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Author: Witte de With, centrum voor hedendaagse kunst Publisher: Witte de with Center for Contemporary Art ISBN: Category : Art Languages : en Pages : 148
Book Description
From #2 features a series of short essays which provide an art historical and theoretical context for the Witte de With's exhibition program, and will investigate and represent the European cultural identity as seen through the practice of contemporary art.
Author: Witte de With, centrum voor hedendaagse kunst Publisher: Witte de with Center for Contemporary Art ISBN: Category : Art Languages : en Pages : 148
Book Description
From #2 features a series of short essays which provide an art historical and theoretical context for the Witte de With's exhibition program, and will investigate and represent the European cultural identity as seen through the practice of contemporary art.
Author: Eulàlia Valldosera Publisher: Witte de with Center for Contemporary Art ISBN: Category : Art Languages : en Pages : 230
Book Description
Eulalia Valldosera has created an oeuvre of unusual beauty since 1990. Valldosera works in the media of sculpture, installation, photography and performance in a variety of combinations. She distills a constellation of dreamlike moments centering on the female body, domestic environments and the everyday objects. Her intimate work is crafted from light, shadow, reflection and movement. This book presents a significant body of her work first time and is co-producted with Fundacio Antoni Tapies.
Author: Annette W. Balkema Publisher: Rodopi ISBN: 9789042008014 Category : Art and motion pictures Languages : en Pages : 198
Book Description
In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L&B (Lier en Boog)series and the Amsterdam School of Cultural Analysis (ASCA).Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, René Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, Noël Carroll, Sean Cubitt, Cãlin Dan, Chris Dercon, Honoré d'O, Anne-Marie Duquet, Ken Feingold, Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski.
Author: Witte de With Publisher: Distributed Art Pub Incorporated ISBN: 9783928762656 Category : Art Languages : en Pages : 136
Book Description
This catalogue documents a two-part project that included an exhibition with works by Eadweard Muybridge and Jan Dibbets, together with a documentary created by Chris Dercon for Dutch television on the history and future of cinema. Photographic images of the exhibition and film stills from the documentary are elucidated by accompanying texts written by prominent critics.
Author: Laura Harris Publisher: Fordham Univ Press ISBN: 0823279804 Category : Literary Criticism Languages : en Pages : 308
Book Description
Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of “the motley crew” historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life.
Author: Witte de With, centrum voor hedendaagse kunst
Author: Witte de With, centrum voor hedendaagse kunst
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Author: Eulàlia Valldosera
Author: Annette W. Balkema
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Author: Witte de With
Author: Witte de With
Author: Ann Temkin
Author: Laura Harris