Author: Gayle L. Ormiston
Publisher: Lehigh University Press
ISBN: 9780934223096
Category : Science
Languages : en
Pages : 236
Book Description
Bringing together philosophy, literary criticism and textual theory, social and political theory, and the philosophy of language and cognitive science, this collection intends to establish an interpretive framework for exploring the ubiquity nd mediacy of technology.
From Artifact to Habitat
Author: Gayle L. Ormiston
Publisher: Lehigh University Press
ISBN: 9780934223096
Category : Science
Languages : en
Pages : 236
Book Description
Bringing together philosophy, literary criticism and textual theory, social and political theory, and the philosophy of language and cognitive science, this collection intends to establish an interpretive framework for exploring the ubiquity nd mediacy of technology.
Publisher: Lehigh University Press
ISBN: 9780934223096
Category : Science
Languages : en
Pages : 236
Book Description
Bringing together philosophy, literary criticism and textual theory, social and political theory, and the philosophy of language and cognitive science, this collection intends to establish an interpretive framework for exploring the ubiquity nd mediacy of technology.
Archaeological Concepts, Techniques, and Terminology for American Prehistoric Lithic Technology
Author: Wm Jack Hranicky
Publisher: AuthorHouse
ISBN: 1481751743
Category : Social Science
Languages : en
Pages : 586
Book Description
Archaeological Concepts, Techniques, and Terminology for American Prehistory Lithic Technology by Wm Jack Hranicky is a 600-page comprehensive publication that encompasses the study of American prehistoric stone tools and implements. It is a look-up volume for studying the material culture of prehistoric people and using its concepts and methods for researching this aspect of archaeology. There are over 3000 entries which are defined and illustrated. It also has an extensive set of references and an overview for the study of stone tools.
Publisher: AuthorHouse
ISBN: 1481751743
Category : Social Science
Languages : en
Pages : 586
Book Description
Archaeological Concepts, Techniques, and Terminology for American Prehistory Lithic Technology by Wm Jack Hranicky is a 600-page comprehensive publication that encompasses the study of American prehistoric stone tools and implements. It is a look-up volume for studying the material culture of prehistoric people and using its concepts and methods for researching this aspect of archaeology. There are over 3000 entries which are defined and illustrated. It also has an extensive set of references and an overview for the study of stone tools.
Habitat Structure
Author: S.S. Bell
Publisher: Springer Science & Business Media
ISBN: 9401130760
Category : Science
Languages : en
Pages : 451
Book Description
We conceived the idea for this book after teaching a graduate seminar on 'Habitat Complexity' at The University of South Florida. Discussions during the seminar led us to conclude that similar goals were to be found in studies of the topic that spanned the breadth of ecological research. Yet, the exact meaning of 'habitat structure', and the way in which it was measured, seemed to differ widely among subdisciplines. Our own research, which involves several sorts of ecology, convinced us that the differences among subdisciplines were indeed real ones, and that they did inhibit communica tion. We decided that interchange of ideas among researchers working in marine ecology, plant-animal interactions, physiological ecology, and other more-or-less independent fields would be worthwhile, in that it might lead to useful generalizations about 'habitat structure'. To foster this interchange of ideas. we organized a symposium to attract researchers working with a wide variety of organisms living in many habitats, but united in their interest in the topic of 'habitat structure'. The symposium was held at The University of South Florida's Chinsegut Hill Conference Center, in May. 1988. We asked participants to think about 'habitat structure' in new ways; to synthesize important, but fragmented, information; and. perhaps. to consider ways of translating ideas across systems. The chapters contained in this book reflect the participants' attempts to do so. The book is divided into four parts, by major themes that we have found useful categorizations.
Publisher: Springer Science & Business Media
ISBN: 9401130760
Category : Science
Languages : en
Pages : 451
Book Description
We conceived the idea for this book after teaching a graduate seminar on 'Habitat Complexity' at The University of South Florida. Discussions during the seminar led us to conclude that similar goals were to be found in studies of the topic that spanned the breadth of ecological research. Yet, the exact meaning of 'habitat structure', and the way in which it was measured, seemed to differ widely among subdisciplines. Our own research, which involves several sorts of ecology, convinced us that the differences among subdisciplines were indeed real ones, and that they did inhibit communica tion. We decided that interchange of ideas among researchers working in marine ecology, plant-animal interactions, physiological ecology, and other more-or-less independent fields would be worthwhile, in that it might lead to useful generalizations about 'habitat structure'. To foster this interchange of ideas. we organized a symposium to attract researchers working with a wide variety of organisms living in many habitats, but united in their interest in the topic of 'habitat structure'. The symposium was held at The University of South Florida's Chinsegut Hill Conference Center, in May. 1988. We asked participants to think about 'habitat structure' in new ways; to synthesize important, but fragmented, information; and. perhaps. to consider ways of translating ideas across systems. The chapters contained in this book reflect the participants' attempts to do so. The book is divided into four parts, by major themes that we have found useful categorizations.
From Idolatry to Advertising: Visual Art and Contemporary Culture
Author: Susan G. Josephson
Publisher: Routledge
ISBN: 1315479990
Category : Political Science
Languages : en
Pages : 288
Book Description
This book records the conclusions that I came to as I thought through the cultural evolution of each of the different sorts of visual art and tried to piece together their story from the perspective of philosophy. Chapter 1 discusses how culture shapes art to be what it is from the outside, like a mold shapes clay, and the great power of art to affect the way we think and to promote cultural change. Chapter 2 discusses the evolution of Fine Art from its birth in the Renaissance to its present old age and decline. Chapter 3 discusses the institutional structures that make art for popular taste its own sort of art, and the culture wars over censorship and whether public art should be Fine Art, or art for popular taste. Chapters 4 and 5 discuss the life histories of design and advertising. This book is also the story of how art interacts with technology. In my work in Artificial Intelligence research I saw that there is an intimate connection between the evolution of design in engineering and design in art. In both sorts of design there is a growing understanding of how to make and use levels of packaging, and how to approach things from the functional perspective of the artifact. This is discussed in Chapter 4. My talk in Chapter 1 of how art styles affect us also reflects this functional approach. That is, instead of approaching art styles in the traditional ways, I have approached them in terms of the tasks of vision and how art delivers information packaged to be understood at different levels of visual processing. Using this functional approach, I stress what art does for us rather than what art is. I also tried to address the evolution of culture given the mass media and mass market, and the role of art in the growing marriage between television and computer. As I thought about computers in my work in Artificial Intelligence, I saw that a new sort of idolatry was arising where ^he computers were being asked to be infallible experts giving us advice on everything from taxes to marriage problems and our health. I saw that computers were being used not just as art tools and artists, but also as art objects like the ancient idols. This started me thinking about how other ancient functions of religion were being filled by advertising and the media.
Publisher: Routledge
ISBN: 1315479990
Category : Political Science
Languages : en
Pages : 288
Book Description
This book records the conclusions that I came to as I thought through the cultural evolution of each of the different sorts of visual art and tried to piece together their story from the perspective of philosophy. Chapter 1 discusses how culture shapes art to be what it is from the outside, like a mold shapes clay, and the great power of art to affect the way we think and to promote cultural change. Chapter 2 discusses the evolution of Fine Art from its birth in the Renaissance to its present old age and decline. Chapter 3 discusses the institutional structures that make art for popular taste its own sort of art, and the culture wars over censorship and whether public art should be Fine Art, or art for popular taste. Chapters 4 and 5 discuss the life histories of design and advertising. This book is also the story of how art interacts with technology. In my work in Artificial Intelligence research I saw that there is an intimate connection between the evolution of design in engineering and design in art. In both sorts of design there is a growing understanding of how to make and use levels of packaging, and how to approach things from the functional perspective of the artifact. This is discussed in Chapter 4. My talk in Chapter 1 of how art styles affect us also reflects this functional approach. That is, instead of approaching art styles in the traditional ways, I have approached them in terms of the tasks of vision and how art delivers information packaged to be understood at different levels of visual processing. Using this functional approach, I stress what art does for us rather than what art is. I also tried to address the evolution of culture given the mass media and mass market, and the role of art in the growing marriage between television and computer. As I thought about computers in my work in Artificial Intelligence, I saw that a new sort of idolatry was arising where ^he computers were being asked to be infallible experts giving us advice on everything from taxes to marriage problems and our health. I saw that computers were being used not just as art tools and artists, but also as art objects like the ancient idols. This started me thinking about how other ancient functions of religion were being filled by advertising and the media.
Establishment of a Geologic Framework for Paleoanthropology
Author: Léo F. Laporte
Publisher: Geological Society of America
ISBN: 081372242X
Category : Science
Languages : en
Pages : 84
Book Description
Publisher: Geological Society of America
ISBN: 081372242X
Category : Science
Languages : en
Pages : 84
Book Description
The Routledge Companion to the Environmental Humanities
Author: Ursula Heise
Publisher: Taylor & Francis
ISBN: 1317660196
Category : Political Science
Languages : en
Pages : 507
Book Description
The Routledge Companion to the Environmental Humanities provides a comprehensive, transnational, and interdisciplinary map to the field, offering a broad overview of its founding principles while providing insight into exciting new directions for future scholarship. Articulating the significance of humanistic perspectives for our collective social engagement with ecological crises, the volume explores the potential of the environmental humanities for organizing humanistic research, opening up new forms of interdisciplinarity, and shaping public debate and policies on environmental issues. Sections cover: The Anthropocene and the Domestication of Earth Posthumanism and Multispecies Communities Inequality and Environmental Justice Decline and Resilience: Environmental Narratives, History, and Memory Environmental Arts, Media, and Technologies The State of the Environmental Humanities The first of its kind, this companion covers essential issues and themes, necessarily crossing disciplines within the humanities and with the social and natural sciences. Exploring how the environmental humanities contribute to policy and action concerning some of the key intellectual, social, and environmental challenges of our times, the chapters offer an ideal guide to this rapidly developing field.
Publisher: Taylor & Francis
ISBN: 1317660196
Category : Political Science
Languages : en
Pages : 507
Book Description
The Routledge Companion to the Environmental Humanities provides a comprehensive, transnational, and interdisciplinary map to the field, offering a broad overview of its founding principles while providing insight into exciting new directions for future scholarship. Articulating the significance of humanistic perspectives for our collective social engagement with ecological crises, the volume explores the potential of the environmental humanities for organizing humanistic research, opening up new forms of interdisciplinarity, and shaping public debate and policies on environmental issues. Sections cover: The Anthropocene and the Domestication of Earth Posthumanism and Multispecies Communities Inequality and Environmental Justice Decline and Resilience: Environmental Narratives, History, and Memory Environmental Arts, Media, and Technologies The State of the Environmental Humanities The first of its kind, this companion covers essential issues and themes, necessarily crossing disciplines within the humanities and with the social and natural sciences. Exploring how the environmental humanities contribute to policy and action concerning some of the key intellectual, social, and environmental challenges of our times, the chapters offer an ideal guide to this rapidly developing field.
Harnessed
Author: Mark Changizi
Publisher: BenBella Books, Inc.
ISBN: 1935618830
Category : Science
Languages : en
Pages : 216
Book Description
The scientific consensus is that our ability to understand human speech has evolved over hundreds of thousands of years. After all, there are whole portions of the brain devoted to human speech. We learn to understand speech before we can even walk, and can seamlessly absorb enormous amounts of information simply by hearing it. Surely we evolved this capability over thousands of generations. Or did we? Portions of the human brain are also devoted to reading. Children learn to read at a very young age and can seamlessly absorb information even more quickly through reading than through hearing. We know that we didn't evolve to read because reading is only a few thousand years old. In Harnessed, cognitive scientist Mark Changizi demonstrates that human speech has been very specifically “designed" to harness the sounds of nature, sounds we've evolved over millions of years to readily understand. Long before humans evolved, mammals have learned to interpret the sounds of nature to understand both threats and opportunities. Our speech—regardless of language—is very clearly based on the sounds of nature. Even more fascinating, Changizi shows that music itself is based on natural sounds. Music—seemingly one of the most human of inventions—is literally built on sounds and patterns of sound that have existed since the beginning of time. From Library Journal: "Many scientists believe that the human brain's capacity for language is innate, that the brain is actually "hard-wired" for this higher-level functionality. But theoretical neurobiologist Changizi (director of human cognition, 2AI Labs; The Vision Revolution) brilliantly challenges this view, claiming that language (and music) are neither innate nor instinctual to the brain but evolved culturally to take advantage of what the most ancient aspect of our brain does best: process the sounds of nature ... it will certainly intrigue evolutionary biologists, linguists, and cultural anthropologists and is strongly recommended for libraries that have Changizi's previous book." From Forbes: “In his latest book, Harnessed, neuroscientist Mark Changizi manages to accomplish the extraordinary: he says something compellingly new about evolution.… Instead of tackling evolution from the usual position and become mired in the usual arguments, he focuses on one aspect of the larger story so central to who we are, it may very well overshadow all others except the origin of life itself: communication."
Publisher: BenBella Books, Inc.
ISBN: 1935618830
Category : Science
Languages : en
Pages : 216
Book Description
The scientific consensus is that our ability to understand human speech has evolved over hundreds of thousands of years. After all, there are whole portions of the brain devoted to human speech. We learn to understand speech before we can even walk, and can seamlessly absorb enormous amounts of information simply by hearing it. Surely we evolved this capability over thousands of generations. Or did we? Portions of the human brain are also devoted to reading. Children learn to read at a very young age and can seamlessly absorb information even more quickly through reading than through hearing. We know that we didn't evolve to read because reading is only a few thousand years old. In Harnessed, cognitive scientist Mark Changizi demonstrates that human speech has been very specifically “designed" to harness the sounds of nature, sounds we've evolved over millions of years to readily understand. Long before humans evolved, mammals have learned to interpret the sounds of nature to understand both threats and opportunities. Our speech—regardless of language—is very clearly based on the sounds of nature. Even more fascinating, Changizi shows that music itself is based on natural sounds. Music—seemingly one of the most human of inventions—is literally built on sounds and patterns of sound that have existed since the beginning of time. From Library Journal: "Many scientists believe that the human brain's capacity for language is innate, that the brain is actually "hard-wired" for this higher-level functionality. But theoretical neurobiologist Changizi (director of human cognition, 2AI Labs; The Vision Revolution) brilliantly challenges this view, claiming that language (and music) are neither innate nor instinctual to the brain but evolved culturally to take advantage of what the most ancient aspect of our brain does best: process the sounds of nature ... it will certainly intrigue evolutionary biologists, linguists, and cultural anthropologists and is strongly recommended for libraries that have Changizi's previous book." From Forbes: “In his latest book, Harnessed, neuroscientist Mark Changizi manages to accomplish the extraordinary: he says something compellingly new about evolution.… Instead of tackling evolution from the usual position and become mired in the usual arguments, he focuses on one aspect of the larger story so central to who we are, it may very well overshadow all others except the origin of life itself: communication."
The Stack
Author: Benjamin H. Bratton
Publisher: MIT Press
ISBN: 026202957X
Category : Computers
Languages : en
Pages : 523
Book Description
A comprehensive political and design theory of planetary-scale computation proposing that The Stack—an accidental megastructure—is both a technological apparatus and a model for a new geopolitical architecture. What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self—quantification and the arrival of legions of sensors, algorithms, and robots. Together, how do these distort and deform modern political geographies and produce new territories in their own image? In The Stack, Benjamin Bratton proposes that these different genres of computation—smart grids, cloud platforms, mobile apps, smart cities, the Internet of Things, automation—can be seen not as so many species evolving on their own, but as forming a coherent whole: an accidental megastructure called The Stack that is both a computational apparatus and a new governing architecture. We are inside The Stack and it is inside of us. In an account that is both theoretical and technical, drawing on political philosophy, architectural theory, and software studies, Bratton explores six layers of The Stack: Earth, Cloud, City, Address, Interface, User. Each is mapped on its own terms and understood as a component within the larger whole built from hard and soft systems intermingling—not only computational forms but also social, human, and physical forces. This model, informed by the logic of the multilayered structure of protocol “stacks,” in which network technologies operate within a modular and vertical order, offers a comprehensive image of our emerging infrastructure and a platform for its ongoing reinvention. The Stack is an interdisciplinary design brief for a new geopolitics that works with and for planetary-scale computation. Interweaving the continental, urban, and perceptual scales, it shows how we can better build, dwell within, communicate with, and govern our worlds. thestack.org
Publisher: MIT Press
ISBN: 026202957X
Category : Computers
Languages : en
Pages : 523
Book Description
A comprehensive political and design theory of planetary-scale computation proposing that The Stack—an accidental megastructure—is both a technological apparatus and a model for a new geopolitical architecture. What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self—quantification and the arrival of legions of sensors, algorithms, and robots. Together, how do these distort and deform modern political geographies and produce new territories in their own image? In The Stack, Benjamin Bratton proposes that these different genres of computation—smart grids, cloud platforms, mobile apps, smart cities, the Internet of Things, automation—can be seen not as so many species evolving on their own, but as forming a coherent whole: an accidental megastructure called The Stack that is both a computational apparatus and a new governing architecture. We are inside The Stack and it is inside of us. In an account that is both theoretical and technical, drawing on political philosophy, architectural theory, and software studies, Bratton explores six layers of The Stack: Earth, Cloud, City, Address, Interface, User. Each is mapped on its own terms and understood as a component within the larger whole built from hard and soft systems intermingling—not only computational forms but also social, human, and physical forces. This model, informed by the logic of the multilayered structure of protocol “stacks,” in which network technologies operate within a modular and vertical order, offers a comprehensive image of our emerging infrastructure and a platform for its ongoing reinvention. The Stack is an interdisciplinary design brief for a new geopolitics that works with and for planetary-scale computation. Interweaving the continental, urban, and perceptual scales, it shows how we can better build, dwell within, communicate with, and govern our worlds. thestack.org
Proposed Wilderness Program for the Phoenix Wilderness EIS Area
Author:
Publisher:
ISBN:
Category : Conservation of natural resources
Languages : en
Pages : 156
Book Description
The draft environmental impact statement analyzing the environmental consequences of proposed wildlife designation of wilderness study areas located in the Phoenix Resource Area and in the Cerbat-Black Planning Area of the Kingman Resource Area.
Publisher:
ISBN:
Category : Conservation of natural resources
Languages : en
Pages : 156
Book Description
The draft environmental impact statement analyzing the environmental consequences of proposed wildlife designation of wilderness study areas located in the Phoenix Resource Area and in the Cerbat-Black Planning Area of the Kingman Resource Area.