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Author: John M. McManamon Publisher: Texas A&M University Press ISBN: 1648431151 Category : Social Science Languages : en Pages : 513
Book Description
The saga of Caligula’s barges sunk in Lake Nemi south of Rome—how the huge vessels came to be there in the first place; why they became a cause célèbre for Mussolini’s Fascist regime; how they were, after multiple attempts, recovered from the lake bed; and why they were shortly thereafter destroyed—is, in the words of author John McManamon, a good story that is worth telling: “It has memorable characters, twists and turns in the plot, no lack of conflict and tension, and a dramatic ending where something clearly went wrong.” In From Caligula to the Nazis: The Nemi Ships in Diana’s Sanctuary, McManamon takes readers on an excursion through history to the fiery ending of the tale, a journey propelled by narrative energy and enhanced by the fruits of careful research. Related topics include Roman mythology and state religion, the erratic reign of the infamous Caligula, underwater archaeology as practiced during the Renaissance, the ideological exploitation of archaeology by Il Duce and his fascist followers, and a historical whodunit to ascertain the choices that led to the arson of the ship remains. McManamon covers every chapter in the 2,000-year history of the ships and does not ignore the mistaken interpretations that at times led subsequent researchers into blind alleys. In the end, From Caligula to the Nazis provides for both academic specialists and informed general readers the careful unwinding of a centuries-long mystery, replete with heroes, villains, gods, kings, and numerous ordinary folk swept up into the maelstrom.
Author: John M. McManamon Publisher: Texas A&M University Press ISBN: 1648431151 Category : Social Science Languages : en Pages : 513
Book Description
The saga of Caligula’s barges sunk in Lake Nemi south of Rome—how the huge vessels came to be there in the first place; why they became a cause célèbre for Mussolini’s Fascist regime; how they were, after multiple attempts, recovered from the lake bed; and why they were shortly thereafter destroyed—is, in the words of author John McManamon, a good story that is worth telling: “It has memorable characters, twists and turns in the plot, no lack of conflict and tension, and a dramatic ending where something clearly went wrong.” In From Caligula to the Nazis: The Nemi Ships in Diana’s Sanctuary, McManamon takes readers on an excursion through history to the fiery ending of the tale, a journey propelled by narrative energy and enhanced by the fruits of careful research. Related topics include Roman mythology and state religion, the erratic reign of the infamous Caligula, underwater archaeology as practiced during the Renaissance, the ideological exploitation of archaeology by Il Duce and his fascist followers, and a historical whodunit to ascertain the choices that led to the arson of the ship remains. McManamon covers every chapter in the 2,000-year history of the ships and does not ignore the mistaken interpretations that at times led subsequent researchers into blind alleys. In the end, From Caligula to the Nazis provides for both academic specialists and informed general readers the careful unwinding of a centuries-long mystery, replete with heroes, villains, gods, kings, and numerous ordinary folk swept up into the maelstrom.
Author: Charles River Charles River Editors Publisher: Createspace Independent Publishing Platform ISBN: 9781523478439 Category : Languages : en Pages : 32
Book Description
*Includes pictures *Describes the purpose of the ships, their sizes, and some of the technologically advanced objects found on board *Includes online resources and a bibliography for further reading *Includes a table of contents For several centuries, fishermen on Lake Nemi in Italy could see ship wreckage on the floor of the lake, and in 1928, under the patronage of Italian dictator Benito Mussolini, one of the most extraordinary archaeological recovery processes was begun to raise from the floor of Lake Nemi, a small volcanic lake in the Alban Hills, some 30 miles south of Rome, two sunken barges that had lain half buried in the silt since the reign of the Roman Emperor Caligula. The recovery of these two vessels was a massive archaeological operation, unique in scope and scale, but also not atypical of the local and international prestige projects which Mussolini used to embellish his popularity, and for which he had become known. Through undertaking projects of this nature, Mussolini sought not only to highlight the splendor of Italian imperial history but also to recreate it, and to guide the Kingdom of Italy, and his own fascist dictatorship, along the road towards recapturing the glory days of the great Roman Empire. The recovery of the Nemi Ships was one such enterprise. It presented Mussolini with the opportunity to reveal to the world once again the superiority of ancient Roman culture and technology, while at the same time illustrating the advances in modern Italian technology that allowed for such a daring and groundbreaking salvage operation to take place. As the waters of Lake Nemi subsided, and as the carcasses of the first ship came into view, the shores of the lake were crowded with archaeologists, researchers, journalists and politicians bearing witness to one of the greatest moments in archaeological history. As it turned out, the two ships dated back to Caligula, with the smaller boat serving as a floating temple and the bigger one serving as a floating palace for Caligula himself. The bigger boat was one of the largest ships ever constructed during antiquity, and it had used technology that would not again be available until the 19th century. For example, in addition to their size, the ships on Lake Nemi used advanced water pumps and anchors, as well as the first evidence of the Romans' use of ball bearings, used to create a platform for a rotating statue. The ships at Nemi were perfect symbols for the excesses of Caligula, so after Caligula was assassinated, the ships were intentionally scuttled. Unfortunately, that was not the last time the ships met an untimely fate, because in May 1944, during World War II, the Allies were pushing the Nazis north through Italy and a battle was waged in the area. On the night of May 31, the ships were almost completely destroyed in a fire. Both sides blamed the other, but despite their loss, a lot of work has gone into replicating the ships and continuing to display the artifacts that were aboard. Caligula's Nemi Ships: The History of the Roman Emperor's Mysterious Luxury Barges chronicles the history, discovery, and destruction of the famous ships. Along with pictures of important people, places, and events, you will learn about the Nemi ships like never before, in no time at all.
Author: Publisher: BRILL ISBN: 9004417362 Category : Art Languages : en Pages : 148
Book Description
The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, and cultural issues raised by one of only two surviving statues of the Roman emperor Caligula (r. 37-41 C.E.).
Author: Michael Y. Bennett Publisher: Taylor & Francis ISBN: 1040001610 Category : Literary Criticism Languages : en Pages : 803
Book Description
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author: Henrik Palmer Olsen Publisher: Routledge ISBN: 1317178890 Category : Law Languages : en Pages : 243
Book Description
Law can be seen to consist not only of rules and decisions, but also of a framework of institutions providing a structure that forms the conditions of its workable existence and acceptance. In this book Olsen and Toddington conduct a philosophical exploration and critique of these conditions: what they are and how they shape our understanding of what constitutes a legal system and the role of justice within it.
Author: John Foley Publisher: Routledge ISBN: 1317492706 Category : Philosophy Languages : en Pages : 311
Book Description
Adopting an interdisciplinary approach, encompassing philosophy, literature, politics and history, John Foley examines the full breadth of Camus' ideas to provide a comprehensive and rigorous study of his political and philosophical thought and a significant contribution to a range of debates current in Camus research. Foley argues that the coherence of Camus' thought can best be understood through a thorough understanding of the concepts of 'the absurd' and 'revolt' as well as the relation between them. This book includes a detailed discussion of Camus' writings for the newspaper "Combat", a systematic analysis of Camus' discussion of the moral legitimacy of political violence and terrorism, a reassessment of the prevailing postcolonial critique of Camus' humanism, and a sustained analysis of Camus' most important and frequently neglected work, "L'Homme revolte" (The Rebel).
Author: Deborah Cartmell Publisher: John Wiley & Sons ISBN: 1119554810 Category : Performing Arts Languages : en Pages : 466
Book Description
The most comprehensive reference text of theoretical and historical discourse on the biopic film The biopic, often viewed as the most reviled of all film genres, traces its origins to the early silent era over a century ago. Receiving little critical attention, biopics are regularly dismissed as superficial, formulaic, and disrespectful of history. Film critics, literary scholars and historians tend to believe that biopics should be artistic, yet accurate, true-to-life representations of their subjects. Moviegoing audiences, however, do not seem to hold similar views; biopics continue to be popular, commercially viable films. Even the genre’s most ardent detractors will admit that these films are often very watchable, particularly due to the performance of the lead actor. It is increasingly common for stars of biographical films to garner critical praise and awards, driving a growing interest in scholarship in the genre. A Companion to the Biopic is the first global and authoritative reference on the subject. Offering theoretical, historical, thematic, and performance-based approaches, this unique volume brings together the work of top scholars to discuss the coverage of the lives of authors, politicians, royalty, criminals, and pop stars through the biopic film. Chapters explore evolving attitudes and divergent perspectives on the genre with topics such as the connections between biopics and literary melodramas, the influence financial concerns have on aesthetic, social, or moral principles, the merger of historical narratives with Hollywood biographies, stereotypes and criticisms of the biopic genre, and more. This volume: Provides a systematic, in-depth analysis of the biopic and considers how the choice of historical subject reflects contemporary issues Places emphasis on films that portray race and gender issues Explores the uneven boundaries of the genre by addressing what is and is not a biopic as well as the ways in which films simultaneously embrace and defy historical authenticity Examines the distinction between reality and ‘the real’ in biographical films Offers a chronological survey of biopics from the beginning of the 20th century A Companion to the Biopic is a valuable resource for researchers, scholars, and students of history, film studies, and English literature, as well as those in disciplines that examine interpretations of historical figures
Author: Anthony A. Barrett Publisher: Routledge ISBN: 1134609884 Category : Biography & Autobiography Languages : en Pages : 369
Book Description
Of all Roman emperors none, with the possible exception of Nero, surpasses Caligula's reputation for infamy. But was Caligula really the mad despot and depraved monster of popular legend or the victim of hostile ancient historians? In this study of Caligula's life, reign and violent death, Anthony A. Barrett draws on the archaeological and numismatic evidence to supplement the later written record. In Professor Barrett's view, the mystery of Caligula's reign is not why he descended into autocracy, but how any intelligent Roman could have expected a different outcome - to grant total power to an inexperienced and arrogant young man was a recipe for disaster. This book, scholarly and accessible, offers a careful reconstruction of Caligula's life and times, and a shrewd assessment of his historical importance.
Author: Sam Wilkinson Publisher: Routledge ISBN: 1134246935 Category : Biography & Autobiography Languages : en Pages : 119
Book Description
Sam Wilkinson provides an accessible introduction to the reign of Caligula, one of the most controversial of all the Roman Emperors. Caligula's policies have often been interpreted to be those of a depraved tyrant. This study provides a reassessment of this controversial reign by scrutinising the ancient literary sources that are so hostile to Caligula, and by examining the reasoning behind the policies he enforced. Key topics discussed include: * Caligula's early life and accession to power * Caligula's relationship with the Senate * how far Caligula's domestic and foreign policies can be judged to be a success * why Caligula was assassinated in AD 41, only four years after his accession to power. With a guide to primary and secondary sources, a chronology and a detailed glossary, Caligula is an invaluable study of the reign of this fascinating Emperor.
Author: Hannah Simpson Publisher: Oxford University Press ISBN: 019267787X Category : Literary Criticism Languages : en Pages : 201
Book Description
Samuel Beckett and the Theatre of the Witness explores Beckett's representation of physical pain in his theatre plays in the long aftermath of World War II, emphasising how the issues raised by this staging of pain speak directly to matters lying at the heart of his work: the affective power of the human body; the doubtful capacity of language as a means of communication; the aesthetic and ethical functioning of the theatre medium; and the vexed question of intersubjective empathy. Alongside the wartime and post-war plays of fellow Francophone writers Albert Camus, Eugène Ionesco, Pablo Picasso, and Marguerite Duras, this study resituates Beckett's early plays in a new conceptualising of le théâtre du témoin or a 'theatre of the witness'. These are plays concerned with the epistemological and ethical uncertainties of witnessing another's pain, rather than with the sufferer's own direct experience. They raise troubling questions about our capacity to comprehend and respond to another being's pain. Drawing on an interdisciplinary framework of extant criticism, recorded historical audience response, theatre and affect theory, and medical understandings of bodily pain, Hannah Simpson argues that these plays do not offer any easily negotiable encounter with physical suffering, pushing us to recognise the very 'otherness' of another being's pain, even as it invades our own affective sphere. In place of any comforting transcendence or redemption of endured pain, they offer a starkly sceptical, even pessimistic probing of what it is to witness another's suffering.