire which contiues to dominate concert programmes. An exploration of this dichotomy lies at the heart of this book. Drawing on a wealth of European philosophical and musical texts, the author examines the origins of the avant-garde and its relation to modernity in tandem with the history of the tonal tradition.
Author: Charles Jencks Publisher: ISBN: Category : Architecture, Postmodern Languages : en Pages : 374
Book Description
Describes the return to a new classical style within art and architecture. Includes 350 illustrations of paintings, sculpture, and architecture.
Author: Ana Carden-Coyne Publisher: OUP Oxford ISBN: 0191609382 Category : History Languages : en Pages : 360
Book Description
The First World War mangled faces, blew away limbs, and ruined nerves. Ten million dead, twenty million severe casualties, and eight million people with permanent disabilities - modern war inflicted pain and suffering with unsparing, mechanical efficiency. However, such horror was not the entire story. People also rebuilt their lives, their communities, and their bodies. From the ashes of war rose beauty, eroticism, and the promise of utopia. Ana Carden-Coyne investigates the cultures of resilience and the institutions of reconstruction in Britain, Australia, and the United States. Immersed in efforts to heal the consequences of violence and triumph over adversity, reconstruction inspired politicians, professionals, and individuals to transform themselves and their societies. Bodies were not to remain locked away as tortured memories. Instead, they became the subjects of outspoken debate, the objects of rehabilitation, and commodities of desire in global industries. Governments, physicians, beauty and body therapists, monument designers and visual artists looked to classicism and modernism as the tools for rebuilding civilization and its citizens. What better response to loss of life, limb, and mind than a body reconstructed?
Author: Charles Jencks Publisher: Rizzoli International Publications ISBN: Category : Art Languages : en Pages : 368
Book Description
Describes the return to a new classical style within art and architecture. Includes 350 illustrations of paintings, sculpture, and architecture.
Author: Paul Goldberger Publisher: Yale University Press ISBN: 0300267665 Category : Architecture Languages : en Pages : 301
Book Description
A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture’s place in the contemporary moment “Architecture begins to matter,” writes Paul Goldberger, “when it brings delight and sadness and perplexity and awe along with a roof over our heads.” In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant’Ivo in Rome as a work that “embraces the deepest complexities of human imagination.” In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson’s academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.
Author: Thomas Doremus Publisher: Van Nostrand Reinhold Company ISBN: 9780442016661 Category : Architecture, Modern Languages : en Pages : 168
Book Description
Classical Styles in Modern Architecture From the Colonnade to Disjunctured Space Thomas L. Doremus The rise of Post-modernism in late twentieth century architecture has kindled a new, intense debate about the viability of classical styles in the modern city, a debate fueled by the Preservation movement, with many arguments heard on both sides. Unfortunately, too often these arguments have been couched in dense, theoretical terms and illustrated with highly technical documentation. Now, in Classical Styles in Architecture, acclaimed architectural theorist Thomas L. Doremus has avoided jargon and arcane language to provide a clear examination of the ways in which modernism is different from classicism. At the same time he demonstrates how each can be accommodated in contemporary life. In brilliant, lucid prose, he shows that the development of modern architecture was a much more gradual process in the United States than it was in Europe, and expounds the theory that modernism is not a rejection but rather a democratization of classical architecture, with elements from each given equal value rather than subordinated in a hierarchical system. Within this inclusionary view, he writes, it is possible to adapt modernist tenets to the information age and develop a viable approach to future design. Lavishly illustrated and impeccably credentialed, this book includes: Photographs that show and reference ordinary, everyday buildings and civic structures along with some of the more familiar monuments of architecture A historical section that identifies the growth of democratic governments as one of the foundations of modernism. Focusing on the United States rather than on the socialist societies of Europe, it is thus more relevant to the contemporary political situation Discussions of leading theorists such as Giedion, Pevsner, and Venturi, as well as of key buildings and architects drawn from the past one hundred years Technological, cultural, and formal analyses of both classicism and modernism A discursive rather than scholarly review of why buildings look the way they do Classical Styles in Modern Architecture is certain to expand the debate on the subject and possibly even provoke controversy. Given the impact that many post-modern projects have had on the fabric of most American cities, however, it is bound to be of interest to any reader concerned about the future of ture in the United States-in the ways our cities will look and, consequently, how we will live in them
Author: Theodore Ziolkowski Publisher: University of Chicago Press ISBN: 022618398X Category : Art Languages : en Pages : 254
Book Description
This title defines the theory and practice of 'classicism' as practised in the 1920s by a number of composers, writers, and artists, setting it off against other movements of the period that are customarily grouped together under the general heading of 'modernism'. It argues that classicism is a more precise term than neo-classicism during this period, since every classicism from antiquity to the present shares certain common qualities as well as characteristics of its own time.
Author: Dafydd Gwilym Wood Publisher: ISBN: Category : Languages : en Pages : 632
Book Description
This dissertation seeks to abolish the inherited cliché that the Modernist writers and artists rejected earlier art and literature, particularly that of the classical tradition. In fact, both literature and art of the early 20th century made widespread use of the inherited Greco-Roman tradition in a myriad of ways. Moreover, beginning after the First World War and maturing in the 1920s, a demonstrative Neoclassical "movement" appeared across different types of art and different nations. A neoclassical or classicizing style or form is inherently malleable, an empty signifier that can, through an artist or writer's emphasis, point towards any number of meanings. This allowed a classical style to become widespread along with its seeming resiliency as the ordered, traditional bedrock of the West. In the 1930s, however, the fascist parties of Germany, France, and Italy began to appropriate the neoclassical as a state- or party-style because of the ease with which politics could be incorporated into a relatively vacant form. Their systematic use of the classical tradition in large part "tainted" classical subjects and styles, which allowed for the post-World War II institutionalization of the avant garde. I argue that texts which used the classical tradition could do so in four distinct manners--four types of classicism. Symbolic Classicism controls its classical material by using it only at the level of hollow icon which pregnantly gestures towards antiquity. Traditional Classicism, like an adaptation of a classical narrative particularly in drama, becomes completely dependent on its borrowings. Formal Classicism borrows an inherited, vacant form which can then be injected with Modernity. Finally, Synthetic Classicism necessitates a careful balancing of the classical material, not reducing it to symbolic meaning, but producing a novel narrative or mirroring-effect, that controls its various elements designed into a modern theme or objective.
Author: Edith Crouch Publisher: Schiffer Publishing ISBN: 9780764345241 Category : Architecture Languages : en Pages : 0
Book Description
The work of Walker & Gillette, one of the leading architectural firms of the twentieth century, is documented with an extensive text and over 800 illustrations. These include many unpublished works by the company and by architect Joseph Mordecai Hirschman, whose passion for old world buildings influenced their design. The first half of the twentieth century featured a wide variety of architectural styles, including Classicism, Art Deco, and Modernism, which Walker & Gillette used well. Established in the early twentieth century, this firm would remain active until the 1950s. Over the years, the firm diversified, planning residential country estates, urban mansions, town homes, and apartments. Commercial, corporate, and governmental architecture, Art Deco skyscrapers, and unique commissions are all covered, as are the interiors they created for private yachts, ocean liners, the Playland Amusement Park, and their 1939 New York World's Fair offering. This book has relevance and appeal to architects, artists, historians, and readers who love vibrant American history.
Author: Michel Chion Publisher: Columbia University Press ISBN: 0231552858 Category : Art Languages : en Pages : 217
Book Description
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.
Author: Brian K. Etter
Author: Brian K. Etter
Author: Charles Jencks
Author: Ana Carden-Coyne
Author: Charles Jencks
Author: Paul Goldberger
Author: Thomas Doremus
Author: Theodore Ziolkowski
Author: Dafydd Gwilym Wood
Author: Edith Crouch
Author: Michel Chion